Alternatural Thoughts

Might Versus Misfits

2012-01-20T14:56:00.000-08:00

So here’s the cover to the first issue of A Vs X, or Avengers Vs. X-Men. I’m not happy that John Romita, Jr.’s handling the art; I prefer him doing solo books like Kick-Ass. For some reason, his Avengers last year looked pretty messy.

Anyway, it’s an interesting cover by Jim Cheung. If previous teasers are to be believed, Wolverine and Beast will switch sides. Speaking of those teaser images, some of those matches are weird, like Hulk vs. Emma Frost, Beast vs. Cage, and Iceman vs. Spider-Man.

There are specific encounters that I doubt will happen, but I’d still like to see them during the event: Valkyrie vs. a Hela-repowered Dani Moonstar; Kitty Pryde vs. Amadeus Cho; Dr. Strange vs. Magik; Quicksilver vs. Northstar; Thing vs. Rockslide; Moondragon vs. Emma Frost; M vs. Jewel; War Machine vs. Warlock; Justice vs. Hellion; She-Hulk vs. Frenzy.

I think it’s more likely that there’ll be meetings like Avengers Academy vs. Jean Grey Institute, and X-Force vs. Secret Avengers. Let’s hope that those conflicts won’t be limited to just a few pages, if indeed they do happen.

As much as I really like the Avengers, I’m siding with the underdogs this time. I’d like the X-Men to win it. It’ll be a challenge to think of another moniker for the Avengers if they’re not “Earth’s Mightiest Heroes” anymore, but it would be an intriguing new status quo. I do think that they’ll beat up the X-Men resoundingly, but there's a possibility that the deus ex machina-ish Phoenix Force will merge with Hope Summers and turn the tables at the last minute.

Blood makes noise, again

2012-01-20T14:54:00.000-08:00

Kate Beckinsale is still rocking that skintight suit, playing her vampire-warrior character Selene for the third time in “Underworld: Awakening.”

“Awakening” is the action-fantasy series’ fourth part. It’s still a very mechanical enterprise; the action and stunts are top-notch, but like the other parts that starred Beckinsale, you don’t really get invested or deeply affected. The characters are almost impervious, and its typical hunt-fight-regroup structure doesn’t offer anything new, different stakes notwithstanding. The third film, “Rise of the Lycans,” at least had the forbidden love angle and hidden history that made sense of the movies’ mythology.

Still, some sequences impress. The stylish opening credits illustrate a changed world; vampires and werewolves are outed, uniting humans in flushing out and destroying the “infected.” Selene is separated from her hybrid lover Michael (Scott Speedman), and is cryogenically imprisoned for 12 years.

She escapes, of course, only to be stalked by an underwear model—well, not really, but fellow vampire David (Theo James) sure looks like one. They run into some sickly Lycans and save a girl (India Eisley), who happens to be Selene’s… yes, you probably guessed it the first time.

If anything, “Awakening’s” 3D effects do enhance the elaborate fight scenes; flying pieces of windshield and other debris and projectiles translate quite nicely.

The film isn’t even an hour and 20 minutes long, but there really isn’t much story to tell anyway. Video game-y fisticuffs, gore, repetitive monster mayhem—yes, it’s another “Underworld,” with some confused parent-child dynamic added to the recycled mix.

Still chipper ‘Chipmunks’

2012-01-20T14:52:00.000-08:00

(From the Jan. 16-31 issue of The Fortnightly)

By Oliver M. Pulumbarit

Whether you adored, abhorred, or felt nothing for their first two movies, the squeaky singing sensations are back in “Alvin and the Chipmunks 3: Chipwrecked,” which actually isn’t as bland as the trailer suggests.

The big screen versions of the beloved TV cartoon characters are distinct from each other: Alvin is adventurous and reckless; Simon’s the smart one; Theodore is cute and has a big appetite. Their favorite human, Dave (Jason Lee) treats them and their unrelated female counterparts, the Chipettes, like his own kids. The furry little critters are celebrities, almost always winning over listeners with their unique renditions of classic and contemporary pop hits.

That’s pretty much what the first two live-action films were about; whatever relevance they tried to imbue the stories with—assimilation into human society, career exploitation, etc.—are easily forgotten, and don’t really enhance those movies. The merging of CGI rodents with real environments automatically skews sense and logic in this reality, and it often feels like their stories are just filler scenes between energetic music numbers.

But even the novelty seems to have worn off; the Chipmunks’ and Chipettes’ performance of “Bad Romance” in the trailer feels a tad odd, even desperate. Yes, they’ve done pop songs du jour, but the idea of yet another movie with mostly trendy, with-it covers can inspire advanced exhaustion.

Good thing the movie itself has a more coherent story this time. Spending time off at a cruise ship, bored Alvin and company fly a kite, which soon lifts them off and forces them to land on an island. They soon discover that it isn’t uninhabited, as a long-marooned woman (Jenny Slate) welcomes them to her “Castaway”-ish world.

Bespectacled Simon suddenly undergoes a personality shift after being bitten by a spider, changing from the somewhat uptight one into a suave and outgoing French version of himself. Alvin, usually the irresponsible and misbehaving chipmunk, is unhappy with the transformation, and eventually becomes active in getting the Chipmunks and Chipettes organized during their island “vacation.”

“Chipwrecked” has its cartoon characters (voiced by Justin Long, Jesse McCartney, Christina Applegate, etc.) performing typically sped-up and cartoonized renditions of old and new-ish songs, including the Go-Gos’ “Vacation,” Willow Smith’s “Whip My Hair” (although they aptly changed it to “Whip My Tail”), Katy Perry’s “Firework,” and Lady Gaga’s “Born This Way” (sans the gender identity enumeration part).

Dave and the Chipmunks’ nemesis, the smarmy ex-record label guy Ian (David Cross), also returns. But he’s not exactly the despicable character that previously menaced the good guys; oddly enough, he’s given the chance to redeem himself in this installment.

Humor-wise, only very young kids will find the characters’ antics funny. It’s a good thing there’s no unnecessary and wince-inducing love angle between the adult human characters this time.

The animated parts and performances are nicely done, as usual. But there’s not much to admire, as the computer-rendered imagery are limited to the characters and some sets. Still, young viewers may find “Chipwrecked” pleasantly diverting, while adults may forget about it even before they leave the cinema.

1998 Dhampyr Interview

2012-01-20T14:49:00.000-08:00

This “trading card set” was used for the interior back cover of a comic book I drew, “Dhampyr,” written by David Hontiveros and published by Alamat nearly 14 years ago. The arrangement of these drawings was changed, and the spaces between and around them were made black, so it had a striking window frame-like look.

My thanks to Reggie Manlungat, who unearthed and posted this old 1998 interview for a fanzine called La Liga Filifina. I totally forgot about it until he reminded me last month. I’m reposting it with some punctuation corrections. According to Reggie, he gave me a questionnaire via snail mail and I sent my handwritten reply to him. I was in my early 20s back then. This made me smile (and wince) when I read it a few weeks ago.

Reggie Manlungat: When did you start in comics?

Oliver Pulumbarit: Dhampyr is the first comic book that got printed, although I have other stuff that’s been done for Alamat way before Dhampyr was given to me.

RM: Who are your influences? Your style is unique compared to other artists, especially Jim Lee clones and some manga artists.

OP: I have lots of influences and Jim Lee is one of them. I think that artists who clone manga or any “hot” artist will eventually evolve into their own style. It’s a phase, after all, and it’s their choice. If they’re happy with it, well and good. Back to my influences, I like the ‘80s stints of John Romita, Jr. and Marc Silvestri on X-Men, and Art Adams, Walt Simonson were also influential to me back then. A few years ago, I discovered the art of Bernie Wrightson, Nick Manabat and Albrecht Durer. Recently, I’m into drawing from life. I try to incorporate a more realistic and observant approach. I’m letting movies, music, and life experiences broaden my mind, as well as help develop my talent further. You get new ideas that way.

RM: What do you think is wrong with the Philippine comic book industry?

OP: Before Alamat, “the industry” was about local “komiks”– quick reads which almost every time eventually ended up as fish wrapper. But that was meant for that crowd. I think there’s nothing wrong with that. It’s a decent job for most people involved in it. Alamat serves as an alternative to US comics, and a more sophisticated crowd is what the group is after. Alamat, and other alternative publishers have struggled and are now getting recognized. Hopefully, bigger things will happen to Pinoy comics.

RM: What is the worst comic book that you’ve seen in your entire life?

OP: Lots. I just can’t recall a specific one right now. And I’d rather not name them. After all, one man’s bad comic book may be another’s gold.

RM: When you first read the script for Dhampyr, did you have any idea how much work it was going to involve?

OP: I knew it was going to be very visual. I was worried, because it was a 3 issue mini-series. I thought it might take forever to finish. The 3 issues merged into a one-shot, and if you noticed, each chapter was an issue long, because that was the initial intent.

RM: What kind of research did you do for the Dhampyr comic?

OP: David Hontiveros lent me postcards and photographs of places and gothic stuff. They were very useful. Also, watching vampire movies for the nth time (like Coppola’s Dracula, and Interview with a Vampire) helped make me feel the mood of the story.

RM: How closely did you work with David Hontiveros in creating the character designs for Dhampyr?

OP: He gave me short descriptions, and gave me free reign on the characters. For instance, Gregor is brutish, has piercings and tattoos, etc. Nikolai wears a crucifix pendant and earring. He left the other details to me.

RM: What kind of tools did you use in making the comic book?

OP: Almost everything: pens, brushes, quills, ink, and paint.

RM: After looking at the finished product, do you have any regrets about how the Dhampyr comic turned out? Was there a time when you think that you could have changed a couple of pages to make it better?

OP: Most of my pre-Dhampyr stuff, I’d look at them now and I’d go, “What the heck was I thinking?!” I’m that kind of artist. At one point I’d be content with my stuff and I’d just wake up one day and tell myself, “Oh, this should’ve looked this way, I should have drawn it differently…” I guess in that sense I try to be a perfectionist. I’m quite happy with my Dhampyr work, although I’m not congratulating myself. I’m constantly learning new stuff and I’d redraw a few things if we reprint the book.

RM: Do you have any scathing criticism on the book? How do you cope with people who never shut their hole on how they can draw better than you?

OP: Everyone gets criticism. I get constructive criticism, but only a few for Dhampyr. It’s okay because I draw comics not only for myself--people buy these things and my work is always subject to scrutiny. It’s challenging to show them my perception, my individuality as an artist, and if people respond to it positively or not is up to them. I always let my work speak for itself. If people like my work, thanks. It’s icing on the cake. I have to please myself before I can show my work in printed form. My art is an acquired taste. I don’t want my style to be predictable and uninspired. I want the reader to be challenged by my busy line work. On the subject of “foul” criticism, it’s different. It’s a sad fact that “talangka” people exist to malign other people in the creative field. It only reflects the frustration and lack of talent of the person, belittling efforts or achievements he can never have. It’s pitiful.

RM: What is your deep, dark secret?

OP: I’m a deep, dark secret.

RM: Horror or Superheroes?

OP: Both. I liked superheroes before horror. I also like sci-fi/fantasy. There are so many subjects to be read and drawn, and comics is a very rich medium for readers and creators alike.

Men and monsters

2012-01-20T14:44:00.000-08:00

(From the Jan. 1-15 issue of The Fortnightly)

By Oliver M. Pulumbarit

Just a year after the “Clash of the Titans” remake, Greek mythology is reimagined once again in the eye-popping fantasy actioner “Immortals,” a visually striking if unevenly paced film by Tarsem Singh.

And just like “Clash,” the extraordinary feats of the gods and the bold conflicts of mortals converge in an effects-drenched canvas, often enhancing the rather simple tale involving revenge and mythic enmities.

“Immortals” follows the saga of a peasant outcast, Theseus (Henry Cavill), favored by the father-king of the Olympian gods, Zeus (Luke Evans). Theseus’ mother is killed in a village raid led by cruel King Hyperion (Mickey Rourke), who’s after a fabled weapon that can free the long-imprisoned Titans.

Arch-foes and defeated predecessors to the gods, the savage Titans depicted here are humanoid-looking beings trapped in a location that’s accessible to some humans, oddly enough. Zeus sternly forbids his god relatives from interfering in the affairs of mortals, but some of them do so anyway, repeatedly protecting Theseus’ small band of renegades behind his back.

“Immortals” feels like a working mishmash of the aforementioned “Clash of the Titans” and Zack Snyder’s “300,” a testosterone-y and bloody sword-and-sorcery epic that should please mainstream comic book geeks. It’s got the cosmic, thunderous climactic duels that “Thor” and “Green Lantern” didn’t deliver. It does, however, take some time to get there; scenes between furious stunts and effects enhancements are often sluggish.

Theseus is pretty much the unerring hero who easily wins over the vague prophetess Phaedra (Freida Pinto) and the supposed scoundrel Stavros (Stephen Dorff). The peasant hero expectedly rallies forces against the tyrant Hyperion, who typically underestimates his inexperienced opponents. And buff Zeus is an optimistic but wrathful god, a less than omniscient being lording it over family members with switchable personalities.

Be that as it may, it does some things differently. Singh has command of challenging imagery, even when they don’t really make sense. Remember his cool but too art-conscious “The Cell”? “Immortals” is a tad toned down, but most of the costumes still look like they’re House of Gaga-worthy. The fancy and ornate hats, helmets and battle armors look music video-ready, but they’re imaginative designs and they complement the scenarios well.

Demigod-like Cavill, the latest actor cast as Superman, is decent as vengeful Theseus, but Rourke is the scene-stealer, always icky and discomfiting as the vile warrior-king. Their confrontation and Theseus’ fisticuffs with Hyperion’s “Minotaur” henchman are aptly vicious. Other stunning action scenes include the destructive plunge of Poseidon (Kellan Lutz) and Zeus’ punishment of a law-breaking Olympian.

The quests aren’t anything new and a couple of characters are either annoying or two-dimensional (although “Vampire Diaries” fans may appreciate Joseph Morgan’s traitorous soldier character getting beat up).

Style also often overpowers what little substance it has, but “Immortals” is a popcorn movie that wields its superficiality and flashy fury quite adeptly.

Safe haven

2012-01-15T11:44:00.000-08:00

Versatile Matt Damon’s now doing father roles, credibly appearing as a beleaguered dad in last year’s apocalyptic thriller “Contagion,” and more recently in the Cameron Crowe-directed family drama “We Bought a Zoo.”

Based on a true story, the predictable but sometimes-poignant “We Bought a Zoo” centers on a widower, Benjamin (Damon), a former journalist who impulsively purchases an old house located at the site of a decrepit zoo. The single dad moves his family to the new home, delighting his young daughter Rosie (Maggie Elizabeth Jones) but alienating his teen son Dylan (Colin Ford).

The film plods at certain points, but it succeeds in tugging at the heartstrings at the precise moments. Like in most of Crowe’s films, the story’s romance angles are characterized by epiphanic bursts; the puppy love between Dylan and Lily (Elle Fanning) is cute, if ultimately perfunctory. Quite affecting, however, are Benjamin’s recollections of meeting and spending time with his much-missed wife (Stephanie Szostak).

There’s relatable family drama; this particular troubled father-son relationship isn’t anything new, but the actors make us care about it. The film is uplifting but schmaltzy, a friendly but formulaic sojourn that emphasizes healing and renewal.

“We Bought a Zoo” opens January 18.

Debby Ryan, cool nerd

2012-01-15T11:41:00.000-08:00

(Published January 15, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Teen actress Debby Ryan isn’t the typical Disney “princess.” The “Suite Life on Deck” star admits she’s a nerd who sometimes talks a lot about geeky topics without realizing it.

But like the regular Disney heroine, she struggled with bullies in school and later emerged triumphant.

Ryan, 18, opened up about the challenges of growing up, among other things, in a recent phone interview with Inquirer. She stars in the new Disney sitcom “Jessie,” which debuted last September in the United States and will be airing in Asia this March. She’s being touted by some as the “next” Miley Cyrus or Selena Gomez.

“It’s funny but it’s definitely a progression,” Ryan said. “I really want to have a long career. No one is ever gonna be the next Miley or the next Selena. I would love to be the next anyone. I love having a creative say in all my projects.”

She identifies more with former “Saturday Night Live” comedienne and “30 Rock” creator Tina Fey. “I’d love to be the next Tina Fey or someone like that—people [who] are able to be funny, on top of just being pretty onscreen. I had no idea I could make so many expressions with my face and they’re totally unattractive! And I’m totally okay with it. I can growl or even have cake on my face. That’s what I love about my job: I can be silly and make people laugh!”

Ryan played country girl Bailey Pickett in “Suite Life on Deck” for three seasons. In “Jessie,” she plays a Texan girl who moves to New York and becomes a nanny to four kids. Ryan can relate to Jessie to some degree, having helped out classmates back when she was younger.

“I was home-schooled, accelerated in classes and I was the kid who would stay behind writing papers and grading tests for the teacher,” she recalled. “And the only reason other people talked to me would be to ask, ‘Hey, how did I do in my test?’ And I’d be like, ‘Yeah you got a B. You missed some tough questions; I’ll tutor you if you want.’”

But it was also tough, being “different.” “I was made fun of for being academically accelerated, being in the chess club, being home-schooled, living in Germany,” Ryan revealed. “I was the German kid when I got back to America and they were like telling me that I was fat, nerdy and that I didn’t belong there… It was really hard to ignore those bullies. On my first week, I would get shoved and pushed, all my books on the floor while I was in the hallway at school… When I started pretending I had a secret and acting like I owned the place, that was when I realized that they don’t have any power over me.”

She added, “People will call you everything and with Hollywood, all these things are magnified. It’s important to being able to stand up for yourself.”

Now idolized by teen and tween fans, Ryan is appreciative of her own female role models. Aside from Fey, whom she describes as “quick, witty and very enthusiastic,” Ryan is also inspired by actress Natalie Portman and rock star Joan Jett. “Joan Jett, [she’s] created a new vibe,” Ryan said. “She’s like, ‘Girls don’t rock, so I’m a girl and I’m gonna rock, let’s do this!’ [And I’m inspired by] people who don’t take no for an answer.”

Ryan also loves writing stories, poems, and song lyrics. She recognizes her growth in the business, and keeps in mind the importance of individuality.

“Be yourself no matter what other people say about you,” she said. “Know who you are, know what you stand for. And don’t pay any attention to what people are saying!”

(“Suite Life on Deck” airs Sundays, 11:30 p.m. on Disney Channel. “Jessie” will air Saturdays, 10:30 p.m., starting March 3.)

In With the New

2012-01-15T11:38:00.000-08:00

Two new drawings.

Young Superman

This younger version of the rebooted Superman is currently appearing in the Grant Morrison-written Action Comics. I’m intrigued by this less-experienced and somewhat impudent version. And the homemade, pre-spandex costume is growing on me.

Red Hulk

When he debuted a few years ago, he defeated almost every powerhouse hero he was pitted against. It was pretty silly that he even decked the Watcher, but this Hulk’s early irreverent exploits reminded me of DC’s Lobo. Red Hulk, a.k.a. “Thunderbolt” Ross (whose ‘stache oddly disappears after transforming), later switched sides and is becoming a valuable Avenger.

2012-01-15T11:34:00.000-08:00

Fil-Am executive producer reimagines History channel

(Published January 13, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

“If you ask how we got this big, one of the most important factors is the fact that we emphasize entertainment,” said History Channel’s Filipino-American executive producer Paul Cabana, during his Manila visit last December.

Cabana added during the press lunch at the Peninsula Manila: “It’s our challenge to find different ways to incorporate history with entertainment – consider ‘The Kennedys.’ Ultimately, it’s about how you tell a story, and how you keep people captivated.”

According to Cabana, having a hand in the channel’s programming was the farthest thing from his mind five years ago; he initially thought it aired only black-and-white war documentaries.

Born in the United States to parents from Pampanga and Quezon, the Harvard-educated Cabana grew up influenced by an “incredibly emphasized” work ethic.

“I studied Business and a lot of other things,” he said. “My first jobs were in advertising and magazines. But I watched a lot of TV. About 10 years ago, I decided to move to New York [from Chicago]. I started from the ground up, getting coffee, running errands and being a PA [production assistant]. I worked my way up as a researcher… I spent most of my time in television, just learning how to make shows, produce, hold a camera, tell a story… and doing a whole range of things, from home makeover shows to biographies, to science docus.”

Eventually, he had the opportunity to pitch some ideas for the revamped channel. He became field producer for the 2008 Travel Channel miniseries, “Anthony Bourdain: No Reservations,” which was nominated for a Primetime Emmy.

Now 37, Cabana is actively involved in several History programs, including “How the States Got Their Shapes,” which explores facts about the differently shaped US borders, and “Top Shot,” which showcases the shooting skills of competing marksmen.

“In the Philippines, just like in the States, competition shows are hot – whether it’s in fashion, food, or losing weight. [‘Top Shot’] was a huge risk; we didn’t think it would do well, to be honest. We didn’t know if the audience would accept it, but we were pleasantly surprised to see the ratings.”

Several ideas for new shows, however, don’t make it past the pitching stage. “We get hundreds of pitches everyday and some of them are really bad,” Cabana revealed. “The worst ones are 100 percent copies of something that’s already on air. A lot of times, people just pitch themselves.”

The success of certain programs in the US doesn’t assure the same reception in other regions, Cabana said. “There are shows that [failed] in the US but do incredibly well internationally. There’s ‘Jurassic Fight Club,’ that’s doing well here. We actively talk to our regional officers and make sure the ideas we’re developing will translate.”

He added that combining entertainment with relevance is crucial to winning over viewers from different countries. “One of the most important things you have to do, now, more than ever, is to connect whatever story you’re doing to people’s lives,” he said.

Periodically planning new shows also requires a discerning perspective. “To be a good programmer, you have to think in somebody else’s head,” he said. “If someone is interested in the Bible, or in another subject that I’m not interested in, I have to figure out what that person is thinking or watching. The biggest lesson I’m learning is to think about the whole audience, not just myself. It’s hard, too!”

Cabana is currently working on a top-secret project that he described as “huge” and with “an international scope.” He’s confident that Filipino viewers will respond favorably to it: “In the next two years, it will be big in the US – and in the Philippines!”

(“Top Shot” will air Tuesdays, 9 p.m., beginning Feb. 28.)

Gainful ‘Game’

2012-01-09T13:52:00.000-08:00

Guy Ritchie’s sequel to his clever and gritty “Sherlock Holmes” pits the quirky detective (Robert Downey, Jr.) and his hesitant partner Watson (Jude Law) against an unusually formidable foe.

In “A Game of Shadows,” the duo’s lively rapport is re-established; Holmes and Watson investigate anew and are targeted by the mysterious Professor Moriarty (Jared Harris).

Like the first “Sherlock,” the sequel emphasizes the uniqueness of this particular version of the detective. Holmes here is just as calculating and imperturbable, practically a dozen steps (or several seconds) ahead of his opponents’ moves. Whether he’s confronting bruisers in an alley or plotting against the Professor, quick-thinking Holmes has got most of the angles covered, and his oft-uncouth appearance belies his tactical prowess.

Irene Adler’s (Rachel McAdams) absence in the trailer is explained; she briefly appears in a few scenes and enlivens them. The other female character is the fortune teller Sim (Noomi Rapace), who joins the inquisitive pair in their mission. She’s less imposing than Adler, and is actually pretty indistinct, personality-wise.

The adventure is quite complicated; it takes some time for puzzles to unravel, but you’ll eventually admire the crafty machinations of Professor Moriarty. Quite the cunning schemer, he’s actually a worthy arch-foe, providing momentous confrontations with Holmes.

The film could’ve been shorter, but “Game” mostly combines smarts with rough-and-tumble coolness, further and firmly reminding us of Downey’s flexibility, and the reinvented protagonist’s misfit appeal.

Mythology, 2012

2012-01-09T13:48:00.000-08:00

Some titles I’m currently reading. I’m loving Uncanny X-Force and Avengers Academy, two of Marvel’s consistently engrossing books. I still get the new Marvel Handbooks whenever they’re out, and I’m also rereading the Handbook-inspired Walking Dead: Survivor’s Guide.

I’m hoping that the final issue of Avengers: Children’s Crusade will be much better than the penultimate one. Wanda’s story continues to unfold, but I’m disappointed by a major revelation. I knew something was coming (they’re Hal Jordan-ing her after all), but that part could’ve been presented better.

In With the Old

2012-01-05T14:11:00.000-08:00

New drawings, old fave characters.

Superman Blue

I wasn’t really interested in the design when it was introduced back in the late ‘90s, but Grant Morrison made electric blue Superman so badass.

Warriors Five

Ka-Zar the Savage, Warlord of Skartaris, Crying Freeman, Conan the Barbarian, and Tarzan of the Apes. Some of the toughest, fiercest fighters from the most dangerous realms.

I actually started the drawing last summer but shelved it until I felt like doing it. Finally inked and colored it last week.

Box

One of my childhood favorites from Alpha Flight. Sasquatch, a.k.a. Walter Langkowski lost his monster form so his soul was mystically encased in the super-strong Box armor. It’s cool that the robot mouth was also expressive; I remember him smiling when they thought they found a suitable replacement body (which turned out to be the Hulk).

Yearender, Apostrophe Eleven

2011-12-30T09:48:00.000-08:00

Pretty good year. In 2011, I:

- worked a lot. I thank all the people who gave me work. I was busy and I often learned new stuff.

- couch potatoed and enjoyed Walking Dead, Adventure Time, Warehouse 13, Skins (UK), Being Human (UK), Dexter (Season 5), Merlin, Awkward, The Middle, The Office, and Nikita.

- watched dozens of movies. My thanks to those who invited me to previews.

- added 47 drawings to my DeviantArt gallery (now with 6,700+ faves) and other blogs. Thanks to Tumblr bloggers who reposted and credited me for my drawings.

- worked out. Lost some weight for a while, but eventually regained some pounds back after the gym membership expired. I wish I retained some healthy habits. I miss the machines, sometimes. And some of the people there, yeah.

- listened to some old and new songs over and over again, including The Like’s “Release Me,” Florence + The Machine’s “Shake It Out,” Linkin Park’s “Waiting for the End,” Rihanna’s “California King Bed” (yeah, I know, I don’t like her music but that’s the exception), Billy Bragg’s “Airline to Heaven,” Pink’s “F—kin’ Perfect,” REM’s “Photograph,” Guster’s “Do You Love Me,” Train’s “This Ain’t Goodbye,” and Melee’s “The Ballad of You and I.”

- asked Crystal Reed, Joe Manganiello, Tyler Posey, Mark Dacascos, Stephen Amell, Ping Medina, Chris Messina, and other celebs some questions.

- blogged regularly. Wrote blog-exclusive content, and reposted my published articles.

- went to Hong Kong for an assignment. I was extremely comfortable there. I got good feedback for stuff I did, too. I really miss the place.

- bought and read dozens of comic books. My faves include Avengers Academy, Uncanny X-Force, Secret Six, Schism, Wolverine and the X-Men, Invincible, Thunderbolts, the Marvel Universe Handbooks (Blockbusters, Vampires, History of the Marvel Universe, Fantastic 4: 50 Fantastic Years, Defenders), and The Walking Dead: Survivor’s Guide.

My sincere thanks to the people who made life easier in 2011. May 2012 be more peaceful and prosperous. Happy New Year, friends!

Eleven Gay Comic Book Moments of 2011

2011-12-30T09:37:00.000-08:00

A couple of gay comic book characters had some significant moments in 2011. Eleven panels, clockwise from top left: Stark Resilient’s Pimacher and Cababa reveal their relationship; the rebooted Midnighter and Apollo meet; Bunker debuts; Daken hooks up with actor Marcus Roston; Scandal proposes to Knockout and Liana; Striker comes out; Kevin Keller recalls defeating homophobes in a race; Northstar temporarily frees Kyle Jinadu from mind control with a kiss; Gravity Kid and Power Boy discuss career options; William and Rick come out to Invincible; Kate Kane and Maggie Sawyer kiss.

Looking forward to Kevin’s 2012 wedding and other milestone events.

Ferocious Feline

2011-12-29T10:57:00.001-08:00

Thanks for the supercool Catman action figure, Benedict! I love it. Deadshot won’t be lonely anymore.

Truth-seeker plays sharpshooter

2011-12-29T10:56:00.000-08:00

(Published Dec. 28, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

“I’m the guy who never misses,” said actor Ping Medina, describing his role in “Manila Kingpin: The Asiong Salonga Story.”

“Piring was a sharpshooter, based on a real person, and there was a real Asiong Salonga gang,” Medina elaborated during an interview at his restaurant, PenPen, in Cubao.

Medina, 28, son of veteran actor Pen Medina, first gained notice as an actor for his role in the well-received 2005 film, “Ang Pagdadalaga ni Maximo Oliveros” (he played the titular character’s older brother). He has since appeared in numerous independent films and teleseryes, a twist he didn’t anticipate after he stopped attending his Communication Arts classes almost a decade ago.

“I got honorably dismissed from college around 2002,” he recalled, laughing. “Ateneo sets grade requirements. I’m not fit for formal education. After that, I was just wandering, looking for something I was good at. I dabbled in scriptwriting. I also started painting, and sometimes contributed to magazines. I acted in all sorts of student films. If my dad had theater as training ground, I had student films.”

Ping considers himself lucky to have landed the role in “Maximo.” He learned about the project when his mother, Chupsie, forwarded to him a casting announcement. “My dad didn’t have any hand in that,” he said. “He’s not the type to impose. [When I stopped studying] he was just, ‘Kung ayaw mo nang mag-aral, huwag ka nang mag-aral. Sayang pa ang pera kung babagsak ka lang.’”

Ping’s first professional acting credit was a role in the Marilou Diaz-Abaya-directed “Jose Rizal,” when he was just 13. He and his father both played Paciano Rizal. “It’s something that fell on my lap,” Medina revealed. “I said, ‘Okay, I’m gonna earn like P2,500 a day.’ Back then, that was a lot.”

Father and son would eventually play younger and older versions of a character again, this time on GMA 7 fantasy shows. He felt the pressure of proving himself further when people began comparing.

“I guess I didn’t really mind until this one time … After ‘Maximo,’ I experienced a certain degree of fame. I felt that people now expected something from me. My first mainstream role was in the TV show ‘Etheria,’ prequel to ‘Encantadia,’ which made my dad a household name, having played the villain Hagorn. People were telling me, ‘Your dad is really good so you have to be really good, too.’ That was the first, but also the last, time I was pressured about comparisons to my dad.”

Two of his younger siblings recently started pursuing acting careers as well. “Alex and Viktor are doing indie films. My brothers don’t really ask for advice. I myself don’t ask my dad, although sometimes we talk about good films, good shows … My sister Japs has also expressed interest but she’s studying Architecture. I think she’s the best actor in the family.”

Medina previously appeared in a number of drama shows, including ABS-CBN’s “Tayong Dalawa” and “Green Rose.” His latest acting gig, “Asiong,” required him to be on the set for 24 shooting days, spread across four months. He now considers it his favorite project.

“Acting-wise, I learned a lot from the old-school guys, like Dennis Padilla, Phillip Salvador – they’re something else,” Ping said. “They have so much to teach you. They’re amazing at their craft and they’re amazing people.”

As for dream roles, he has only one right now: “Jose Rizal – I’ve done Rizal before, for ABS-CBN’s ‘Imortal: Anino’t Panaginip.’ I’ve wanted to do a full-length portrayal since … Among local actors, I’m the closest to him in terms of looks.”

Medina continues to observe his father’s No. 1 acting rule: “It has to come from the truth.” Now an established actor himself, he gives advice about the craft: “Go out of your comfort zone. Try new things, meet different people, go to different places – these will expand your range!”

(Photo by Oliver M. Pulumbarit)

Dash Away All

2011-12-23T08:56:00.000-08:00

Have a safe and happy Christmas, readers. Whatever the season means to you, enjoy it with your loved ones.

I just started relaxing after a busy coupla weeks. I’ve been catching up on stuff I’ve been meaning to read, while listening to old Christmas songs in the background, both secular and religious (which I don’t really relate to anymore, but some of them are really catchy). For some different holiday tunes, drop by YouTube and check out George Michael’s “December Song,” Vienna Teng’s “Atheist Christmas Carol,” Dar Williams’ “The Christians and the Pagans,” The Pogues’ “Fairytale of New York,” Heather Nova’s “Always Christmas,” Joni Mitchell’s “River,” and Billy Idol’s “Yellin’ at the Christmas Tree.”

Have fun, and enjoy the Yuletide break.

Exciting eleven: 11 films that entertained us in ‘11

2011-12-23T08:53:00.000-08:00

(From the December 16-31 issue of The Fortnightly)

By Oliver M. Pulumbarit

What a good year for movies and movie fans. It’s a tough and tricky yearend list to make, since there are dozens of films that made us laugh, cry, think, and yes, actually shell out some hard-earned dough. Whether you agree or disagree (or agree to disagree), here are eleven entertaining movies that you should’ve seen in 2011. In no particular order:

The Adventures of Tintin

Excellently capturing the spirit of the beloved comic book series by Belgian storyteller Herge, “The Adventures of Tintin” is an exciting, fast-paced translation by Steven Spielberg. Vividly animated, it conjures up classic tales while still very accessible to those unfamiliar with the exploits of intrepid boy reporter Tintin.

Rise of the Planet of the Apes

This fine prequel also serves as a reboot, making sense of the simians’ dominance in its various prior incarnations. Expounding on the science fiction films’ mythology, the film is made even more effective by its heartbreaking family drama.

X-Men: First Class

The year’s best superhero movie isn’t “Thor” or “Captain America.” Marvel’s mutants return in bombastic fashion; they’re not quite the unsung superheroes that we’re familiar with yet, but this film depicts the momentous formation of the X-Men during the Cold War. Michael Fassbender memorably plays Magneto, giving him necessary grit and dimension.

Harry Potter and the Deathly Hallows: Part 2

Harry Potter’s former school becomes a war zone! The young mage and his loyal allies fight the forces of Voldemort for the last time, and not everybody survives the conflict. The most action-packed installment of the series, “Deathly Hallows: Part 2” spectacularly and bittersweetly concludes Harry’s saga.

Real Steel

Forget the iffy trailer, “Real Steel” is actually a fun scifi-sports flick. Yes, it’s predictable, but this particular meshing of dazzling effects with relatable drama works well. It depicts a world where everything is familiar, except for the fact that robots have replaced human boxers in the ring. The automaton duels are impressive, and the underdog-redemption drama pleases.

127 Hours

Based on actual events, “127 Hours” centers on athletic Aron Ralston’s agonizing ordeal in a Utah canyon. The Danny Boyle-directed film boldly illustrates the harrowing details of Ralston’s struggle against the unmoving boulder that pinned his hand during a nature trek. James Franco’s performance mesmerizes.

Trust

A father’s worst nightmare is realized when his daughter is victimized by a cyber-predator. It’s depressing and discomfiting, and rightly so. Consistently compelling portrayals by Clive Owen and Liana Liberato make this relevant drama poignant and affecting.

Arthur Christmas

Not your run of the mill Yuletide stocking-stuffer, “Arthur Christmas” imaginatively reinvents the Santa Claus myth, resulting in an exciting and brilliant caper. Aglow with colors and entrancing imagery, it amusingly introduces the wacky Claus family, a nice mix of lovable and intriguing characters.

Hanna

A deadly teen is unleashed on her deceased mother’s tormentors, discovering truths about her past and her family along the way. “Atonement’s” Saoirse Ronan perfectly embodies the balance of focus and vulnerability, figuring in gripping action scenes with Cate Blanchett, who plays a merciless CIA operative.

Zombadings 1: Patayin sa Shokot si Remington

Gay topics are rarely tackled insightfully, but this local hit indie does just that, and riotously, too. The campy comedy utilizes hilarious scifi and fantasy elements, but the most enjoyable thing about it is Martin Escudero, whose gender identity transformations are gut-busting and endearing.

The Tree of Life

Audaciously told, “The Tree of Life” ponders existential questions repeatedly through an American family. Perplexing but often enlightening, Terrence Malick’s film challenges with its pace and effects-enhanced images, but his unconventional, unbridled storytelling is admirable.

Oliver M. Pulumbarit reviewed movies for the Philippine Daily Inquirer from 2002-2008, and continues to write entertainment reviews and reports for PDI, his blog “Alternatural Thoughts,” and The Fortnightly.

Still unraveling the ‘Bigfoot’ enigma

2011-12-23T08:41:00.000-08:00

(Published Dec. 23, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

“We have been doing Bigfoot expeditions for years,” Matt Moneymaker, president and founder of the Bigfoot Field Researchers Organization, told the Inquirer in a phone interview. “We have been taking people out to places where there had been sightings, and we’re the only ones who still do that.”

In the Animal Planet show “Finding Bigfoot,” the group searches for the elusive titular creature (also known as Sasquatch, Yeti or Abominable Snowman) and goes on a cross-country expedition intended to answer questions posed by the old, baffling mystery.

Investigating what witnesses consider as Sasquatch sightings, Moneymaker and his crew interview locals and examine evidence – activities that bring them to some possible forest habitats in Georgia, Washington, and Alaska, among other places.

“We’re not talking about a single mythical thing/monster figure,” he said. “We’re talking about a species that people have spotted in different places around the world.”

The “biggest worry” of the team is getting injured in the woods at night. “We worry about getting a stick in the eye, which can happen very easily when you’re sneaking around in the woods and chasing things in the dark in a forest. Then the next things obviously are mountain lions, big cats. Big cats are far more dangerous.”

The Bigfoot has long been described as a very tall, hairy creature that partly resembles an ape and has humanlike movements. Sightings have been reported in Malaysia, Northern Vietnam, India and China, aside from the United States. There have also been a couple of hoaxes, according to Moneymaker, but the researcher stated that there are also records of eyewitness accounts dating back to “hundreds of years.”

“It goes back way beyond; the faking didn’t start until the late 1960s, but there are very good descriptions of these things in artwork and stuff going back to the 1800s in the United States.”

Many supposed sightings turn out to be glimpses of bears or other animals, but these don’t dissuade the group from continuing their mission. “That’s what we try to investigate. When we go out, when we talk to witnesses or we go to a location, there are a few things you consider in those situations,” Moneymaker said. “It’s the circumstances and it’s the person. It’s just like what a lawyer would do in court. What you believe you saw, is that what really happened? So we have to analyze it that way and you end up still with a lot of them where there’s no way they could have been looking at a bear.”

Moneymaker added that more people from all over the world now believe in the existence of the enigmatic species. “I think it’s a good thing,” he said. “I guess [it means] they’re hearing, not just that some people in some place [believe] in something, but that some people in some place are saying they’re seeing something. That’s what’s happening here. It’s not a matter of ‘Do a lot of Americans believe they exist?’ No, but the amazing thing is how many Americans claim that they have seen one up close or from a distance. That’s the fascinating thing because it continues to happen. After you have a certain amount of witnesses, then you really have to listen to what they’re saying, if they’re all describing the same thing.”

And if a live Bigfoot were to be discovered, caught and studied, it would significantly affect human beings. “Here’s the analogy: the discovery of King Tut’s tomb by some archaeologists in the 1920s had this very big impact in the West where all of a sudden there was this huge sudden appreciation of the antiquities,” Moneymaker explained. “I think it will definitely create a resurgence of appreciation for the natural world, maybe the ancient world, too. It’s a benefit to you. It’s a very healthy thing and it really makes you appreciate your own land, wherever it is, in a way you wouldn’t have done before because you would never have made the effort to go to some of these wild places if not for these things.”

“Finding Bigfoot” airs Mondays (9 p.m.), Wednesdays (6 p.m.), and Saturdays (10 p.m.) on Animal Planet.

‘Tintin’ triumphant

2011-12-23T08:40:00.000-08:00

(From the Dec.16-31 issue of The Fortnightly)

By Oliver M. Pulumbarit

One of the year’s most anticipated animated features is a visually lavish and thrilling interpretation of Belgian creator Herge’s beloved comic book series. There are reasons to get excited for “The Adventures of Tintin,” among them the involvement of master filmmakers Steven Spielberg and Peter Jackson, the movie’s director and co-producer, respectively.

It’s not exactly the way one may remember the characters or stories, but “The Adventures of Tintin” easily captures the essence of the seminal series. Those unfamiliar with the comics need not worry; this particular adventure is still pretty accessible. The opening credits impressively encapsulate some of the intrepid titular hero’s exploits and backstory. Enough details are shared, keeping the uninitiated interested and curious, while fans of the books will immediately appreciate the familiar elements and recognize parts inspired by the classic stories.

Ditching the comics’ unique cartoony look and utilizing more realistic but stylized visuals, “Tintin” looks incredibly tangible, but still accentuated by more pleasantly “unreal” and exaggerated components. We still glimpse Tintin’s classic look briefly through a street artist’s caricaturish rendition, which amuses the friendly-looking CGI version as well.

We’re introduced to young reporter Tintin (voiced by Jamie Bell), whose purchase of a model ship attracts unexpected trouble. The theft of the item and the ransacking of his place, followed by his discovery of an old scroll, are urgent mysteries to be solved; Tintin and his trusty fox terrier Snowy soon find themselves crossing paths with the wealthy and suspicious Sakharine (Daniel Craig).

After some skirmishes involving Sakharine’s henchmen, Tintin eventually meets the oft-inebriated Captain Haddock (Andy Serkis, in his nth fantastical portrayal), who may have important answers to some of the puzzles. Tintin and Haddock figure in more life-threatening conflicts, racing against time to unravel their adversary’s baffling agenda.

The film’s brisk pace still allows for ample characterization, introducing essential and tangential figures that make this particular world appealing. The bumbling detective twins Thompson and Thomson (Simon Pegg and Nick Frost) and their pickpocket-catching assignment are hilarious. Smarter than those two combined, Snowy is no regular pet, contributing greatly to Tintin’s missions as the resourceful and unwavering sidekick. Some minor characters may be focused on in later chapters, should sequels manifest.

Animation-wise, the motion-capture effect makes most of the characters expressive enough. The lifelike quality of the faces also impresses, as there are more subtle expressions. It mostly avoids the eerie, dead-eyed look of more realistic CGI characters from movies like “Polar Express.” The scenes brim with detail and are unceasingly vivid, but there are times when you’d wish for better-trimmed action scenarios.

“The Adventures of Tintin” is smart and extravagantly presented, regardless, proof that there’s more to comic books than superheroes. It should inspire new fans to look up and read the characters’ imaginative and entertaining classic adventures.

Putting Up Reindeer

2011-12-16T13:30:00.000-08:00

Three families, one season. My holiday drawings, 2011. HappyChristmas!

Batcave Xmas

The Bats celebrate Christmas before the rebooting of theiruniverse. Attendees: Kate Kane, Alfred Pennyworth, Selina Kyle, Bruce Wayne,Dick Grayson, Helena Bertinelli, Jason Todd, Tim Drake, Cassandra Cain, BarbaraGordon, Damian Wayne, Stephanie Brown.

Babies, It’s Cold Outside

Wanda is finally reunited with her twins Billy and Tommy.

Endless Snow

The Endless siblings’ reunion turns frosty.

‘Filipinos can really draw,’ says cable network exec

2011-12-16T13:25:00.000-08:00

(Published Dec. 16, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

“There are lots of Filipino kids who are incredible atdrawing,” enthused Silas Hickey, Hong Kong-based Cartoon Network Asia Pacificcreative director.

Hickey visited the country in March to scout for animationindustry talents, and recently returned to promote various Cartoon Networkprojects such as “Johnny Bravo Goes to Bollywood” and “Ben 10: Destroy AllAliens.”

He was a guest speaker at Animahenasyon 2011, the annualFilipino animation festival held in November. Hickey also shared updates on histalent search at a press conference in Quezon City.

“People here can really draw,” Hickey said. “It’sinteresting. Has everyone been to art schools or is it just like anyone candraw? In terms of animation, Hanna-Barbera used to be here; they had a trainingprogram. But it’s not just those people. There are studios on the outskirts of Manila,little houses and stuff… it’s really incredible.”

His first visit yielded other “really exciting” discoveries.“There are some incredible established studios in the Philippines,”Hickey said. “[There are many] very skilled animators here. We are continuingnegotiations with some of these larger studios, to perhaps work on some of ourCartoon Network properties. We need to tap into that. That’s what we’re tryingto do since I came here in March. We’ve had some very successful meetings, metsome really wonderful people in the industry. We have plans to work with thesemore established studios as well as individuals.”

Hickey also talked about the Snaptoons (Short New AsiaPacific Cartoons) program, an ongoing regional project aimed at discoveringnew, original content. “How that works is there’ll be some sort of solicitationthat goes out mainly to professionals,” Hickey said. “We’ll approach studios,animation professionals, directors and writers, and we’ll ask them to submitideas. It’s not free; we pay them to do that. We’ll make those into ‘shorts.’If it’s successfully received, we’ll consider making that into a telemovie or aseries.”

“There’ll be a solicitation to sort a Philippine Snaptoons,”he added. “There’s something like that on the horizon. Actually, what we’reconsidering is to have a regional Snaptoons; we can also [include] Koreaor Japan.”

Hickey observed that Filipinos have unique advantages. “Thething that’s always encouraging about the Philippinesis we do get lots and lots of material [from Filipinos],” he said. “Therereally is a sort of understanding of western culture.”

Many successful original properties debuted in the shortsformat, according to Hickey. “Johnny Bravo started as a short. It’s a greatconcept and there’s a lot less risk if you have that concept, rather than justlaunching a multimillion-dollar series.”

Hickey has advice on content-creation, specifically theparameters of irreverence: “It’s case by case; you can’t do certain things in Indiathat’s totally fine in Australia.You have to be very sensitive, very careful that you don’t make any mistakes.”

He added that kids primarily want entertainment, so certainthings must be avoided. “We don’t want to make content that comes off assounding preachy. Kids don’t like it,” he said. “Contemporize it in some way. Reallywrite a story and characters with export potential in mind!”

Hopefully Epic

2011-12-16T13:17:00.000-08:00

Here’s the cover to Avengers Vs. X-Men # 0, prologue to the12-issue biweekly series scheduled for an April release. Looks promising. So theScarlet Witch survives the Children’s Crusade mini. She and Hope Summers (whoseems unaware that she’s linked to the Phoenix Force), will be key figures,according to reports. I hope the two X-Men teams set aside their differences temporarilyso they’ll be strong enough to face the multiple Avengers teams. A definitewinner will emerge, according to Marvel EiC Axel Alonso. The two teams fought afew times before, during the ‘80s Avengers Vs. X-Men mini and more recently,during Children’s Crusade, among other stories. Anyway, it’s a long series, soI hope that the creative teams cover every possible story angle (includingStorm, Beast and Wolverine’s loyalties), and come up with only relevanttie-ins.

All-star algorithm

2011-12-14T03:13:00.001-08:00

Like the cheesy but somewhat diverting “Valentine’s Day,” the Garry Marshall-directed “New Year’s Eve” crams a zillion stock romance, comedy and drama plots, this time centering on several New Yorkers celebrating (or ignoring) the season’s revelries.

And like “Valentine’s Day,” there are stars galore, playing uber-generic characters. Zac Efron plays a spunky delivery guy bringing Michelle Pfeiffer’s stressed record label employee to fun places; there’s the initially annoyed pair of neighbors played by Lea Michele and Ashton Kutcher; there’s Sarah Jessica Parker’s single mom character chasing after her rebellious daughter, played by Abigail Breslin. And that’s just about half of the main goings-on.

The star-studded roll call also includes Hillary Swank, Katherine Heigl, Jon Bon Jovi, Robert DeNiro, Halle Berry, Jessica Biel, Josh Duhamel, and Sofia Vergara (playing her “Modern Family” character again in her third movie this year), among others. There are other unannounced actors making brief appearances as well, such as John Lithgow, Yeardley Smith, Joey McIntyre, and Alyssa Milano.

Some separate stories ultimately connect; there are those that satisfy with their simplicity and feelgood denouments, while others are just shallow and cloying rom-coms we’ve seen past the nth time. It still mostly amuses when you’re not distracted by the parade of celebs, and works quite well in giving a generally sentimental overview of the occasion.

Accomplished ‘Mission’

2011-12-14T03:07:00.000-08:00

Top secret agent Ethan Hunt’s big screen adventures aren’t exactly memorable for giving him a distinct, likeable personality; you don’t really root for him because he’s a relatable or dramatically appealing character. The “Mission Impossible” movies primarily showcase stunts and complex action choreography, and we don’t really care for the agent’s welfare because there’s no doubt whatsoever that he’ll survive them all.

The “M:I” movies’ plots are pretty simple, often convoluted by story details that allow for more kinetic scenarios. That’s still true with the fourth movie, “Ghost Protocol,” directed by acclaimed storyteller Brad Bird. But thanks to the previous film, Ethan Hunt now feels more human, exuding more identifiable qualities than the stoic super-spy in the first and second movies.

It still sticks to tradition action-wise; Tom Cruise gets to wall-crawl Dubai’s Burj Khalifa building in one of the film’s many tense moments. The high-tech espionage still pleasantly mystifies, the Impossible Missions Force a tight team comprised of agents portrayed by Simon Pegg, Paula Patton, and Jeremy Renner.

Bird’s first live-action film mostly impresses, although some initially interesting sequences become tedious. The antagonists start as interesting characters, but ultimately become flat and boring.

Still, the lively components outnumber the dull. The film benefits from the inclusion of Pegg, who plays the team’s resident tech guy-turned-field agent. The other operatives’ backstories also make us care for them, even Hunt. As for the mission itself, it’s a typical interception-retrieval job, but it’s made a little more urgent and desperate when the small team becomes the sole active IMF group. And “M:I – Ghost Protocol” has big, sweeping shots made for IMAX screens, enhancing and establishing some scenes quite sharply.

Oh, Christmas Tree

2011-12-14T03:06:00.000-08:00

I didn’t disassemble my Christmas tree earlier this year, and covered it with taped newspaper pages until early November. Wow, where’d the time go? It’s almost mid-December already. As people close to me know, I don’t celebrate Christmas as a religious holiday; I’m not a Christian. What I do like are the colors and festivities of the season and the extra time spent with loved ones. The season reminds me of many happy times with my family and friends.

‘History’ in a nutshell

2011-12-14T03:00:00.000-08:00

Forget that ordinary-looking cover; “History of the Marvel Universe” is actually a satisfying and informative read, summarizing decades’ worth of stories into a 48-page one-shot.

Uatu the Watcher narrates the main/616 reality’s superhero history, some momentous events accompanied by existing illustrations. It’s a nice compression that doesn’t go into the complicated and confusing origins of certain X-characters, their clans and their scheming arch-foes. It’s accessible enough for the new Marvel fan, but older readers will still enjoy the almost Marvel Saga-esque organization of shared histories.

New ‘Hung’ man says he’s ‘extremely open-minded’

2011-12-05T03:07:00.000-08:00

(Published Dec. 5, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Actor Stephen Amell is gaining popularity as the busboy-turned-gigolo Jason, a new character introduced in HBO’s sex comedy series “Hung.” Amell, 30, considers the role “pretty tame” compared to some previous ones, including a violent werewolf and a killer.

The Canadian actor appeared as the villainous werewolf Brady in a few episodes of “The Vampire Diaries.” Before that, he had parts in the teen drama series “Degrassi” and gay-oriented shows such as “Dante’s Cove” and “Queer as Folk.”

He’s having the time of his life playing Jason, rival to “Hung’s” main male prostitute Ray, played by Thomas Jane. Amell revealed during a recent phone interview that it wasn’t a difficult role to play because he has no hang-ups about sexual matters.

“I’m extremely open-minded,” Amell said. “I think that whatever people want to do in their sexual life, it’s their private life for a reason. Whatever decisions they make, whether talking about same-sex couples [or] mixed couples, it doesn’t matter to me.”

The character is likewise open-minded, Amell added. “One of the things about Jason that we learn from the season is that he’s not opposed to working with male clients. Jason’s character is straight, but that doesn’t always matter in the gigolo world.”

Amell finds working on TV shows likable for a variety of reasons, and he considers landing a regular role especially rewarding. He appreciates the different dynamics that each show offers him. “I was on ‘Vampire Diaries’ for only a couple of episodes,” he said. “One of the main differences is that we shot that in Georgia. The cast has to pick up mostly from Los Angeles and they have to move out to Atlanta. So you get a more familial atmosphere out there. But I like each show’s vibe for different reasons.”

The “Hung” experience isn’t very different, cast-wise. “I got along great with everybody,” he said. “We had seven different directors this year. I got along great with them and Thomas Jane, Anne (Heche), Rebecca (Creskoff) and Analeigh (Tipton), the main actors I worked with this year. It’s a real nice crew. It’s a first-rate group of people.”

Amell portrays a 25-year-old busboy who gets discovered by Lenore (played by Rebecca Creskoff), who pimps him as part of a revenge scheme. Amell gets naked in a number of scenes, but being a regular cast member also means that he’s learning new things about acting. He’s now “coming into scenes with an open mind.”

“If you go to a scene and you’re locked into the way that you’re gonna do it, you’re a little inflexible,” he explained. “The way HBO sets up the production schedule, you have a lot of time to explore different things in the scene. Being flexible and trying things a bunch of different ways are really helpful exercises. That’s what I learned the most, put yourself in the hands of the director, and trust that he is going to craft the best performance for you.”

As for Jason’s competitiveness, Amell can relate. “I used to be very competitive in high school and through university,” Amell recounted. “I’m a little bit more relaxed now. But if it’s good competition and it’s worth being competitive about, I definitely get competitive!”

Career-wise, Amell is seeing changes brought about by his prominent character. “I’ve noticed slight differences,” he said. “I think hooking a role on ‘Private Practice’ was directly a reflection of people enjoying my work on ‘Hung.’ So I’m noticing a bit more connectivity in what I’m doing. That’s really exciting because the idea of doing a good job in one place and having it get me a job somewhere else—as an actor, my main goal going into 2012 is I want to work as much as possible. Every single day that you’re on set, you learn new techniques about acting for the camera, you work with new directors and actors. Those things are critical.”

He added that it’s been a very busy year, and learning has been constant: “I’ve had almost a hundred days on the set, working,” he recounted. “I’m very happy with where my career is!”

Two episodes of “Hung” season 3 will air back to back Monday night at 11:55 p.m. Subsequent episodes will air Mondays after the 10 p.m. movie on HBO.

Strike Anywhere

2011-12-05T03:06:00.001-08:00

Cool confirmation time: Christos Gage recently revealed via CBR that Julie Power a.k.a. Lightspeed from Power Pack is bisexual. The Avengers Academy writer talked about the character liking guys when she was a kid, and girls as a teen. It was heavily hinted at in the Loners miniseries a few years ago. But wait, there’s more! Striker, the student often hitting on female classmates, will be coming out as gay!

I knew it. I felt that the author put clues in his origin issue (AA # 5), mainly, the statement that he was “bored” with the girl groupies that Norman Osborn gave him. I always felt that he was gay. There’s another hint that actually reinforces it; Striker opted to talk instead with Veil after she kissed him in that same issue.

Speaking of gay stuff, my “Super Gay DC” drawing’s gotten 101 notes over at Tumblr. Gail Simone even reblogged the image and commented, “Yay, a bunch of my dearest kids are on there!” That is so cool. She was referring to Scandal Savage, Liana, Knockout, Creote, and Olympian. It’s also cool that she also commented on my first “Gay DC” drawing last April: “I love this. Thank you so much for drawing and posting it! That girl there with the awesome hair? THAT’S SCANDAL SAVAGE, baby!”

Winter wunderkind

2011-12-01T13:38:00.000-08:00

Some incredible truths about Santa Claus’ yearly gift-giving trips are revealed in Columbia’s warm and endearing “Arthur Christmas,” a modern and inventive take on the beloved mythical figure. Santa’s miraculous Christmas Eve feats and the people (and elves) behind them work like clockwork, but one unexpected mistake may ruin it for one nice child.

Standing between a happy Christmas morning and certain disaster is Arthur Claus (voiced by James McAvoy), clumsy grownup son of the current Santa, Morgan (Jim Broadbent). Arthur, however, is a kind-hearted believer in his father’s mission, helping out by responding to kids’ letters in the mailroom. His brother Steve (Hugh Laurie) has been running operations efficiently for years, while Santa Morgan has become an old figurehead unfamiliar with the new system. It’s revealed that the Santa Claus identity and responsibilities are given to worthy successors, immortalizing the much-revered character.

Vibrant, solidly told, and often visually busy, “Arthur Christmas” just might be the most heart-warming animated feature of the season. Its story is simple but smart; it tugs at the heartstrings during anticipated and unexpected moments, and has enough lovable and lively characters amid all the glittery tinsel and flashy colors.

One glitch during the preview screening was the uneven audio; sometimes the voices are loud enough, but there are times when the volume of the voices lowers, overpowered by the background music and sound effects. Hopefully, that’s just a problem exclusive to that screening.

“Arthur Christmas” opens Dec. 7 in Metro Manila.

Yuletide Pride

2011-12-01T13:37:00.000-08:00

Two big team-ups, two new drawings.

Super Gay Marvel

LGBT Marvel heroes, anti-heroes, villains and civilians. Marvel’s got more than 34, but these are the confirmed, in-canon ones. This is a sequel of sorts to a drawing I did last April, dedicated to the creators who introduced or developed these characters.

Roll call: Spider-Woman (Exiles), Xavin, Lucy In The Sky, Northstar, Freedom Ring, Anole, Sunfire (Exiles), Flatman, Bloke, Destroyer, Shatterstar, Beast (Exiles), Rawhide Kid, Vivisector, Karma, Union Jack, Graymalkin, Mystique, Destiny, Living Lightning, Frenchie DuChamps, Colossus (Ultimate), Hector, Jackpot, Phat, Hulkling, Wiccan, Marlo Jones, Quasar, Moondragon, Northstar (Ultimate), Rictor, Daken, Victoria Hand.

Super Gay DC

A gathering of 34 lez, gay, bi, and trans heroes, villains, anti-heroes and civilians from the DC Universe (or Multiverse). I didn’t include Vertigo characters; I’ll probably do that drawing someday. Anyway, this is also dedicated to the comic book writers and artists who made this superhero universe a little more colorful.

Roll call: Bunker, Apollo, Starman, Lightning Lass, Shrinking Violet, Extrano, Comet, Tommy Jagger, Fauna, Obsidian, Power Boy, Tasmanian Devil, Hero Cruz, Houston, Donner, Ice Maiden, Gravity Kid, Knockout, Josiah Power, Thunder, Batwoman, Catwoman (Holly Robinson), Grace, Olympian, Scandal, Liana, Pied Piper, Terry Berg, Midnighter, Creote, Question, Maggie Sawyer, Gannon Malloy, Blitzen.

‘Gumball’ infinitely cute, weird

2011-12-01T13:36:00.000-08:00

(Published Dec. 2, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Cartoon Network’s “The Amazing World of Gumball” can be counted among the few shows that successfully utilize bizarre concepts while connecting with its more familiar and universal qualities.

Meshing together 2D, 3D animation and live-action parts, “Gumball” immediately stands out as its own world. Disparate designs coexist; the traditional-looking or “flat” animal characters can be seen mingling with digitally rendered and textured beings on “real” suburban streets.

Its titular character Gumball Watterson is a blue cat-boy figuring in nonsensical but entertaining exploits. He and his best friend Darwin, a bipedal fish boy who used to be the family pet, have some of the oddest adventures at school and at home. Every story unceasingly focuses on the young characters’ naivete and their world’s more unusual aspects.

Gumball has to save the surly, puppet-like neighbor Mr. Robinson from unknown “assassins” in one story. In another inane tale, the boys’ friendship is tested, reiterating their incompatibility with schoolmates such as the rich athlete Tobias and the limbless balloon-boy Alan.

In one of their funniest misadventures, Darwin becomes the cloud-girl Masami’s unwilling boyfriend, while Gumball finds himself attracted to Penny, a peanut girl with antlers.

The attraction theme is again explored hilariously in another story. Gumball runs out of fresh clothes so he’s forced to wear his mother’s wedding gown to school! His classmates don’t recognize him and think he’s a cool girl, and Darwin falls in love with “her.”

Fans of “strange” comedy cartoons such as “Adventure Time” will appreciate the concise but self-contained episodes. Thriving on unrelenting nonsense and unconventional visuals, “Gumball” is consistently and satisfyingly silly and surreal.

The animated series airs Saturdays at 9 a.m. and 7:30 p.m. on Cartoon Network.

Fine Whine

2011-12-01T13:30:00.000-08:00

Some people rant on a regular basis; I seem to ignore things that annoy me till they practically bother me at the same time. So here are some current peeves and complaints, in one fell swoop:

1. If you’re going to text or talk on your phone, don’t do it in a busy corridor. You’re slowing down everyone behind you, dumbass.

2. I wish invitational screenings would really start on time. I wish organizers would close the doors on latecomers and slow-moving guests, or just start without waiting for them. Let them fumble for seats in the dark.

3. Don’t ask me to do something for free, and support a cause that I don’t believe in. I need to pay my bills and eat, too. And don’t assume that I’m on your side when it comes to certain issues. Do your freaking homework.

4. Stop preaching in the bus. Stop guilting people into handing you money, thinking that it’s what your deity wants. Don’t bother me with your envelopes and leaflets either, self-righteous creep.

5. Those bothersome people asking about credit cards at the mall, I am this close to pushing them out of the way and telling them to f—k off.

Nursery rhymes gone rogue

2011-12-01T13:27:00.000-08:00

(From the Dec. 1-15 issue of The Fortnightly)

By Oliver M. Pulumbarit

One of the more memorable characters from the uber-hit series of animated movies “Shrek,” the suave swordscat Puss in Boots now gets to save the day in his own self-titled adventure. “Puss in Boots” is both a spinoff and a prequel, revealing much about the beloved cat’s early days. Sans his wacky “Shrek” cohorts, the outlaw Puss (voiced again by Antonio Banderas) is joined by intriguing, all-new characters.

The bipedal adventurer finds himself searching for fabled magic beans, now in the possession of Jack and Jill (Billy Bob Thornton and Amy Sedaris). But they’re not the innocent and ill-fated kids from the nursery rhyme anymore; they’re both burly, mean adults. Puss encounters the masked thief Kitty Softpaws (Salma Hayek) during the mission, and is surprised to discover that his formidable new opponent is working with a figure from his past.

Humpty Alexander Dumpty (Zach Galifianakis) is “back together again” and offers his estranged friend an alliance against the keepers of the legendary beans. Their quest ultimately involves the retrieval of a fowl that literally lays golden eggs. But Puss only knows part of the plan, and finds himself in deep trouble not long after that particular job.

“Puss in Boots” has more appealing character designs than most of the “Shrek” films, which had simple and less-imaginative concepts, with the exception of the titular spinoff character. From the cat “extras” to the main cast, and even the grotesque villains, much thought is put into the visuals. Animation-wise, it’s typically gorgeous and intricately rendered, although the dimly lit scenes are really dark and difficult to see. That seems to be the case with some 3D and non-3D films being shown here lately. The visual quality is nowhere near as vivid as in the trailers, for some reason. It’s a recurring problem (possibly a calibration issue?) that has to be addressed by local cinemas soon.

Anyway, “Puss in Boots” manages to flesh out the main character quite impressively. Even those unfamiliar with the movies he previously appeared in will feel that they didn’t miss much. Puss is introduced anew as the roguish cat who hooks up with smitten felines, runs from furious cat owners and the law, and nobly risks himself to save lives.

Frequent collaborators Banderas and Hayek share a noticeable and comfortable bond, making the cartoon tandem quite easy to like. Kitty is also an appealing character, not only because she possesses nearly superhuman (or superanimal) speed and stealth, but also because she treads the line between heroine and villainess. She’s still cool even after she expectedly chooses a side.

Galifianakis, best known for the smash adult comedies “The Hangover” and its sequel, doesn’t sound like his amnesiac man-child character from those movies, thankfully. He’s pretty unrecognizable, which is a good thing. He gives surreal life to Humpty, who isn’t exactly the same after surviving the traumatic fall that was only partially chronicled in the old rhyme.

“Puss in Boots,” storywise, is pretty average; the high-stakes adventure is predictable, but there’s solid characterization. Kids and grownups, and old “Shrek” fans, will find Puss’ first solo caper pleasantly diverting.

Kevin’s Getting Married

2011-11-27T06:33:00.000-08:00

Here’s the cover to Life With Archie # 16, the special issue where Kevin Keller gets married! Yup, it’s a gay and interracial marriage. The Life With Archie series has a continuity separate from the main Archie-verse; the characters are older and more mature in that title. The comic book will be released in January, 2012.

‘Feet’ don’t fly

2011-11-27T06:30:00.000-08:00

“Happy Feet 2” has solid and vivid animation, but it isn’t as memorable or as moving as the first movie. Dance-happy penguin Mumble (Elijah Wood) is back, now a dad to shy and awkward Erik (Ava Acres). Erik and friends meet old and new denizens of neighboring habitats, and must figure out a way to save their penguin kin trapped by unscalable walls of ice.

Pop star Pink replaces the much-missed Brittany Murphy, which works music-wise, but the late actress made Gloria a more real and empathic character. The grown-up Mumble isn’t really as important anymore, since focus has shifted to his familiarly unsure son. Robin Williams makes things lively with his voice portrayals of characters Ramon and Lovelace, while Sofia Vergara is easily recognizable as the initially uninterested love interest Carmen.

The movie recreates themes of identity and purpose, this time also oddly pondered by marine characters Will and Bill (Brad Pitt Matt Damon), as well as Sven the “flying penguin” (Hank Azaria). Many of “Happy Feet 2’s” characters get to learn from their various interactions, but somehow, there aren’t many emotionally connecting moments. As for the “heartsongs,” the movie’s song selection is more “miss” than “hit.” “Rhythm Nation” feels too forced and there’s Erik’s cringe-worthy ode to Mumble—but it’s not entirely dismissible, as there’s an inspiring and apt cover of “Under Pressure.”

Roy Likes Junk

2011-11-27T06:25:00.000-08:00

Roy Harper, a.k.a Speedy, when he revealed his reason for trying out “junk” in the ‘70s. The hero became drug-addicted again before the DC Universe rebooted. It’s funny now because the term “junk” refers to something else these days, and may give his confession an altogether different meaning.

Chris Messina, a storytelling vessel

2011-11-21T05:42:00.000-08:00

(Published Nov. 20, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Actor Chris Messina believes that his career is moving “slowly, and probably at the right tempo.”

Messina, 37, started acting in the mid-1990s and appeared on episodes of “Law and Order” and “Six Feet Under.” His recent film credits include roles in Woody Allen’s “Vicky Cristina Barcelona” and Nora Ephron’s “Julie and Julia.” He recently appeared in nine episodes of the acclaimed legal drama “Damages,” starring Glenn Close and Rose Byrne.

Describing the creative and production team of “Damages” as “super-terrific, smart guys,” Messina said he was pitched a character after he made a specific request. “I told them that I had no interest being on their show as a lawyer wearing a suit and tie,” Messina told the Inquirer in a phone interview. “I was looking to do some other stuff. They pitched me the character Chris Sanchez.”

Messina revealed that Chris Sanchez was a soldier who served in Afghanistan and later worked for a security firm. The role required a lot of research. “I wanted to try my best to portray a soldier as truthfully as possible,” he said. “I felt pressure, a responsibility to get it as right as I could.”

Working on the show initially felt daunting. “It’s very nerve-wracking because they’re a family, not only the actors, but the creators and the crew. They’ve worked together for three years so you want to be welcomed to their family. But I was lucky because Glenn Close and Rose Byrne and all the [others] were very welcoming!”

Messina finds it “interesting” that his acting jobs continue to give him opportunities to become “vessels” to tell stories, whether on TV or film. He also appreciates the growing number of acclaimed and consistently well-crafted programs. “It’s just a different time,” he said. “It’s the golden age of television. I think there’s mostly better stuff on TV that’s coming out than the movies. Where was once independent film, I think it’s now television.”

His co-star Close, known and praised for her film roles, successfully made the transition a few years ago. She was an endearing and empowering presence behind the scenes, according to Messina. “She’s amazing,” he said. “She has a love for acting that I really admire. I would always ask her questions about films and plays she did. She’s very kind. She’s a real leader of that show. She represents the kind of work ethic that is required on that show.”

The father of two young kids sometimes feels “exhausted and beat up” after portraying his “Damages” character. But being part of this cast specifically taught him an important lesson: “To listen – you constantly have to remind yourself to stop and to listen,” Messina said. “The writing of the show happens so quickly that new pages are coming at you. So I guess one of the biggest lessons was to embrace the style, structure and fast pace of it all and not to get frustrated and angry. I like to prepare; I could prepare for years and still not feel ready. On this show, you never felt ready but you have to embrace that.”

Messina hopes to portray a different character someday, one that he can develop for a couple of years. He also considers directing a “very interesting” option. For now, he’s grateful for his opportunities, even if he’s not as immediately recognizable as some actors.

“I feel like I’m the guy that people often stop at the street and say ‘I think I know you!’ or they know I’m an actor but they don’t know where I’m from. There’s something great about that in a way. I don’t want people following me with cameras. I don’t want that kind of life!”

The fourth season of “Damages” premieres on December 9, 11:30 p.m., on AXN Beyond.

Press Con Confessional

2011-11-21T05:40:00.000-08:00

I found this image above from a link posted by the Huffington Post site. I love what gay-friendly filmmaker-actor Clint Eastwood said in a recent GQ interview (or just click the image to read the unbleeped quote):

“These people who are making a big deal out of gay marriage? I don’t give a f—k about who wants to get married to anybody else. We’re making a big deal out of things we shouldn’t be making a big deal out of. They go on and on with all this bulls—t about ‘sanctity.’ Don’t give me that sanctity crap! Just give everybody the chance to have the life they want.”

Speaking of gay stuff, I just found out a few days ago that local actor Eddie Garcia, who’s played countless tough guys since the ‘70s, admitted to having experimented with homosexuality when he was a teenager. He revealed this during the press conference for “Praybeyt Benjamin” last September, according to reports. At the same event, his co-star, 31-year-old actor-rapper Carlos Agassi, admitted to having had a serious gay relationship when he was in his teens. That relationship, he said, made him “a better person.”

It’s cool that Carlos sort of came out through this revelation. I don’t know if he considers himself straight (or bi, or whatever) right now, but his confession should help gay teens, or even adults struggling with their sexuality, accept or appreciate their situations. Thank you, Carlos.

Somehow, I’m not as surprised to learn about Mr. Garcia’s tidbit. I don’t think of him as being brusque or boorish like his manly man roles in real life; I don’t know him or how he behaves behind the scenes. But his fuss-free disclosure just makes me accept it. So he was a horny teen who did a guy (or guys). Not a problem. I respect him for being an acting luminary, and I respect him even more now for his honesty.

Expert says man is not on sharks’ menu

2011-11-21T05:38:00.000-08:00

(Published Nov. 21, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

“I think there’s this morbid fascination with animals that can potentially eat us,” opined shark expert Dr. Vic Peddemors, who is featured in Discovery’s Shark Week’s “Summer of the Shark 2” and “Great White Invasion.” As head of the shark research section of the New South Wales Department of Primary Industry, the scientist initially studied seaweed and eventually ended up working on dolphins and whales before focusing on sharks.

“I probably spent about 15 years studying dolphins and whales,” Peddemors said in a recent phone interview. “When I first came to Australia after being based in South Africa, 50 percent of my time was spent studying sharks and 50 percent, studying dolphins. Now that I’m working at New South Wales Fisheries, it’s all sharks. I also deal with investigating shark attacks that occur in New South Wales.”

Peddemors also advises on additional protocols that should be put in place to protect people within the proximity of shark attacks. He stated that sharks don’t really know what humans are. “We are not on the shark’s menu,” Peddemors said. “A shark has evolved over 400 million years to feed on fish, crustaceans or dolphins. They don’t know what we are. We live on land. They don’t encounter us.”

Still, sharks sometimes mistake humans for prey. Peddemors added that the Shark Week programs intend to shed light on some species’ feeding and hunting habits. “Before the ‘Jaws’ series of films, the amount of fear was far less than what it is since the ’70s,” he said. “So these new films being developed by the various agencies such as Discovery Channel are really going a long way to dispel some of the fears and myths around sharks and shark attacks.”

Peddemors said there are approximately 400 species of sharks; some live deep in certain bodies of water, while some live near the surface. After years of studying them, however, the scientist has yet to see anything that’s particularly unusual.

“We notice that when I put cameras onto sharks, fish will often come and they’ll almost run themselves on the shark. It looks like it’s using the rough skin of the shark as sandpaper to get rid of parasites. That was really interesting because you sort of think that fish is going to get eaten by the shark.”

Peddemors has important advice for those who might find themselves near sharks. “I’ve noticed that if you can see the shark, it’s highly unlikely that it’s going to come to bite you,” he said. “So if you can see the shark, you’re probably in a good position. If a shark does come too close to you, swim at it. It turns around and it swims away. I know it’s a strange thought to most people, but it definitely works. If nothing else, hit it on the nose. The nose of a shark is full of very sensitive organs. And so you bang it on its nose hard enough, it’s probably going to turn around and leave you alone!”

Among the many kinds that Peddemors observes, his favorite species is the “timid” tiger shark, even after one unforgettable encounter. “My personal, more frightening encounter with sharks was seeing a tiger shark coming straight at me with its mouth open,” he recounted. “[It’s] a little bit disconcerting. But basically you’re in the water, you’re in their domain and you have to stay cool, calm and collected. And in that case I was able to push the shark out of the way and leapfrog over its back! That’s probably one of the scariest things I’ve encountered!”

Shark Week programs start airing tonight at 10 on Discovery Channel. Specials include “Jaws Come Home” (Monday), “Summer of the Shark 2” (Tuesday) “Rogue Sharks (November 23), “How Sharks Hunt” (November 24), “Great White Appetite” (November 25), “Great White Invasion” (November 26) and “Killer Sharks” (November 27).

Same Time Zone, Better Time

2011-11-18T08:19:00.000-08:00

I don’t travel much, so it was especially exciting when I was assigned to cover the True Blood junket in Hong Kong a few weeks ago. After nine years of writing for the paper, being offered to do an assignment outside of the country felt validating. I thank my editor for thinking of me, specifically. My companions, colleagues from other broadsheets and accommodating PR agency people, had a grand, grand time. I also thank HBO Asia for that opportunity, and the nearly 3-day vacation.

Halloween evening, we got to The Peak via the tram and had dinner. The view of the Hong Kong cityscape was incredible; I wish I had clear pictures that captured the coolness of the light show. City lights aren’t normally colorful, but in that postcard-pretty area, many buildings had moving, and even changing colored lights. When we got out of the restaurant, it was chilly and windy, like Baguio at night. Back at the Mandarin Oriental, I switched to Star World, E! and HBO when I wasn’t listening to the live-streamed ‘80s and ‘90s radio stations. My sleep was shorter than usual but it didn’t feel like it because the room was very comfortable.

Day two was busy but definitely fun. I ate and ate. Had awesome breakfast at Clipper’s, located at the mezzanine level of the hotel. We interviewed Joe Manganiello in groups about an hour later. Joe is a gigantic guy. It’s cool that he was more candid when he was answering my questions. When all three groups were done, there was a press conference for non-participants of the roundtable interviews at another room. Lunch was yummy. I had my money changed at the IFC mall, which my companions and I visited only briefly. I stayed out for a bit, rested at the park behind the Mandarin, and just looked around.

I bought snacks and Chinese comics, a.k.a manhua, from some newsstands. I don’t speak or understand the language, but the art is incredible. I discovered manhua about 15 years ago, during my first visit to Hong Kong.

I just took photos of the buildings some blocks from the hotel. I got back to my room, freshened up and rejoined the others for the dinner and HBO-organized party later that night. Joe was the event’s special guest. That was a fun night. People were drinking and some got tipsy. I ate a lot of finger foods, and drank a glass of wine and a bottle of Tru Blood, which was actually a carbonated orange drink. I went to the hotel gym at a little past 11 (I had the place to myself), and had a quick workout before deciding to go back to my room. Dipped in the heavenly hot tub while listening to retro pop stuff, before calling it a day. Man, what a relaxing night.

During our last day in HK, some of us joined a quick trip to Lantau Island, previously known for being the site of a penitentiary, but is now popular for Hong Kong Disneyland and an airport. We didn’t go to those places; we just viewed a monastery and took pictures of the Giant Buddha from that area below, and while in a cool and breezy cable car. We got back to the city less than an hour later and ate lunch with other Asian writers. We got to the airport in the afternoon. I was feeling sleepy but giddy, missing the place even before the plane took off.

Twi-ing harder

2011-11-18T08:16:00.000-08:00

“Twilight” gets sexed-up and weirdly grownup in “Breaking Dawn – Part 1,” as eternally youthful vamp Edward (Robert Pattinson) and monster-bait Bella (Kristen Stewart) tie the knot. It may seem like a blur to non-fans of the book and the movies, but rabid fans will undoubtedly see and enjoy this latest installment, radical change in status quo notwithstanding. Team Edward “winning” this round doesn’t mean that it’s bye-bye dogboy Jacob (Taylor Lautner), as the character’s still integral to the sappy monster equation.

This time, director Bill Condon (“Dreamgirls,” “Kinsey”) steps in, helping shape the more “mature” exploits of the primary characters. “Breaking Dawn – Part 1” isn’t anything spectacular; none of the “Twilight” saga films can really be described that way, and this latest part isn’t exactly much of an improvement.

The penultimate chapter feels stretched, oddly uninteresting despite radical and momentous shifts, particularly Bella’s transformation from brooding schoolgirl to giddy wife, expectant mom, and so on. You’ll be reminded of how thin its mythology is when the hunky werewolves and the rich vampires find something new to fight over.

It’s an hour and forty-plus minutes of characters smooching and canoodling, agonizing and blaming, and arguing over pacts, a strange pregnancy, and what have you. There are also scenes of Bella and Edward playing chess, which looked and felt really iffy. The previous part, “Eclipse,” improved the character dynamics a bit, but they’re still hard to care for now, even with new and more desperate situations.

Bite-sized romances in TV rom-com

2011-11-18T08:14:00.000-08:00

(Published Nov. 14, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Each episode of the comedy-drama anthology “Love Bites” manages to tell three separate but somewhat related stories, mostly short but sweet rom-coms that get to the point in less than 15 minutes each. With regular cast members and several recurring guest actors, the show created by Cindy Chupack (“Sex and the City”) introduces new characters and relationships weekly.

Becki Newton plays Annie, a pregnant chef, while Greg Grunberg and Constance Zimmer play loving spouses Judd and Colleen. Those three regular characters are sometimes the focus, although they sometimes just hover in the periphery. There are smart stories about relationships, and there are silly but endearing ones about miscommunication and incompatibility.

The better-presented ones waste no time in telling a clear and concise tale, concluding satisfyingly and with some sense of finality. The heavy but ultimately optimistic “Goodbye Boob” centers on a tattoo artist (Steve Talley) who’s attracted to an art gallery owner (Laura Prepon), unaware that she’s about to undergo a mastectomy. Another short, “Cutlets,” is more escapist and cute, about Annie’s blind date with a weirdo, and her “rescue” by a kind stranger (Matt Long).

The more comedic stories, nonetheless, offer interesting takes on different relationships. The show can go in unexpected directions; it amusingly elaborates on an interracial gay couple’s engagement announcement foibles in one story, and the “ninja vanish” tricks of a man who’s just into temporary intimacy in another.

Chupack called the short-lived show a “successful little miniseries” when it was cancelled. “Love Bites” did offer a small, shared world that’s connected by universally relatable relationships and their inherent complications. Each three-story episode isn’t always a perfect set, but the outstanding stories are easily memorable and often end with feel-good panache.

“Love Bites” airs Mondays, 12 a.m., and Tuesdays, 9 p.m. on 2nd Avenue

Joe Manganiello, alpha werewolf

2011-11-09T06:23:00.000-08:00

(Published Nov. 9, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Italian-American actor Joe Manganiello’s first day in Hong Kong was, in a word, hectic. Shortly after arriving at the Mandarin Oriental Hotel and having breakfast, he gamely conversed with Asian entertainment writers for HBO Asia’s “True Blood” press junket. He was to appear for interviews in other venues as well.

Manganiello (mang-gun-yellow), 34, admitted he was a comic book “addict” as a kid in Pittsburgh. He said he shoplifted “huge stacks” of Spider-Man comics, which he returned to the owner many years later. Interestingly, he landed the role of teen bully Flash Thompson in the 2002 “Spider-Man” film.

The actor then played recurring TV characters in “How I Met Your Mother” and “One Tree Hill,” but he is best known for his noble werewolf character Alcide in “True Blood.” Alcide returns in Season 4 (Thursdays, 10 p.m.), set a year after the events of Season 3.

“I think this is the best cast in television or film ever assembled,” he said. “I put it up against any movie or TV show that I’ve ever seen. Most of the actors are seasoned theater veterans from around the world. They’re all just iconic. And the characters—you don’t see an Alcide, a Pam, a Lafayette on any other show. It’s really just amazing.”

Towering at 6’5”, Manganiello used to borrow the school camera to shoot kung fu-gangster movies with friends. He acknowledged the show’s “very human” godlike beings and noticed a similarity between creator Alan Ball and a famous playwright. “I came from a classical theater background,” he said. “[The show] is very Tennessee Williams. In the deep South, very hot, very passionate. Everyone wants to kill or sleep with each other. Alan to me feels a lot like Tennessee Williams. I really do think that if Williams were around today, he’d be Alan Ball, writing about vampires and werewolves!”

He revealed that growing up was tough because he was a sensitive and artistic kid, but he was “born into a very big body,” so he was encouraged to become athletic. He expounded on some real-life alpha male traits and other qualities similar to his alpha wolf character.

“I always played sports growing up. I was the captain of the football team, basketball team, volleyball team. I think that was a role I was always thrust into. As far as dating goes, I believe it’s a guy’s job to protect his girlfriend. You open car doors; you pick them up and pay for the date. I’m a traditional guy in a lot of ways.”

Alcide is also very protective of Sookie Stackhouse, played by Anna Paquin. “Sookie is a catalyst that forces him out of the house and gets him in trouble,” Manganiello said. “There’s a hero that emerges when he does that, but there’s also this monster. That’s a very fascinating character for a man to play, someone who’s so strong, vicious and animalistic, but also vulnerable and sensitive. A character like that, that’s a home run!”

The potential Alcide-Sookie pairing elicited favorable fan reaction, partly resulting in Manganiello’s continued appearance. “I think he’s the perfect guy for Sookie,” he enthused. “Like many of the fans, I want to see them hook up. Totally! We’ll have puppies! They only signed me for six episodes [initially]. On that show, if they don’t like you, they’ll kill you! When they invited me back, I was really excited and just so happy that people were responding to my character.”

Manganiello also described his scenes with Sam Trammell and Marshall Allman, who play shape-shifting brothers, as “really fun.” He added, “I think Sam and Alcide make a great duo. They could have a show where they solve crimes. Vigilantes! I like the dynamic a lot. There’s really heavy stuff going on. And it was great to work with Marshall. He’s such a great actor, and the stuff we got to do was gut-wrenching. In Season 4, there is a lot of fighting between shape-shifters and werewolves, so a lot of sides get picked. In the end, I really felt a lot for these characters.”

As for taking his clothes off, “It feels a bit like being a competitive swimmer: Before you get in the water, it’s cold, you’re wearing something very little. But once they yell ‘action,’ I’m a werewolf. I’m not embarrassed. There’s a sound guy with a microphone crouched right at about my butt level. There’s my wolf (Thunder) sitting there. And it’s broad daylight, too!”

Counting actors Robert De Niro and Gary Oldman and filmmakers Tim Burton and David Fincher among his idols, Manganiello is thankful for the opportunities to meet and work with people he respects and admires. He will be seen in coming movies “What to Expect When You’re Expecting” (with Cameron Diaz and Jennifer Lopez) and “Magic Mike” (directed by Steven Soderbergh).

“I’m so excited,” he gushed. “I feel like I’m just at the starting line. The amazing thing about ‘True Blood’ is that the entire industry in Hollywood watches it. So I’m constantly running into producers and directors. I just met Darren Aronofsky. I’m a huge fan. He came up to me to introduce himself. I worked with Chris Rock; I quote him on a daily basis. I was fighting my way through this crowd to go say hello and tell him how big a fan I was. Before I could say anything, Chris grabbed my hand and told me he loves the show. And I became friends with Paul Reubens! Stuff like that is just incredible!”

(Photo by Oliver Pulumbarit)

Thriller ‘Elite’

2011-11-09T06:21:00.000-08:00

(From the Nov. 1 -15 issue of The Fortnightly)

By Oliver M. Pulumbarit

Action star Jason Statham previously starred in some competent but ultimately simple and time-killing movies, usually playing over-the-top, almost indestructible characters. In “Killer Elite,” based on the controversial book “The Feather Men,” he gets to portray Danny Bryce, an efficient assassin who retires for a year, but is persuaded into taking on another mission. Statham’s characteristically slam-bang action antihero has a more human side this time, his less-smug and more centered demeanor often belying his immensely dangerous capabilities.

Danny belongs to a close-knit group of hitmen tasked to eliminate a target in Mexico. Danny leaves behind the team after that particular job, feeling guilty because their victim’s child witnessed their operation. He eventually starts life anew in Australia, but his checkered past catches up with him a year later. His longtime ally Hunter (Robert DeNiro) is in the custody of an ailing sheik, and will only be freed once Danny’s newly assigned targets have been disposed of.

Supposedly based on actual events, “Killer Elite” intriguingly presents amoral, desensitizing figures, characters that don’t deserve any sympathy. But because most of them are humanized, or given different opportunities to illustrate that they might be more than just killing machines, the characters become appealingly enigmatic. That’s especially true in Danny’s case; he manages to keep his emotions compartmentalized and his “normal” and violent lives separate. But it’s only a matter of time before those things change.

The assassins are actively pursued by Spike Logan (Clive Owen), a determined and relentless ex-SAS agent who wants answers. Spike’s involvement keeps the killers on their toes, and he’s tough enough to engage Danny in fisticuffs.

Hard-boiled and gritty, the film has more than its share of blazing bullets and bloody encounters. Some action scenes could’ve been tighter, but most sequences work effectively.

DeNiro has a couple of solid scenes where he kicks serious butt, his elderly but fast-moving character no slouch at all in the gun-toting department. The actor also ably provides his character some welcome duality; Hunter is a father figure to Danny, their bond a strange but interesting dynamic that is emphasized a couple of times.

Statham looks more serious here than in previous movies; he’s stoic half the time, but gets to cut loose in his element. Statham’s experienced assassin character gets to inflict a lot of damage, no surprise, but the situations are less improbable this time. He gets to explore a different life with his girlfriend (Yvonne Strahovski), but the break is typically short-lived.

Owen delights with his presence, the versatile actor credibly pulling off the badass swagger while offering a clear contrast to the guns-for-hire. Also impressive is Dominic Purcell, almost unrecognizable with a Village People-esque moustache, and quite scary in one of “Killer Elite’s” darker moments.

Spider Duo

2011-11-09T06:20:00.001-08:00

I knew it! The new, Tron-ish substitute costume gets worn by another character with spider powers in the last part of the Spider-Island arc. Also, I didn’t expect that old character to be back, but he’s better than ever. I don’t think he’ll be wearing the new costume for long, though. I’m assuming he’s the new Scarlet Spider being touted in some preview images.

Hong Kong Halloween!

2011-11-04T05:28:00.000-07:00

Just sharing a few pics from the True Blood junket, a.k.a. my awesome HK vacation. My thanks to my editor for sending me, HBO Asia for inviting and getting us there, Joe Manganiello for the generous answers, and Virtusio PR for being there! I miss the place, the room, the company, and the free food immensely.

Tru Blood drinker

Joe the Giant

High-cholesterol breakfast! Love the buffet at Clipper’s.

Tru Blood, type O Positive

I only used two pillows

View from my 21^st floor window!

Sink TV

Radio TV

Reflection on closet mirror

We stayed here!

6,000 Faves!

2011-11-04T05:27:00.000-07:00

My DeviantArt gallery’s gotten a total of 6,000 faves as of two days ago! I thank fellow artists and art lovers for faving my stuff, and the DA groups for including them in their galleries! Yay!

Costume, Critter, Candy 2

2011-10-28T08:31:00.000-07:00

Happy Halloween!

New drawings, set two of two.

Frankenstein Vs. Franken-Castle

DC’s patchwork man versus Marvel’s reanimated vigilante. I wanted to draw this since last year.

Ten Jokers

I chose just ten: Hyena (Amalgam), Joker (New 52), Joker (Elseworld’s Finest), Joker (The Dark Knight Returns), Joker Junior/Tim Drake (Batman Beyond), Joker/Martha Wayne (Flashpoint), Joker (Main/New Earth), Bianca Steeplechase (Thrillkiller), Joker (The Batman), Joker (1,000,000).

Young Justice Halloween

Superboy and Impulse didn’t have normal childhoods, so Robin and Wonder Girl suggested that they go trick or treating together.

LNA, Demidragons

Lexy, Nance and Argus as fantasy warriors. It’s the annual Halloween cosplay, and this year, they’re trying out something different. Lexy is Bladesmith (the impervious swordsman!), Nance is Shadowdance (the shapeshifting spy!), and Argus is Reignbow (the alchemist archer!). Happy Halloween!

Siblings get filthy—and rich

2011-10-28T08:30:00.000-07:00

(Published Oct. 30, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

“Dumpster-diving” brothers Jimmy and John DiResta have no problem getting their hands dirty, rifling through people’s discarded items. They transform garbage into “classy junk” that become profitable collectibles.

“Whatever we find, we let it decide what it wants to be,” Jimmy told Living Stars in a phone interview. “We find it, we fix it, we sell it,” added John. Their penchant for scavenging and recycling could be traced back to their father’s “addiction” to flea market items. On Discovery Channel’s “Dirty Money” (Thursdays, 9 p.m.) they demonstrate their combined expertise turning trash into cash, which they’ve been doing for years.

How different are your design sensibilities?

John: Jimmy teaches design at a visual arts school in New York City. His furniture designs are really wild. Compared to them, my pieces look like Fred Flintstone made it. His designs are more interesting but I’m funnier.

What specific knowledge and skills are most useful for you?

Jimmy: I have an education in design and all my life I’ve been designing and building. I taught myself welding [and] using woodworking tools. You need to have a certain love to get started and a tenacity to figure things out.

John: I’m married 23 years with three kids, three dogs, a rabbit. That’s my education.

Have fans created stuff inspired by your show?

Jimmy: I haven’t seen any finished pieces, but a lot of people are always asking me how I made this or that.

What’s been the toughest thing to redesign, so far?

John: We tried to reinvent the pogo stick.

‘Time’ bandits

2011-10-28T08:23:00.002-07:00

Time really is money in the science fiction-drama “In Time,” written and directed by Andrew Niccol (“Gattaca,” “The Truman Show”). In this radically changed reality, the archetypes remain the same, but as with most of Niccol’s other worlds, the film shows deeper truths about humanity and society.

This alternate, futuristic realm has familiar social divisions and ills, a flawed place where time has become the main currency. A person’s remaining days can be seen as a glowing digital display on the forearm, telling just how much time is left before the body expires. Time is much desired, as people can be eternally youthful, or can accomplish much for themselves or their families.

Protagonist Will Salas (Justin Timberlake) knows just how precious it is because he’s no stranger to harsh realities growing up. “Inheriting” the near-immortality of a wealthy bar patron (Matt Bomer), Will soon spends his newly acquired time on different thrills, and is introduced to the privileged but bored young woman, Sylvia (Amanda Seyfried).

“In Time” takes its sweet time when fleshing out the main characters, which are actually simple and typically Romeo and Juliet-esque. They go on Bonnie-and-Clyde-ish time heists, redistributing the wealth a la Robin Hood. While avoiding the smug thug Fortis (Alex Pettyfer) and the unrelenting time cop Raymond (Cillian Murphy), Will and Sylvia become outlaw heroes, their activities expectedly affecting the ages-old system. Despite its predictability, it’s still a smart and insightful film, one worth spending some time and money on.

“In Time” opens today in Metro Manila.

Age Difference

2011-10-28T08:18:00.000-07:00

It’s that time of the year when I reflect on my life again, at least more than usual, since I’m going to be older again soon.

I’m still discovering the difference between growing up and growing old, but more importantly, I’m learning the importance of knowing when to be accepting, and when to be defiant.

I’m still not a religious person, and I don’t claim to know everything. That’s just how I am. It still irks me when some people preach “enlightenment” to me or claim that their gods are speaking through them. You have beliefs, fine. But don’t tell me I’m doomed because I don’t have or want the same belief system.

I still consider myself lucky to be living in this particular age. Art can be seen quicker, information is mere clicks away, and communication is much easier. Everything’s become files on different formats. But I consider myself fortunate that I’ve been exposed to traditional, old school disciplines as well.

I know how heartbreak feels. You get over things and move on, eventually, because you don’t really have a choice sometimes. But pain can be fuel, and you’ll realize sooner or later that you should cherish and enjoy what you have.

I continue to be grateful. I’m glad that I can both write and draw. I’m glad that after writing for work, I can relax my mind by switching to artist mode, which allows me to use a different set of instincts. I’m glad that I constantly learn new things, whether it’s a technical ability or information that I can use later.

I’m thankful for my loved ones and real friends, generous people who are just there to inspire and teach me. I don’t know if I contribute anything to their lives, but I thank them for bearing with me and my temperaments. I also thank my bosses, who trust me enough to do the job.

I prove myself every day. I can say that I continue to work hard. I didn’t have opportunities handed to me by influential relatives. I didn’t sleep with anyone to land a job. I didn't destroy anyone to accomplish my goals. I always wish I could be better at the things I do, but I also congratulate myself when I feel I deserve it. It’s healthier that way.

‘Real Steel’: Hugh Jackman, robot whisperer

2011-10-18T07:50:00.000-07:00

(This appeared in the Oct. 16-31 issue of The Fortnightly.)

By Oliver M. Pulumbarit

In the predictable but moving science fiction-sports flick “Real Steel,” Hugh Jackman plays loser robot-boxer operator Charlie Kenton, whose estranged son Max (Dakota Goyo) reluctantly reunites with him for the duration of one summer. Sure, the iffy trailer didn’t really promise anything spectacular, and its brief shots of fighting robots looked silly. But the Shawn Levy-directed film pleasantly surprises; its effects-enhanced action parts gel seamlessly with the ingratiating father-son yarn.

In that reality, Charlie was a competent boxer, but human fighters were eventually replaced by remote-controlled, mechanical ones. He tried adapting in vain, entering his robots in matches at the oddest venues, but they almost always end up in pieces. Charlie also ends up owing people (some of them scummy, shady types), but he manages to sneak out on them just in time. Everything changes with the arrival of Max, who isn’t exactly thrilled to be spending time with his absent and mostly self-centered dad. Max later discovers a discarded sparring robot, Atom, whose “shadow” function allows it to imitate the movements of humans in its proximity.

It proceeds as expected. Max upgrades Atom by integrating some parts from the surviving components of defeated robot boxers. Soon enough, Atom is trained by his “coach” Charlie. The automaton starts boxing bouts with dance numbers, motion-capturing Max before fighting in small competitions. Atom becomes a sensation, attracting the attention of fans and foes alike.

“Real Steel” lets Jackman play another flawed but redeemable man’s man. Charlie is initially a fellow you wouldn’t want to deal with, an unreliable, disconnected guy who has no compunctions whatsoever with signing away his custody rights for the right amount. He is, however, charming, especially to Bailey (Evangeline Lilly), his boyhood friend, trusty mechanic, and occasional cuddle-buddy. Jackman gets to do some action scenes via his “coaching” gig, but he’s also impressive in less-rowdy and more emotional scenes.

He shares a good rapport with promising young actor Goyo, who resembles former child actor Jake Lloyd a bit. Goyo’s plucky Max doesn’t get irritating; his impish but often-resourceful character is properly conveyed, and complements Charlie well.

The fantasy-scifi elements connect adequately with the familiar and familial tale, the technological wonders just mostly presented as advanced and expensive gizmos that don’t really radically change society’s basic human relationships outside the ring. The boy and the robot share an “Iron Giant”-ish bond, but strangely enough, the machine’s “secret” isn’t really clearly expounded on.

Anyway, it doesn’t really focus on the details and science of the robot fighters’ tech. The robots look and move great, though, their slam-bang fisticuffs engaging enough whenever they’re focused on. Those flashy moments balance out the underdog and redemption drama, making “Real Steel” surprisingly steely.

Legion of Plastic Heroes

2011-10-18T07:48:00.000-07:00

Oh, wow. Legion toys! Back in December of 2005, I blogged, “DC Direct, please make more affordable figures with more points of articulation like the ones Toy Biz is doing. Please do it soon. You've got over seventy years' worth of characters at your disposal. Start with the post-Zero Hour Legion of Super-Heroes. Fanboys and fangirls the world over will eat 'em up. You'll make lots of money.”

Almost six years later, it’s not DC Direct but Mattel that’s releasing an incredible-looking action figure set of the pre-Crisis Legion. Sweet. But it’s priced at US $180. Man. I won’t be getting it; I quit collecting action figures some time ago, but I’m still finding it great that there’s a Legion set! So fricking cool!

‘Glee’ back to basics, gayer than ever

2011-10-18T07:44:00.000-07:00

(Published Oct. 17, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Season Two of the uber-popular “Glee” series can best be described as uneven, its story lines and guest appearances sometimes derailing proper character development and plot progression. While some characters were very clearly developed, such as gay teen Kurt (Chris Colfer), some members of the New Directions glee club practically disappeared into the background, only focused on again when performing less-significant or perfunctory tasks.

The on-again, off-again feud between the group’s mentor Mr. Schuester (Matthew Morrison) and Coach Sue Sylvester (Jane Lynch) has also gotten tiresome and forced. Every truce is short-lived, as Sue always finds inane reasons to torment the glee club. She’s despicable one minute and unbelievably generous the next, making it harder to take the character seriously. Sure, it’s “Glee,” but she’s just gotten way too cartoony!

The show, however, sensitively tackled religion, sexuality and bullying in some of the better-written episodes last season. Kurt’s growth is constant and consistent; his best moments are easily those that involve his insightful discussions with his straight dad (Mike O’Malley), confrontations with the closeted gay bully Karofsky (Max Adler), and interactions with his first boyfriend Blaine (Darren Criss).

One of the gay-friendliest ongoing American shows, “Glee” also revealed in the previous season that the mean and manipulative cheerleader Santana (Naya Rivera) is a lesbian and has real feelings for her best friend Brittany (Heather Morris). Also, Kurt and Blaine’s relationship was focused on a lot, the couple’s scenes often neatly accompanied by reimagined songs, including Criss’ popular version of “Teenage Dream” and the pair’s memorable rendition of “Baby, It’s Cold Outside.”

The first three episodes of the third season are addressing story concerns more, finally focusing on long-ignored characters like Mercedes (Amber Riley) and Mike (Harry Shum Jr.). Core relationships are being emphasized, and some rivalries are being utilized, at last.

But Rachel (Lea Michele) needs to be toned down a bit. She’s gotten really annoying for being overly competitive and selfish—remember when she sent potential rival Sunshine Corazon (Charice Pempengco) to a drug den? And now she’s running for class president against her friends. Rachel’s not a character you’d always root for, so let’s hope the writers remedy that before she becomes truly irredeemable.

Music-wise, “Glee” needs more original songs. There’s no shortage of good covers by the cast, but there are opportunities to create and launch more exclusive music.

The addition of Criss is a wise move; the charismatic and gifted actor-musician is contributing substantially to the show. Hopefully, the winners of the “Glee Project,” Damian McGinty and Samuel Larsen, will also add positively to the existing dynamic.

“Glee” season three airs Wednesdays, 9 p.m., on ETC and Jack TV.

Loki won’t be low-key

2011-10-18T07:40:00.000-07:00

Tom Hiddleston was interviewed by CBR about portraying Loki again in the upcoming “Avengers” movie. Very intriguing. He describes working under the direction of Kenneth Branagh in “Thor,” and more recently, Joss Whedon in “Avengers.”

“The thing about the two of them is that they actually share more than you might first imagine, weirdly. Joss is a huge Shakespeare buff and Ken’s actually a closet comic book fanboy. True story. But also they both have a kind of pan literacy about storytelling and mythology and literature and comics and they understand classic tropes of storytelling, narrative arcs… and they’re also both just immensely passionate people. Really good at leading, really good at inspiring actors and all of that stuff. So… everyone has a different artistic fingerprint. Ken has a very classical warmth about him… and I think ‘Thor’ is both warm and classical in tone and Joss is really interested in comedy, as well, within a Sci-Fi context. He had this huge canvas where superheroes are teaming up to save the world, and he’s brave enough to make it funny.”

That reminds me of Joss’ handling of Buffy and Firefly. Now I’m really interested. Can’t wait for May, 2012.

Costume, Critter, Candy

2011-10-15T14:48:00.000-07:00

Halloween drawings! Set one of two.

Black Lanterns Vs. Marvel Zombies

The reanimated corpses of DC heroes meet the hungry ex-heroes of a doomed Marvel reality.

Endless Glee

A teenage Dream is singing “Teenage Dream,” backed up by his warbling siblings Desire, Destruction, Death, and Delirium.

Doomsday

Nigh-unstoppable alien berserker!

Sister Grimm Vs. Black Alice

Teen magic-wielders Nico Minoru and Lori Zechlin fight before becoming BFFs.

Mild mirth

2011-10-15T14:46:00.000-07:00

Classic Disney cartoon characters return in the short and silly “Winnie the Pooh,” an effective reminder that most animated films from bygone eras used to be simpler--narratively and visually--but are still quite imaginative. While contemporary animated features are usually faster-paced, intricately rendered, and much, much louder, the new “Winnie the Pooh’s” uncluttered style and laid-back vibe offer viewers something else entirely.

Barely an hour long, the film reintroduces the honey-loving bear and his (stuffed) animal friends, each possessing a distinct personality: Winnie is nice and determined, if quite dim; Tigger is confident and hyperactive; Eeyore is lethargic and defeatist, and so on. Their shared adventure first involves replacing Eeyore’s lost tail, which later leads to other less-expected but funny quests.

“Winnie the Pooh” is cute but often strange; adults with some familiarity may view the characters and their predicaments differently now. Its lack of a fourth wall becomes integral to the story; words and letters creatively become part of some scenes. The characters seem to have dimness in common, but in this innocent and kid-friendly world, their shared naivete inspires most snicker-worthy situations.

The film could’ve been longer; even preceded by the animated short “The Ballad of Nessie,” the film still feels too short. Despite that, it serves as a clear enough introduction to Pooh’s uniquely simple but comfortable world. By the way, stay during the end credits and wait for an extra scene.

“Winnie the Pooh” will be screening exclusively at Ayala Cinemas starting Oct. 19.

Grand, ghastly ‘Game’

2011-10-15T14:44:00.000-07:00

(Published Oct. 13, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

It may take the uninitiated some time to identify with and root for likeable characters in the dark fantasy series “Game of Thrones,” which is based on the fan-favorite “A Song of Ice and Fire” books by George R.R. Martin.

The various inhabitants of a medieval-looking realm have a long and complicated history: Ned Stark (Sean Bean) is a just and trusted right-hand man to King Robert (Mark Addy), ruler of the Seven Kingdoms. One of their exploits involved usurping the throne from a mad king, whose children were exiled to a distant territory.

One of the exiles, Viserys (Harry Lloyd), arranges the marriage of his sister, Daenerys (Emilia Clarke), to the nomadic warlord Khal Drogo (Jason Momoa) as part of the scheme to amass an army and return home.

Unknown to the king, his wife Cersei (Lena Headey) has been having an incestuous affair with her brother Jaime (Nikolaj Coster-Waldau). The secret was revealed in the first episode, its discovery by Ned’s son Bran (Isaac Hempstead Wright) becoming the catalyst for a number of pivotal events.

Despite having several unsympathetic characters, “Game of Thrones” has intriguing underdogs that stand out in most episodes: Ned’s illegitimate son Jon Snow (Kit Harington) is a brave, selfless warrior; Ned’s tomboyish daughter Arya (Maisie Williams) speaks her mind and aspires to be a great swordswoman; Robert’s dwarf brother-in-law Tyrion (recent Emmy winner Peter Dinklage) is a cunning strategist.

“Game of Thrones” has a grand tale, but there are pacing and editing hitches. Anticipated scenes are sometimes left out, while some parts noticeably drag.

But the first season creates a vast, often violent world with clashing cultures and politics, and ghastly supernatural creatures. Its scandals and betrayals also stir things up accordingly. The warring factions have been established, and some characters have already lost some battles (and their lives)—heralding an even deadlier, more epic “game” in the next season.

“Game of Thrones” will have a season one marathon on Oct. 15, 10 a.m. on HBO Signature, and on Nov. 12, 10 p.m. on Max.

Words and Pictures

2011-10-11T14:25:00.000-07:00

Been writing advertorial copy and reviews for days, so it’s relaxing to just switch off and draw, read, and watch TV shows and videos. Oh, I just saw the new Avengers trailer. Man, I can’t wait. Please, please be awesome.

Speaking of awesome, I gotta announce this. Some of my movie reviews will be appearing in The Fortnightly, a new publication available for free at upscale shops, hotels, resorts, and hospitals, among other places, according to Editor in Chief Lester Hallig. My other movie reviews will be exclusively written for my blogs, and my other articles and reviews continue to appear in the Entertainment section of the Inquirer. My thanks to all the cool and generous people who continue to ask me to write for them.

Mutant Fission

2011-10-11T14:23:00.000-07:00

The Schism mini is over. Woverine leaves Cyclops’ mutant island nation Utopia and plans to start the mutant school in New York anew, to be called The Jean Grey School for Higher Learning this time.

I’m just wondering, how many students will it have? Some of the Young X-Men were seen leaving with Logan, so they’ll probably continue their schooling, which was interrupted by anti-mutant attacks and their move to San Francisco.

I’m still siding with Cyclops; with very few remaining mutants, the younger ones need to be more involved in their kind’s protection and survival. I hope that Cyclops will deputize background characters (Avalanche, Stinger, Alchemy, etc.) and make them full-fledged X-Men to compensate for the departure.

The indie film that could

2011-10-11T14:21:00.000-07:00

(This appeared in the Oct.1-15 issue of The Fortnightly.)

By Oliver M. Pulumbarit

Megahit comedy “Zombadings 1: Patayin sa Shokot si Remington” distinctly fuses gender identity topics with fantasy situations, a daring combination that mostly works. Co-written by Raymond Lee, Michiko Yamamoto and director Jade Castro, the film is campy and caricaturish, and while it doesn’t pedantically lecture its viewers on sexuality and gay empowerment, it does enlighten through its creative handling of gender topics.

Its protagonist Remington (Martin Escudero) used to mock obvious and suspected gay men when he was a kid, until he was “cursed” to become a homosexual by a mourning stranger (Roderick Paulate). Just when the older Remington finds himself attracted to a pretty lass, Hannah (Lauren Young), he changes from manly kanto boy to effeminate queer almost overnight! Soon enough, he’s well-versed in gay-speak, and is sexually drawn to his male best friend, Jigs (Kerbie Zamora). He gets doubly confused when he realizes that openly gay men in his town are being targeted by a bizarre serial killer.

“Zombadings” is largely about the sudden transformation of Remington; the titular gay zombies only appear and wreak havoc much later. The film has undoubtedly sparked discussions on the genetic factors and the fluidity of sexuality, but the story declares that either you are or aren’t. Remington is, or was straight, considers gayness a burden until he discovers that it’s not bad and almost accepts it. But Hannah convinces him that he’s meant to be straight, presumably because she fancies him, so they race against the clock to find a similarly mystical solution to the “problem.”

While it often equates gayness with fey mannerisms, it still has some “butch” characters in Jigs (who can be categorized bisexual) and a few closeted men. Escudero is pleasantly surprising as the dichotomized Remington; the actor embodies the hunky teen heartthrob one minute, and the swishy, sashaying diva the next. It’s amazing that he can pull off both expressively.

Zamora is charming as the tricycle driver and Remington’s oldest buddy. He’s a little uneven, acting-wise; an important revelation during that intense staircase scene with Remington needed better delivery. Still, Escudero has more chemistry with Zamora than with Young, although the straight couple still comes off as cute and believable.

The project benefits from the involvement of Janice De Belen and John Regala, who play a cop and a panciteria owner, respectively. The actors shine as Remington’s understanding and supportive parents, and figure in some of the more absurd moments. Just as outstanding is Paulate, who plays a gay character once again, but one that’s shrouded in mystery. Eugene Domingo, as Hannah’s grieving mother, also delights with her somewhat enigmatic character.

Situations depicting Remington’s sexuality-shifting are consistently hilarious. The onslaught of the zombies, however, dampens the hilarity a bit. The climactic confrontations could’ve gone smoother, too. “Zombadings 1: Patayin sa Shokot si Remington” is far from flawless, but it still mostly entertains and endears with its strange and silly take on gender identity crisis.

Imprecise ‘Number’

2011-10-04T08:41:00.000-07:00

It’s easy to like Anna Faris. Seemingly devoid of vanity, she makes wacky, dumb or clumsy characters watchable and even endearing, some forgettable movies notwithstanding. She similarly brings the bubbly blonde Ally Darling to life in the romantic comedy “What’s Your Number?”—it seems tailor-made for her as well, as she has a seeming comfortability with awkward situations. She’s still able to offer necessary depth, despite some scenes that some may find less than flattering.

And it’s a slightly offbeat rom-com role: Ally’s non-stop bombardment of embarrassments stems from her reaction to a fashion magazine article about the average number of sex partners. She tracks down her exes with the help of her ever-flirty musician neighbor Colin (Chris Evans), whom she helps with ditching one-night stands the morning after. She hopes to end up in wedded bliss with one of her former lovers, but she discovers to her dismay that there’s always a dealbreaker.

“What’s Your Number?” is formulaic and predictable; if you’ve seen the trailer, you practically know the sequence of events already. Still, it isn’t dull, as Faris and Evans (not a bad tandem) are joined by Blythe Danner, Faris’ real-life spouse Chris Pratt, Andy Samberg, and Joel McHale, among other actors in small roles.

In true romantic comedy fashion, the touted pairing eventually find themselves falling for each other, but routinely, some lies have to be exposed first. Things subsequently become serious and tedious, but it manages to elicit a few more laughs just before it ends.

It has adequate characterization, making the main characters’ bond appreciable. Faris does well, as usual, Ally’s generally improbable situations aside. And the movie’s silly but often perceptive tackling of the sex issue amuses, even when you already know some of the funniest parts.

“What’s Your Number” opens Oct. 5 in Metro Manila.

Secret monster showdowns

2011-10-04T08:39:00.000-07:00

(Published Oct. 3, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Like most successful fantasy TV shows, “The Vampire Diaries” has its own unique mythology. Now on its third season, it can only be truly appreciated by viewers who followed it from the very beginning. The characters have gone through several major changes, and the show has evolved far from its simpler teen romance-monster drama roots.

Season one introduced and developed vampire siblings Stefan (Paul Wesley) and Damon (Ian Somerhalder), both smitten with the human teen Elena (Nina Dobrev), who resembles their lost vampire lover Katherine (also played by Dobrev). Together with a few trusted friends, Elena discovers the long-hidden history of their town Mystic Falls, which also happens to be home to werewolves, witches and monster-hunters.

It was pretty derivative, but the show turned darker and layered by season two. The second season’s nearly epic stories often brought the more heroic characters together to fight a war against a barrage of powerful foes. Mystic Falls was besieged by the remorseless Katherine, scheming sorcerers, vengeful werewolves, and undying “original” vampires. The romance angles were still there, although not as focused as the battle strategies and unfolding intrigues (one big revelation after another involving the villains’ connected pasts).

Season three of “Vampire Diaries” starts with the bloody rampage of Stefan, now the henchman of his former enemy, the vampire-werewolf hybrid Klaus (Joseph Morgan). Deceased characters from the early episodes also return as phantoms visible to Elena’s brother Jeremy (Steven R. McQueen). Elena and her allies are still reeling from their last supernatural showdown, which scarred each of the combatants differently.

“Vampire Diaries” is humorless, unlike other ongoing monster-centric shows like “Teen Wolf” and “True Blood.” Its mythology has also become so complex that the current episodes may alienate new viewers. But its consistently serious tone, its intricate vampire lore, and its ever-expanding menagerie of beasties continue to reward unflinching devotees.

“The Vampire Diaries” season 3 airs Tuesdays, 8 p.m., on ETC.

Look Sharp

2011-09-29T13:16:00.000-07:00

Some cool comic book encounters. New drawings.

Daken Meets Shatterstar

Badass bisexual brawlers! Wolverine’s son Daken and Longshot’s rumored son Shatterstar. This really should happen soon.

Cheetah Vs. Tigra

Feline fisticuffs! This was inspired by the one-panel confrontation in JLA-Avengers # 4.

Surviving the ‘Awkward’ phase

2011-09-29T13:15:00.000-07:00

(Published Sept. 29, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

High jinks and histrionics abound in “Awkward,” MTV’s new teen comedy series about a misunderstood girl and her daily survival routine. The half-hour show developed by Lauren Iungerich paints a pretty stylized picture of high school and teenage debacles, but it’s easy to identify with the uncomfortable situations and certain campus archetypes.

“Awkward” follows the misadventures of the nearly invisible but attractive Jenna (Ashley Rickards), who starts an intimate relationship with the sweet jock Matty (Beau Mirchoff). But they belong to different cliques, and Matty asks her to keep quiet, so she reluctantly keeps their “friends with benefits” status a secret.

Jenna figures in an accident at home, but her misfortune is misinterpreted by her schoolmates as a suicide attempt.

Calling it a “misunderstanding of epic proportions,” Jenna explains her side in vain, and tries to ignore the judgmental or sympathetic stares. She sometimes has to contend with the mean cheerleader, Sadie (Molly Tarlov), and even has to humor the inept guidance counselor Ms Marks (Desi Lydic).

But Jenna still secretly fools around with Matty from time to time, happy for the temporary intimacy that their secret arrangement allows them. Her insecurities return soon after they part ways, but while Jenna feels a little unwanted, Matty’s close friend Jake (Brett Davern) starts noticing her.

The show’s voiceover narration is nowhere near as insightful and emotive as in “The Wonder Years,” but its sensitive and sometimes caustic musings make Jenna a solid and sympathetic teen underdog you totally root for. Each episode isn’t entirely comedic; it deliberately utilizes dramatic moments to emphasize the main character’s more serious turning points.

Jenna’s troubles are made “real” by promising young actress Rickards, subtly giving the character the necessary naivete, occasional confidence, and charming awkwardness.

“Awkward” airs Sundays, 11 p.m. on MTV.

Learning, Pageturning

2011-09-27T10:57:00.000-07:00

Some spoilery comic book stuff:

1. Schism is heating up; I’m glad that it’s not an event title with infinite tie-ins. It’s only 5 issues long, and the few Generation Hope issues are optional, so it’s not a burden on the wallet. The X-Men are dividing a la the superhero community in Civil War, but this story is more straightforward and more focused. I’m currently siding with Cyclops, whose argument makes more sense than Logan’s.

2. Kevin Keller, the Archie universe’s first openly gay guy, is getting married! In the more grown-up world of Life With Archie, Kevin is a war hero and will be marrying his Mr. Right in a tale written by former DC editor and scribe Paul Kupperberg. Life With Archie # 16 will be released in January. In the meantime, you can read about younger Kevin in the ongoing miniseries, two issues of which are out now. Cool that the character used to be an awkward kid, and dreams of following in his colonel father’s footsteps.

3. They’re Hal Jordan-ing Wanda Maximoff in Avengers: Children’s Crusade! Finally. They’re calling it the “Life Force,” which took control of the Scarlet Witch, resulting in the disassembling of the Avengers and the decimation of mutantkind. Good issue with some annoying parts. During the X-Men-Avengers confrontation, Rogue threatens Ms. Marvel: “Don’t make me take the gloves off, Carol!” Whaa--?! Rogue destroyed her life, atoned, and was forgiven! Not cool. That part could’ve been written better.

Girl, gun, grandiosity

2011-09-27T10:55:00.000-07:00

In the solid revenge thriller “Hanna,” the titular character is tasked to assassinate a target connected to her past. Raised by a superb ex-CIA operative, Erik (Eric Bana), the 16-year-old Hanna (Saoirse Ronan) soon leaves her secluded home in Finland, where she was rigorously trained in hunting and killing. Her first and only mission is to eliminate the cold-blooded--and plaque-free!--CIA agent, Marissa (Cate Blanchett), Erik’s pursuer and the unrepentant killer of Hanna’s mother.

Her first contact with the outside world carefully planned, the seemingly vulnerable Hanna is detained at a CIA facility in Morocco, where she soon demonstrates her lethal abilities in tight (if overly arty) action sequences. Believing her mission accomplished, Hanna escapes and befriends a vacationing family, before proceeding with her planned reunion with her father in Germany. Marissa, however, has plans of her own that just might ruin their pre-organized itinerary.

Ronan previously worked with director Joe Wright in “Atonement,” their comfortable synergy still obvious in “Hanna.” Ronan continues to improve as an actress, able to convey precious nuances that make her ideal for the unique role. From home-schooled innocent to methodical executioner, Hanna is made intriguing by the emphatic Ronan.

The film has science fiction elements that somewhat diminish the character’s mystique by explaining away (and a little belatedly) that Hanna was truly designed for such tasks. The revelations and their repercussions are pretty by-the-numbers, but overall, “Hanna’s” distinctly strange coming-of-age aspects and spirited action scenarios blend splendidly.

“Hanna” is an Ayala Cinemas exclusive opening today, Sept. 28.

Yay, Gay

2011-09-27T10:54:00.000-07:00

Sean Maher, who previously played Dr. Simon Tam in Joss Whedon’s “Firefly” and “Serenity,” and a current cast member of “The Playboy Club,” recently came out of the closet in an interview with Entertainment Weekly. He and his partner of nine years have two children.

“I have these beautiful children and this extraordinary family, and to think in any way shape or form that that’s wrong or that there’s shame in that or that there’s something to hide actually turns my stomach… What would [my daughter Sophia] think if I said, ‘Oh honey, you can’t come with me to work because they don’t know I have an adopted daughter and they don’t know that I’m gay.’ My children and our family, I’ve really never been as proud of anything in my life.”

The actor knew that he was gay even before getting acting jobs in the late ‘90s, and was in the closet when he was doing “Firefly,” but considered his castmates his “family.”

Congratulations and thanks to Mr. Maher for his courage and honesty!

Hilariously ‘Horrible’

2011-09-21T06:00:00.000-07:00

You don’t see Jennifer Aniston and Colin Farrell regularly portraying power-mad, abusive characters at all, so it’s pleasantly surprising that they do exactly that just this once, translating quite enjoyably in the comedy “Horrible Bosses.” Joined by Kevin Spacey, who’s done quite an array of memorable villains already, they form a terrible triumvirate targeted by their favorite victims, played by Jason Sudeikis, Jason Bateman, and Charlie Day.

“Horrible Bosses” follows the abused subordinates’ similar plights, longtime friends who, coincidentally enough, are being pushed to the limit by their different, unapologetically wicked bosses. They hire a guy they believe to be a hitman, actually a “murder consultant,” Motherf***er Jones (Jamie Foxx), but end up following their own less-than-brilliant revenge plan.

It’s a treat to see Aniston in the sexy, over-the-top role, and it’s hilarious to see her predatory ways rebuffed by the dental assistant played by Day (whose role is just a little smarter than his regular “It’s Always Sunny in Philadelphia” character). Spacey expectedly does fine as the manipulative and paranoid character, while Farrell is memorable as the extremely insensitive boss and drug-addled martial arts fan. Bateman and Sudeikis have almost interchangeable characters, good-natured pushover guys with dark sides.

Often entertainingly lewd and crude, the movie’s darkly comic situations offer a strange, cathartic escapism. The bumbling antiheroes and their awful antagonists have enough thigh-slapping encounters, and the endeavor benefits from the visible rapport between its actors, as well.

"Horrible Bosses” opens today in Metro Manila.

Raise your slush cup

2011-09-21T05:55:00.000-07:00

TV sensation “Glee” gets the big screen treatment in “Glee: The 3D Concert Movie,” collecting some of the cast’s best (and a few forgettable) covers during their live performances in various venues. Now, it’s understandable that the mega-successful show has spawned a movie; it’s definitely the right time to milk it. But to have it in 3D? Well, that is quite the baffling mystery.

It’s strictly for the “Glee” fan; the actors are in character, but don’t expect any addendum to their storylines. Instead, real fans of the show are featured between numbers. Some are affecting, some are pretty dull, but the most enjoyable fan segments by far are those featuring a young boy, Kellan Sarmiento, the “Mini Warbler” emulating Blaine a.k.a Daren Criss’ dance moves.

The performances aren’t consistently captivating. The good ones include Criss and the Warblers’s numbers, Santana’s (Naya Rivera) rendition of “Valerie,” and Artie’s (Kevin McHale) dream sequence/interpretation of “Safety Dance.”

Not as exciting are “Firework” by Rachel (Lea Michele), the cast's version of "Born This Way," and for some reason, Brittany (Heather Morris) delivers a less-than-kinetic version of her Britney Spears song-and-dance number. Other performances are pretty much the way you may remember them from the show, only magnified several times and with better definition. As for the 3D, well, there’s the confetti near the end, fleetingly enhanced tiny bits in all their floating, shimmery glory.

“Glee: The 3D Concert Movie” opens today in Metro Manila.

Long Live the Fourboot Legion

2011-09-16T16:53:00.000-07:00

Grownup Legion! Dawnstar, Element Lad, Phantom Girl, Chameleon Girl, Bouncing Boy, Star Boy, Superman, Tyroc, Night Girl, Sensor Girl, Polar Boy, Lightning Lad, Shadow Lass, Shrinking Violet, Brainiac 5, Sun Boy, Blok, Tellus, Earth Man, Duplicate Damsel, Cosmic Boy, Saturn Girl, Timber Wolf, Ultra Boy, Lightning Lass, Wildfire, Mon-El, Colossal Boy.

Effervescent f-buddies

2011-09-16T16:49:00.000-07:00

“Friends With Benefits” initially revels in its somewhat edgy and cynical anti-romcom humor, but ultimately and expectedly, it becomes exceedingly familiar and formulaic. Still, it’s snappy and sexy; Justin Timberlake and Mila Kunis sizzle as new friends turned f-buddies, hitting it off effortlessly and agreeing to periodic sexual activity minus the proverbial baggage. You see the complications coming, of course, but this particular arrangement still charms and mystifies.

Dylan (Timberlake) and Jamie (Kunis) are recently single professionals introducing each other to their worlds, intimately knowing each other in more ways that one. They enjoy the expectation-free relationship, attempting to pursue romantic interests elsewhere but failing miserably when it comes to finding the ideal partner. It’s futile; we all know they’ll get emotionally confused after getting it on repeatedly, it just takes them time (and pushy relatives) to realize that they can totally be a legit couple.

The characters are cute and easy to like, even when some seem to whine a lot. Things are kept lively with biting relationship humor (poking fun at clichéd romantic comedies), equal opportunity objectification (by the gay guy played by Woody Harrelson), and hilarious pop music references (involving John Mayer, Semisonic, etc.).

As for gripes, it’s not very believable that Dylan, hailing from LA, is bewildered by and unaccustomed to flash mobs. And when the lovers’ inevitable couple drama happens, things proceed routinely, the forced friction depriving the corresponding scenes of wit. But while it doesn’t break out of the mold (it would’ve been more interesting had the story ventured into riskier territory), “Friends With Benefits” still manages to explore its uniqueness, before deciding to be just like everything else.

“Friends With Benefits” will be having daylong sneak previews on Sept. 19 and 20 in Metro Manila.

Kinnear channels Kennedy, finds the man ‘fascinating’

2011-09-16T16:46:00.000-07:00

(Published Sept. 15, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

“I’m walking while talking,” says American actor Greg Kinnear during an exclusive phone interview with the Inquirer. Scheduled for a long drive the next day, Kinnear takes the opportunity to talk about a recent project while enjoying his “sunny and gorgeous” afternoon in Santa Monica, California.

The multitasking actor is promoting the Emmy-nominated History Channel miniseries, “The Kennedys,” airing in Asia on September 19-22 (9 p.m. in Manila). Kinnear is pleased that he’s been nominated for his portrayal of President John F. Kennedy, a figure he describes as “fascinating.” He considers playing JFK (or “Jack”) a rare acting break.

“It was an incredible honor,” Kinnear says. “Jack was president when I was born, and he was assassinated at the exact age I was when I took this job. In a strange way, I just always felt a connection to him, not only because I admired him and thought much of his legacy, but it’s a pretty fascinating human story as well when you consider these incredible relationships he had with his brother, his wife and his father.”

Kinnear first became known as host of the comedy clip show “Talk Soup,” in the early 1990s. He branched out to acting, his performance as a gay artist in the 1997 film “As Good As It Gets” earning him an Oscar nomination for best supporting actor. He has portrayed radically different roles since, and is thankful for the diversity.

“It’s what I most hope for,” he says. “I kinda like biographies a lot, stories about real people. I’ve done it four, five times. I also like comedy. I thought I’d be making more of that in my career. But I get to do some of that, too.”

Kinnear reveals that researching JFK’s speech patterns and body language was quite easy. “What was very helpful was the large existing archive of film interviews and press conferences,” he says. “Many of his great speeches were filmed or recorded. He recorded many telephone conversations, and you could get some sense of his cadence and sound in all that.”

The actor believes JFK would have made an impressive leader even in a different era: “He’d make a great president today. He was really trusted by the public. I don’t think people realize how terrifyingly close the world was to nuclear war at that time. He was very smart; he was able to prevent that from happening. He’s a fascinating guy who lived through an extraordinary period in time.”

He adds that actors do take some liberties when interpreting the roles, but that “The Kennedys” was carefully created. “I’m not a historian, but I feel an obligation to follow the template of what was real, true and honest,” Kinnear says. “Robert Dallek, a Pulitzer Prize finalist, wrote ‘An Unfinished Life,’ which is unequivocally the best book that’s ever been written about the family and Jack’s administration. There is virtually nothing in the show that isn’t in his book. He’s one of the historians on the show; he vetted the script, so that was good enough for me.”

Kinnear is proud of the show’s 10 Emmy nominations. He and costar Barry Pepper are competing in the category, Outstanding Lead Actor in a Miniseries. “Barry [is] unbelievable as Robert Kennedy,” Kinnear gushed. “His performance is staggeringly great work. He took the role and owned it!”

The actor also praised Katie Holmes for her Jackie Kennedy portrayal. “I had worked with Katie before, in Sam Raimi’s ‘The Gift.’ I was ‘killing’ her in the woods when I last worked with her. Jackie Kennedy was the hardest role to take on, and I have the greatest respect for her for doing it justice.”

Kinnear is set to appear in the comedy, “I Don’t Know How She Does It” with Sarah Jessica Parker. He has no plans of returning to TV on a regular basis, but is not ruling out the possibility on account of the onset of prestigious programs. “Cable channels are creating remarkable shows now … so I’m bullish about it. They’re doing some great stuff.”

Pestilence dispatched

2011-09-13T15:44:00.000-07:00

Steven Soderbergh’s smart disaster flick “Contagion” chronicles the apocalyptic rise of a mysterious disease, tracking a number of perspectives differently affected by its onslaught. Oddly enough, this film may as well have been the implied story during the end credits of “Rise of the Planet of the Apes,” where a virus decimates the human populace on a global scale.

The cast is unquestionably impressive. Gwyneth Paltrow, Matt Damon, Laurence Fishburne, Kate Winslet, Marion Cotillard and Jude Law play besieged characters that react to the unprecedented outbreak, each privy to a different side of the catastrophe. Not everyone survives it; some of them aren’t around for long, but the survivors’ tales offer realistic consequences, as well as insights into human behavior.

It should be frightening, but it mostly isn’t. It connects on a cerebral level; the sometimes-loosely connected tales are a welcome challenge. Your mind grasps the simultaneous upheavals but strangely (and sadly), not every story elicits sympathy or concern. The overall tragedy registers, but there’s very little empathic connection to the more personal misfortunes. The viewer’s attention is too split to really care for all the characters, but to the actors’ credit, they perform their assigned tasks admirably.

TV show asks hard questions

2011-09-13T15:42:00.000-07:00

(Published Sept. 9, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

If you witness ethically dubious individuals mistreating others, how would you respond? ABC News’ fascinating “Primetime: What Would You Do?” asks the tough questions, pointing its hidden cameras at manufactured scenarios. Using credible actors, it gets intriguing answers from real people, who react differently to the given situations.

Hosted by veteran journalist John Quiñones, the program tests random “subjects,” presenting them serious quandaries that may lead them to do the right thing, or to ignore the whole incident altogether. The show’s actors are assigned to misbehave at the expense of others, unknown to baffled bystanders.

Each experiment is carefully planned, and sometimes requires the participation of some “regular” people. In various establishments, these scenarios unfold, often prompting vocal civilians to intervene and protect strangers (the actors) from getting victimized or exploited. At a nearby monitor room, the host observes the ongoing potential debacles with behavior experts, who periodically chime in on the body language of certain persons.

In one episode, the show staged a predicament at a pastry shop. A rude store clerk insults and shortchanges a blind woman, which enrages a number of real customers. The more protective witnesses stand up for her, angrily protesting the shamelessness of the clerk. When interviewed by the host minutes after the conflict, the surprised customers thought that it was the natural, immediate reaction to such offensive behavior.

Another segment is inspired by “Wedding Crashers,” about a pair of trespassing freeloaders. Two of the show’s actors pose as friends of the newlyweds, who are aware of the “prank.” During the real reception, the actors flirt with female guests and partake of food and drinks, but they’re inevitably discovered.

Before things truly get out of hand, the host makes an appearance, and explains the test to the unwitting but pleasantly surprised participants. Interestingly, the show sometimes asks tougher questions by changing actors. In similarly disconcerting spots, the race or gender of the “character” is changed to see if people react differently to such factors.

The disparate responses to the staged encounters are often revealing and enlightening. The near-skirmishes are unpredictable, translating as genuine drama that uplifts or discomfits.

“Primetime: What Would You Do?” airs Mondays, 10:30 p.m. on Studio 23.

Live-Action Assembling

2011-09-06T16:52:00.000-07:00

Some “Avengers” teaser pics have been released. I found these on CBR, and a Tom "Loki" Hiddleston interview posted on MTV Splash Page. He talked about working on action scenes with his co-stars:

“It’s so funny because we’re all so gentle with each other. With Robert [Downey, Jr.] I was like, ‘Shall I squeeze a bit harder?’ And he was like, ‘Just squeeze baby, squeeze. Keep squeezing, baby.' And then Chris Hemsworth had to properly tackle me, [he asked] ‘Shall I just nudge you in the shoulder, mate?’ And I’m like, ‘Just take me out buddy, otherwise it’s going to look rubbish,’ and you kind of get a kick out of the physicality of it and then you wake up every morning going ‘Awww, I've got a few cracks.’ But it’s fun! We’re making the ‘Avengers,’ you know. It’s too much fun.”

That part with Robert Downey is funny. And interesting images, so far. I do hope that they include other unannounced Avengers characters, which can be played by less-popular actors (think Iceman in the first X-flick). The roster is okay, though. I hope these versions of Black Widow and Hawkeye become likeable, human heroes. It’s in Joss Whedon’s capable hands, so yeah, we’ll probably see that happen.

Fang feast

2011-09-06T16:50:00.000-07:00

“Fright Night” is an enjoyable remake of the campy horror classic, updated quite nicely and a fun breather from the more “serious” monster flicks. Anton Yelchin is the new Charlie Brewster, a former geek dating the hot girl (Imogen Poots), and a witness to the bloody feeding frenzy of his vampire neighbor (Colin Farrell).

Like the original, this new version by Craig Gillespie is pretty simple and predictable, but the revived boy-versus-vampire yarn amuses. It’s still funny at the right parts, the humor given a more contemporary spin by screenwriter Marti Noxon, who used to write for “Buffy the Vampire Slayer.” There are pacing and editing flaws, however; awkward pauses and unnecessarily prolonged moments drain the suspense out of a few scenes.

It’s an impressive cast, despite the less-than-complex roles. Cristopher Mintz-Plasse plays Charlie’s vampire-hunting friend Ed; Toni Collette tones it down but is still good as Charlie’s doubting single mother. David Tennant, fan-favorite former Doctor Who, expressively plays Peter Vincent, now an ill-mannered Las Vegas illusionist and a reluctant participant in Charlie Brewster’s war.

“Fright Night” opens today in Metro Manila.

Disturbing relevance

2011-09-06T16:47:00.000-07:00

Depressing but rightly so, the David Schwimmer-directed drama “Trust” follows the victimization of a young teen and the aftermath of her ordeal. Tackling relevant issues mostly effectively, the film’s powerful performances compensate for some narrative lapses.

It’s immediately distressing: a young teen, Annie (Liana Liberato) forms an online friendship with a stranger, “Charlie,” whose charming persona easily reels in the unwary youngster. Meeting up with her admirer at a mall, Annie discovers that it’s a much older man, but the silver-tongued cyber-predator convinces her to keep him company anyway. Annie’s father, Will (Clive Owen), is later informed of the horrific situation, shocked and enraged that his daughter was assaulted.

Unnerving and discomfiting, “Trust” establishes its characters firmly through believable portrayals. One can’t help but feel sickened as well, thanks to Liberato’s strong and versatile interpretation of Annie. We see her gradual and heartbreaking transformation from sweet, promising girl to teenage cautionary tale, and the young actress manages to assert a variety of emotions quite convincingly.

Owen, meanwhile, is characteristically astounding; you can feel him simmering in disbelief, weakened by guilt, and become understandably obsessed with exacting vengeance. His character’s work scenario feels forced (he handles an underwear campaign with ads of sensualized, scantily clad young women, to add more obvious conflict to his situation), but Owen just incredibly exemplifies a helpless father living his worst nightmare.

“Trust” is an Ayala Cinemas exclusive opening on Sept. 7.

LNA, Ten Years Ago

2011-09-05T13:59:00.000-07:00

Before it was a graphic novel, “Lexy, Nance & Argus” was a comic strip that debuted ten years ago in Pulp, a local music magazine. Back in mid-2001, I pitched it to publisher Vernon Go and then-managing editor Annie Alejo. I was given two pages monthly, and the strip appeared in nine issues. Those 18 pages eventually became the first few chapters of the “Sex, Gods, Rock & Roll” one-shot, published in December of 2004.

I’m still very thankful for that opportunity. I’ve mentioned that a number of times already through the years in different blog entries. The comic strip led to a writing job at a magazine, which led to writing for a broadsheet, and so on. So as a commemoration of sorts, here are a few things that I remember fondly about its creation ten years ago.

The designs of the characters are a mix of influences; I wanted a simple, cartoony style, something that resembled the animated MTV shows of the time, but with a textured, daily comic strip feel to it. I was pleased with the final designs--distinct enough from each other, but still subject to visual change through clothes and hairstyles. They were easier to draw, but I could still control the details I wanted.

I used gray markers to give tonal value to those pages. The intensity varied from issue to issue; sometimes the gray tones translated as brown or yellow because of printing reasons, but I found the variations cool, nonetheless.

I photocopied and stapled all the parts together and gave them to comic creator friends. I once told Gerry Alanguilan that it was my “Wasted,” in the sense that doing it felt very cathartic. I was getting disillusioned with a lot of things prior to that point, and it was a chance to vent about what I thought was wrong with the world.

Doing it was also partly inspired by Carl Vergara’s “One Night in Purgatory,” which centered on a “forbidden” and conflicted relationship. I found myself creating characters that spoke to me, that had secret connections that fascinated me. I’ve always found secret, underlying connections between people fascinating. I often imagine this unseen web connecting real people through sex and sexuality, affection or attraction. So I wrote about these mostly carefree 20-somethings, whose shared “adventures” often led to self-discovery.

My other plans for Lexy, Nance, and Argus were realized through the comic book, three years later. It seems like yesterday, too, but so many things have happened since then. Looking at it now, there are parts that I wish I could change or improve. Still, I’m happy and always grateful that many people connected with it profoundly.

Supersuit Reboot

2011-09-01T09:30:00.000-07:00

Superman’s new suit, finally revealed in this behind-the-scenes image from Comicvine. Yep, no red “underwear” like the recent Jim Lee redesign. This movie version looks contemporary enough, and Henry Cavill looks superhero-y handsome and hunky, so the change isn’t really a big deal. This actually looks more promising than that grim, dark promo pic that was released some weeks ago, the shadowy one that conveniently obscured the pants area. Now let’s cross our fingers that the film’s more entertaining than the less-than-action-packed 2006 reboot.

Speaking of ending eras, I just read the final issue of Flashpoint. Touching last few pages, uninteresting premise notwithstanding. It’s no secret that the DC Universe restarted again in that issue, its continuity rebooting anew just like it did during the history-altering events of Crisis, Zero Hour, and Infinite Crisis. I miss “my” DCU already, the Secret Six book and characters most of all. It’s a little annoying that some of my favorite heroes and villains are gone for now or made over to look like ‘90s Image characters. But I still hope that the experiment succeeds and that the change gets more people to read comic books.

Discovering ‘Hidden Cities’ with Anthony Morse

2011-09-01T09:27:00.000-07:00

(Published Sept. 1, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

“Hidden Cities” host Anthony Morse is mum about his itinerary in the Philippines, but is “excited” to finally tour the country where he has some of the “most vocal” fans.

Shortly after his arrival at the New World Hotel in Makati on August 11, Morse gladly talked about the History channel show and its Filipino viewers. “I’m really excited to be doing an episode here because some of our most loyal fans are from the Philippines,” he said. “They offer encouragement as well because I’m new to this TV world.”

Morse, 31, previously hosted the four-episode initial season, which brought him to a number of Asian destinations. The second season is also being shot in Asia, and will begin airing in November. Morse is accompanied to lesser known or forgotten locations by the show’s director, cameraman and sound man.

“We’ve already completed six episodes; there are eight,” Morse revealed. “The Philippines is the seventh and we have a really good feeling about it. We go to the less-traveled areas and destinations, so we’re going to be looking at various periods of Philippine history.”

Describing himself as “a talker” since he was a kid, the host was chosen among numerous hopefuls, the last applicant with the “Asian face” and adventurous attitude.

“They had an announcement saying they were searching for a host,” Morse recounted. “They said, ‘Do you like to travel, learn about history, interact with people?’ I thought, ‘Yeah! You get paid to do that?’ So I applied online. Here I am a year and a half later.”

Morse already had a familiarity with some Asian cultures prior to landing the hosting gig. He lived in Chiang Mai from age 3 to 18. “I was born in Southern California,” he said. “When I was three, my parents moved back to Chiang Mai. My mother’s people are Rawang, one of Burma’s several ethnic minority groups.”

Doing season one made Morse even more inquisitive about ancient civilizations. “A lot of these places we went to have been officially documented but because of their remoteness, they haven’t had the thoroughness of study or research done on them. So there’s still a lot to be discovered. ‘Hidden Cities’ can introduce these places to the general public.”

He added that things “with an element of mystery” in the modern world amazes him. “Throughout Asia, communities are living in a way that they’ve been living for hundreds, if not thousands of years. Of course, they’ve adapted to technology. They’ve got cell phones, MP3 players, television sets. But they still managed to retain a lot of their traditional practices. That’s neat to see in this day and age.”

Morse finds it easy to immerse himself in different cultures, thanks to early exposure. “I think the biggest thing is to go into all these experiences with the mind-set that different isn’t bad,” he said. “Different is different. Since I was a teenager, I recognized that, so I did away with those predetermined views. We’re not there to offer some kind of political critique on the country. It’s really educational!”

Still, he was unprepared for some demands of the job. “One thing that was kinda awkward, it was my first time stripping down to my boxers on TV,” Morse said. “We went to this old bathhouse in Nanjing, China. We’re filming and all of a sudden the director says, ‘I want you to take the whole spa treatment like the ancient workers.’ There was this guy in his underwear, he’s got a wet towel that he’s wrapping around his hand and then he’s just beating and pounding you! But the most difficult thing is when you have ‘off’ days. It can be a combination of things. Energy levels are dipping down for the day so the ability to have a laser-like focus on the camera can be tough.”

Challenges aside, Morse considers the job a unique and empowering one. “That’s one of the rewards of travel,” he said. “It really does enrich your life. I’m not the same person I was 10 years ago.”

“Hidden Cities” premieres November 23, 9 p.m.on History

Hot wheels, vexed vehicles

2011-08-28T14:34:00.001-07:00

“Cars 2” is a differently paced sequel; it zooms away from its more Lightning McQueen-centric roots to focus on the accidental espionage escapades of Tow Mater, the unsophisticated best pal. But Lightning (voiced by Owen Wilson) still figures in a character-building plot when his friendship with Mater (Larry the Cable Guy) is tested during the globe-trotting adventure.

Race champ Lightning is still competitive and is pitted against the snooty Francesco (John Turturro), but Mater’s more unconventional scenarios lead to more imaginative and action-packed situations. Unexpectedly befriending sleek secret agents who mistake him for one of their allies, Mater finds himself in the middle of dangerous missions and equipped with advanced weaponry and gadgets.

While some may bemoan the focus on Mater, “Cars 2” is still quite entertaining despite and because of the shift. The accidental spy concept is hardly a new one, but it’s given a fresh and vivid spin, enlivening the “Cars” realm with more conflicts, dueling characters, and intriguing conspiracies. We also get to see more of the world that Lightning and company inhabit, so there are more enticing visuals and humanlike cultures depicted.

It’s not as heart-tugging or emotionally imprinting as most Pixar offerings, but it doesn’t have to be. The simple, easily digested messages concerning friendship are there, overshadowed quite nicely by the more immediate and amusing vehicular caper.

Tough Tennant

2011-08-28T14:33:00.001-07:00

David Tennant, erstwhile time-traveling Doctor, will be in the Fright Night remake. It’s been a while since the last Doctor Who season he appeared in (which neatly tied loose ends and was perhaps the most epic among the more recent storylines), and it’s cool that he’s playing an updated version of the vampire hunter originally played by Roddy McDowell. I miss Mr. Tennant; he really should appear in more movies and TV shows.

Metal Worship

2011-08-28T14:31:00.000-07:00

Hmm. If there’s a Pope car character in the “Cars” universe, is there a Jesus car too? They have equivalents of churches in their world, so they have religious icons. Understandably, they’re not showing them, but they’d probably look bizarre and somewhat depressing.

Tyler Posey: ‘Teen Wolf’ gone wild

2011-08-21T13:12:00.000-07:00

(Published Aug. 22, PDI Entertainment)

By Oliver M. Pulumbarit

Contributor

“I’ve been working since I was 6,” revealed Tyler Posey, star of the hit MTV monster drama series “Teen Wolf.” In a recent phone interview, Posey talked about nabbing the titular role and working on the show, loosely based on fantasy-comedy films that starred Michael J. Fox and Jason Bateman.

“I’ve been working my entire life. My dad is an actor and a writer. He used to take me to movie sets. It was odd for a 4-year-old to hang out for 12 hours at a time and not complain … My dad got me into auditioning when I was very young,” he said.

As a child actor, Posey played Jennifer Lopez’ son in the 2002 rom-com “Maid in Manhattan.” He eventually appeared in TV shows “Smallville” and “Brothers and Sisters.” He also co-founded, and is the vocalist and guitarist of a pop-punk band called Lost in Kostko. Now 19, Posey plays Scott McCall, the star lacrosse player hiding a savage, lycanthropic side.

“This is definitely the biggest role I have ever done,” he said. “I love it because the attention that I’m getting is just mind-blowing. I’m having so much fun; I’m happy all the time!”

The actor-musician believes that the new series stands out from the ongoing barrage of monster-fantasy programs. “Most of the other shows tend to focus on one genre, the horror or scary aspect or the drama. Even though our show is a one-hour drama, we focus on the romance, the action, the comedy, the scariness — we put all these different components into one mold and create a really cool show.”

Posey also finds playing a werewolf enjoyable, but admitted that being on the makeup chair for two hours is the most grueling part of the job. He hopes that the popularity of werewolves won’t wane, especially now that a second season is being planned.

“Werewolves in our show are completely different than anything else that’s going on right now. I think they’ve always been pretty popular because it’s such an outrageous concept. You can do whatever you want with it, you have so much freedom. I really think that people cling to that because it’s so out of the ordinary. I think it’ll be around for a while, hopefully!”

His uneasiness during the makeup process aside, Posey disclosed that he’s very comfortable working with his costars, especially Crystal Reed, who plays Scott’s love interest Allison. “Crystal, she’s beautiful,” Posey enthused. “I get paid to make out with a hot girl all day!”

The werewolf character requires him to be shirtless a lot, so he sticks to a strict routine to stay in shape. “My fitness regimen is pretty extreme at some points,” Posey said. “When I’m back in LA, I go to the gym about three days a week. I have a trainer — he kicks my butt, he works me out like crazy! It always feels like I’m gonna throw up afterwards, but afterwards that feeling goes away, I feel really good. Without him, I wouldn’t be as fit as I am right now. The other part of my regimen is I eat a lot of pizza and unhealthy food. And for some reason, I just do a couple of sit-ups and the bad food goes away!”

“Teen Wolf” airs Mondays, 9 p.m. on AXN Beyond.

Jo and Stefani

2011-08-21T13:10:00.000-07:00

After the simpler visuals of “Edge of Glory,” Lady Gaga appears in a video that brings back the showy costumes and imagery. She gets to play a cyborg and a mermaid in “You and I,” but I find two other new personas more fascinating: the simple, piano-playing blonde, and the male character “Jo Calderone.” It’s another good song, too; it’s a nice change of pace, sound-wise, a lighter but emotive track that gradually builds up to a powerful climax. Oh, Taylor Kinney, a.k.a. Uncle Mason the werewolf from Vampire Diaries, is in it, too.

Attack Of The Clowns

2011-08-20T16:20:00.001-07:00

Comedic and creepy clown consortium!

Jack-In-The-Box (Astro City), Mechano Hulk (Marvel), Binky (Garfield), Slapstick (Marvel), Clown Assassin (Marvel), Clown (Marvel), Hyena (Amalgam), Fizbo (Modern Family), Krusty (Simpsons), ‘Salvation’ Clown (Cranberries video), Pennywise (It), Obnoxio (Marvel), Jojo (Jojo’s Circus), Harley Quinn (DC), Joker (DC), Clown (Spawn), Chuckles (Toy Story), Ragdoll (DC), Ronald McDonald (McDonald’s), Joker’s Daughter (DC).

‘Love’ makeover

2011-08-20T16:17:00.001-07:00

In the simple but sweet “Crazy Stupid Love,” Steve Carell plays the lovable cuckold Cal Weaver, pitied and made over by womanizing Jacob Palmer (Ryan Gosling). Now dashing and stylish, Cal moves on, attempting to distance himself from his wife of over two decades, Emily (Julianne Moore).

Jacob, meanwhile, is a familiar face in the dating scene, almost always ending up with gorgeous women he charms at the club. But one he fails to win over is the elusive Hannah (Emma Stone), who knows better than to fall for the incorrigible playboy’s worn-out pickup lines.

It’s easy to identify with a couple of the characters; from the unrequited to the heartbroken, they’re evenly and strategically used. Cal’s young son (Jonah Bobo) pines for the babysitter (Analeigh Tipton), who’s smitten with someone else. It’s easy to understand and empathize with the unhappy wife, but it’s also easy to root for the wronged spouse.

Carell inspires guffaws as the awkward geek-turned-ladies’ man, even when he does sound and act like Michael Scott from “The Office” sometimes. Moore gives her role tangible dimension and humanity, complementing Carell’s character surprisingly well. Marisa Tomei adds comedic panache to the equation, even though her overly excited character, like Kevin Bacon’s eager paramour role, is pretty caricaturish.

There are a few convenient coincidences, and some situations become too unreal to really “fit” the story, but “Crazy Stupid Love” still emotionally connects and engages.

Inevitably icky

2011-08-20T16:15:00.000-07:00

Extra-gory and disgusting, “Final Destination 5” doesn’t really offer anything new, but the horrible freak accidents are made even more vivid in 3D. If anything, it’s suspenseful enough to keep its squeamish audience glued to the screen. The solid build-ups plus the train wreck-ish attraction lure enough, making viewers uneasy but unmoving witnesses to the characters’ inevitable fates.

Like in its previous installments, the story centers on a group of “unexpected” survivors of a tragedy which supposedly upset some cosmic balance by escaping their doom. After the “miraculous” survival of a disparate group, each person shuffles off the mortal coil in disturbing ways. In this latest chapter, a young chef (Nicholas D’Agosto), the recipient of a strange premonition, keeps some of his friends from perishing during the collapse of a bridge, but they soon discover that the traumatic experience is just the beginning.

Except for the main guy, most of the characters are unlikeable, but it’s still distressing to see them bite the dust in such repulsive ways. 3D magnifies the shocking visuals; the flying debris and shrapnel during the opening credits don’t really warn you of the sickening death sequences to come. More violent clips from previous “Final Destination” films are given the 3D treatment during the end credits as well. But by that time, you’ll be desensitized, and a little ashamed that you actually sat through the unamusing carnage-fest.

Your Choice

2011-08-14T13:24:00.001-07:00

I found some of my old Choose Your Own Adventure books. Good to know they’re still pretty intact, probably untouched for about two decades in that old shelf. My favorite was “House of Danger,” which has a geeky, white, freckled teen adventurer. I didn’t pay much attention to those details before; as a kid, I just automatically accepted the male persona, because I knew that other Choose Your Own Adventure books had female perspectives.

Reading it now, I’m discovering that they really are for younger readers, in the sense that grown-up me isn’t as “adventurous.” While my younger self chose without truly thinking about the possible consequences--and choosing the more dangerous routes often led to more exciting stories--I now choose the more sensible, smarter options. When I “played” it a few times last week, I approached most situations in that book with skepticism and caution. I did read where the other choices led after my adventures ended, just to see how differently things went.

It’s cool that some details were entirely and deliberately different. The truth behind a character’s identity in “House of Danger” changes from tale to tale. The primary mystery story can shift into science fiction, crime, or horror stories, depending on the choices the reader made. Those well-drawn black and white illustrations also accompanied the stories nicely, and made certain descriptions clearer.

I’m glad that these books are being reprinted, albeit with different covers, according to the CYOA Facebook page. Anyway, I found a funny parody image posted on Tumblr. Behold.

Days Go By

2011-08-14T13:22:00.000-07:00

Interviewed a History Channel host last Thursday. Interviewed a chef yesterday. My DeviantArt gallery received its 5,000^th fave two days ago. So yay.

Haven’t been getting enough sleep. Must do that soon. I’ll just post a quote relating to art and worship. I’m not a fan of Marilyn Manson’s music but I really like what he said some time ago:

“I think that art is the only thing that’s spiritual in the world. And I refuse to be forced to believe in other people’s interpretations of God. I don’t think anybody should be. No one person can own the copyright to what God means.”

Darker, more chaotic ‘Camelot’

2011-08-14T13:19:00.000-07:00

(Published Aug. 15, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

A darker, grittier interpretation of the Arthurian legends, the series “Camelot” focuses on the trials of a young King Arthur, who must replace his recently deceased father Uther and fend off attacking usurpers. Familiar characters are made more human and cast into a more treacherous and chaotic world, which may make viewers forget the mythic figures’ predestined roles from time to time.

It tweaks the common mythology: the cruel King Uther (Sebastian Koch) was poisoned by his vengeful daughter Morgan (Eva Green), whom he exiled to a distant nunnery when she was a child. But another heir to the throne is revealed and retrieved by the king’s sorcerer Merlin (Joseph Fiennes). Raised by commoners, the carefree Arthur (Jamie Campbell Bower) is baffled by the revelation, but eventually accepts it and accompanies Merlin to a partly ruined stronghold. The structure was built by the ancient Romans, and is now known as Camelot.

Arthur is declared king in the nearly uninhabitable fortress. He is challenged by his half-sister Morgan, but after failing to take the throne by force, she resorts to sorcery and duplicity while guided by her scheming nun mentor, Sybil (Sinead Cusack). Arthur begins carving his own legend, marshaling forces loyal to his father and winning over skeptics after uprooting the enchanted “Sword of Mars.”

The 10-episode series has very few similarities with the ongoing fantasy show “Merlin,” which mostly offers more escapist fare. “Camelot” is often dreary and discomfiting, primarily because of its depictions of more violent situations. But the characters are still imbued with unpredictability despite countless prior reinterpretations. Merlin, for example, is portrayed as perplexingly moody and flawed. In one episode, careless mistakes he made during his acquisition of the sword Excalibur end in tragedy.

Some slow-developing subplots require patience, but there are noteworthy portrayals. Claire Forlani surprises with her sexy turn as the kind and impassioned widow Queen Igraine. Scene-stealing Eva Green’s disgruntled Morgan ultimately makes watching the show rewarding; she’s deliciously over-the-top as the commanding coup plotter, but amazingly subtle when showing her vulnerable side. Among all the “Camelot” characters, Morgan is rightly the most imposing, her dark but intriguing revenge story a crucial contrast to Arthur’s more “ordinary” tale of transformation.

“Camelot” airs Tuesdays, 9 p.m. on AXN Beyond.

Just Awww…

2011-08-13T11:19:00.001-07:00

Neil Patrick Harris, David Burtka and their twin kids. Cuteness overload.

‘The Killing’ a nail-biting puzzler

2011-08-13T11:16:00.000-07:00

(Published Aug. 14, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Inspired by a successful Danish TV show, the American murder mystery series “The Killing” dramatically follows the investigation of a horrific and puzzling crime. Like “Twin Peaks” and “Veronica Mars,” the show has a female victim whose demise brings attention to the various suspicious characters in her community.

The body of high school student Rosie Larson is found by homicide detective Sarah Linden (Mireille Enos), whose impending retirement is delayed by the new investigation. Linden is joined by rookie detective Stephen Holder (Joel Kinnaman), who helps sniff out clues and possible suspects. Emerging details point to different angles, painting Rosie as someone with more complicated secrets than the average teenager.

“The Killing,” set in Seattle, Washington, is unlike typical police procedural programs with cleanly solved crime mysteries of the week. The show takes its time, elaborating on that single case while also focusing on the detective protagonists’ lives.

Initially, it does a good job of creating a paranoid atmosphere. At times, it seems that certain suspects are definitely and inescapably guilty, only to be cleared by incontrovertible evidence. That becomes routine for a few episodes and the intertwined stories of the seemingly unrelated characters intrigue.

Frustratingly, the identity of the killer won’t be revealed until season two, according to reports. Despite a finale that doesn’t answer important questions, and actually inspires new and tougher ones, season one still has cohesive elements.

The moody visuals enthrall and the layered characters present interesting conundrums. There are outstanding performances by Enos, Kinnaman, Billy Campbell (as a beleaguered politician) and Michelle Forbes (as Rosie’s grieving mother), as well.

Its macabre mystery isn’t as oddly engrossing as the ones in the aforementioned shows, but the puzzle-solving still becomes involving whenever sad or sordid details are revealed.

“The Killing,” previously on Jack TV, now airs on Fox, Sundays at 9:50 p.m.

Smurfing USA

2011-08-09T15:40:00.000-07:00

It’s quite baffling that some of the live-action, Hollywoodized versions of beloved ‘80s cartoons barely focus on the main characters. The “Transformers” movies gave more attention to its human character Sam Witwicky and his messy foibles than the culture of the titular alien robots. To a lesser extent, the second “Chipmunks” movie had the human co-stars’ unnecessary romance angle.

“The Smurfs” pretty much goes the same route; the “three-apples-high” blue creatures find themselves in the modern world, specifically in present-day New York, affecting the lives of the loving couple they come in contact with. Instead of exploring Smurfs lore, their first film adventure detours into human family drama territory, becoming more concerned with the career and home situations of spouses Patrick (Neil Patrick Harris) and Grace (Jayma Mays).

Harris and Mays are unquestionably good (you do forget that he regularly plays TV manslut Barney Stinson; you also forget that she’s “Glee’s” obsessive-compulsive guidance counselor Emma), but we really didn’t need to see their characters. We didn’t need to see the Smurfs in New York, either. Time spent focusing on characters like Patrick’s boss (played by Sofia Vergara, who sounds and acts like her “Modern Family” character) could’ve been used to develop the chosen Smurfs.

This live-action treatment gets redundant after a bit. A fully animated film should’ve been greenlighted instead. The colorful scenes depicting the goings-on at the hidden Smurf village in the first couple of minutes show possible Smurf-centric storylines that should’ve been pursued and utilized. “The Smurfs” isn’t a bad family flick, it’s just that the film really isn’t about them at all.

“The Smurfs” opens today in Metro Manila.

Emperor’s New Clothes

2011-08-09T15:39:00.000-07:00

My friend Niki Yarte posted this on his Wall:

“I swear: Some bloggers should never be allowed to write or to be read or to even profit from it. Yes, this copywriter is heavily offended.”

My thoughts exactly. Well, that’s how the Net’s changed everything; while there are outstanding and worthwhile blogs and sites, there are also those that are just too painful to read. It’s especially puzzling that some bloggers even get invited to events despite knowing next to nothing about the rules of grammar. But then again, in this age of short attention spans and competitive publicity machineries, everyone--or, anyone with internet access--is being utilized to sell, publicize, even casually talk about all sorts of products. Some may dismiss proper grammar as unimportant in their blogging, but that’s just laziness. If they wish to be taken seriously, they’d consciously find ways to improve and communicate their ideas better to their readers. Or, if they really find it difficult to write in English, eh di mag-Tagalog na lang.

Mothers of Reinvention

2011-08-09T15:36:00.000-07:00

I can’t remember where I got this cool picture, exactly, but it’s been posted at different sites for a while. Pop stars Lady Gaga and Madonna watched a fashion show last year, which must have blown the minds of the other attendees.

Anyway, Madonna’s reinvented herself countless times since the ‘80s. With every album, she takes on a new identity, transforming and evolving with her new music. Gaga’s reinvention, at least attire-wise, is almost daily. It’s perpetually Halloween for her, so I’m wondering, will she get sick of it one day? Years from now, a more mature Gaga, performing her music in less attention-grabbing outfits, even “regular” clothes--is that possible?

It’s interesting that both inspire with their music and with their views. Gaga, of course, champions the underdog, especially gay people, while Madonna’s largely about liberation and female empowerment. Musically, as with everything they do, they can’t win ‘em all. Revered folk goddess Joni Mitchell likened Madonna to Nero, “the turning point” for the supposed dumbing down of pop music.

Country-folk singer Jewel, however, acknowledged the importance of Madonna in a 1997 Rolling Stone interview: “My favorite quote is Liz Phair’s. She said, ‘Madonna is the speedboat, and the rest of us are just the Go-Go’s on water skis.’ Madonna paved the way in so many ways. She was never afraid to break down taboos… she taught a lot of women of my generation to believe in what you’ve got.”

Singer-songwriter Tori Amos, in a separate interview in the same issue, also recognized Madonna’s significance: “Madonna is social. The music is not really important. The music was a backdrop for her. Please understand when I say this that it doesn’t take away at all from her emancipation. A woman called Madonna--it was very important that that happen.”

I like that both Gaga and Madonna sometimes challenge listeners of their music, and viewers of their videos with their use or interpretation of religious iconography. Anyway, I do hope that they collaborate on something. It just has to happen.

Simian superiority

2011-08-03T17:35:00.001-07:00

A gripping and solid prequel to the science fiction classic “Planet of the Apes,” “Rise of the Planet of the Apes” imaginatively reveals the secrets behind the primates’ unprecedented dominance.

Cleverly connecting the eventual uprising of the simians to an experimental medical breakthrough, “Rise” is parts monster and disaster flicks, with some pet-family drama thrown in for good measure: Pioneering scientist Will Rodman (James Franco) tests a possible cure for Alzheimer’s disease on monkeys, which results in an intellectually evolved ape, Caesar (Andy Serkis), whom he secretly raises like an offspring.

The transformation of Caesar is carefully documented; eventual interactions with other apes and their abusive human captor (Tom Felton) become pivotal learning experiences that inspire the intelligent monkey to hatch a daring plot. No surprises there, of course, the monkey rebellion is a given, but momentous details leading to it are sensibly divulged.

Immensely affecting are the parent-child dynamic between Will and his ailing father (John Lithgow), and the similar bond between Will and Caesar. Caesar’s dramatic evolution and his instigation of an unthinkable revolt are emotionally engaging, expressively aided by seamless special effects. A dark fable that frightens as much as it enlightens, “Rise of the Planet of the Apes” makes sense of what has gone before, but also gives us reason to care for its mythology.

Alive and Kissing

2011-08-03T17:32:00.000-07:00

Getting smoochy and slashy.

Cat, Bat, Snake

Selina and Talia somehow manage to capture Bruce, but maybe that’s just what he wants them to think.

Hornhead Loving

A temporary, three-way truce between Elektra, Matt, and Mary.

Wonder Heartbreak

Wonder Girl says she’s happy for Superboy and Red Robin, but being around her ex and her almost-boyfriend is killing her.