Comfort and Joy 2

Three drawings, set 2 of 2. Safe and happy holidays, friends.

Happy Runaways

Chase, Gert, Old Lace, Xavin, Karolina, Victor, Klara, Molly and Nico find a rare moment of peace, and wish each other holiday cheer.

Snowglobe Sandman

Dream takes a holiday. Snowy snowy.

Imps Kringle

DC and Marvel’s cartoony and malleable tricksters enjoy the holidays. Mr. Mxyzptlk and Bat-Mite are about to exchange gifts, while the Impossible Man and Impossible Woman bring a few of their Impossible Kids to Santa Plas, assisted by his little helper Offspring. Thunderbolt Ylzkz and Morph decorate the Warlock Christmas tree, while Slapstick is giving away candy canes. Madcap is holding an empty box, but hopes to mesmerize Slapstick into believing that it’s the best present ever.

Comfort and Joy

Happy Holidays! Five new drawings.

Snow Patrol Spidey

Peter and Felicia stay warm on a snowy night. I love Pete and MJ together, but I really like this fun and sexy couple.

X-Force, X-Mas 1992

The ‘90s mutant rebels celebrate Christmas in the IPAC. I like this roster; this was the team after Cable’s disappearance and their costumes were nicely redesigned by Greg Capullo. I remember the Cannonball-led X-Force leaving Xavier’s School in the title’s December 1992 issue, and in this drawing, I imagine them spending a quiet Christmas together after a mission. Yeah, they didn’t notice Ric and Shatterstar getting chummy all those years ago.

You’re a Dear One, Mr. Grimm

It’s cuddling time! Ben Grimm and Alicia Masters, among the most enduring Beauty and the Beast-ish pairings in the Marvel Universe.

12 Bats A-Singing

Bat Caroling! Damian Wayne, Dick Grayson, Bruce Wayne, Jason Todd, Cassandra Cain, Kate Kane, Helena Bertinelli, Stephanie Brown, Jean-Paul Valley, Barbara Gordon, Alfred Pennyworth and Tim Drake form a Bat Choir. I imagine them doing a medley of “Happy X-Mas (War is Over),” “River,” “The Christians and the Pagans,” and of course, “The 12 Days of Christmas.” Happy Holidays, Bat-Fans!

Herc and Northstar: Winter Fun

“Ho, friend Northstar! Mayhap ‘tis best if thou stayest in Avengers Mansion until yon snowstorm hath passed!”

“But it’s not a snowstorm, Hercules… I mean, of course, mon ami!”

Yup, they hooked up, as implied in Hercules: Fall of an Avenger a few months ago. I’m a little surprised that nobody’s done and posted fan drawings of the secret lovers on DeviantArt yet. So here’s one. They probably got tryst-y after an Avengers-Alpha Flight Christmas party.

1985: A very good year for comic books

(Published December 11, PDI-Super)

By Oliver M. Pulumbarit

Contributor

(This week, Super travels back in time to show you what our pages would have looked like if we had been around in 1985, when the Inquirer was first born. Forget that it's 2010, forget your mobile phone (nobody's texting you - it's 1985!), forget Justin Bieber and Miley Cyrus and find out what was hot in 1985.)

Welcome to the last few weeks of 1985! What an exciting year it’s been for comic books and comic book readers.

The art form continues to provide escapism and, in some cases, reflections of the times. It’s now being taken more seriously by nonfans, and is being appreciated by a growing number of geeks, from the “Choose Your Own Adventure”-reading set to the more mature devotees of Heavy Metal magazine.

Local comic anthologies or komiks and some magazines offer a weekly respite from real-world concerns with its comedy, adventure and romance serials; publications like “Wakasan,” “Funny Komiks” and “Liwayway” are among a multitude of successful titles available almost everywhere.

American comics continue to amaze Filipino readers, who get their reading fix via a few specialty shops in Greenhills and Makati, and various bookstores and supermarkets that sell more random selections. In these increasingly troubling and unstable times, you lose yourself in these wondrous, imaginative worlds faster than you can say “Snap elections!”

Readers introduced to the DC and Marvel universes years back and are currently following their favorite iconic heroes will attest that 1985 has been a very good year for fans of costumed crimefighters.

The recently concluded epic “Crisis on Infinite Earths” by Marv Wolfman and George Perez fixed decades of continuity problems and replaced the DC Multiverse with a single, definitive reality. Some of the title’s most shocking casualties include popular heroes Supergirl and the Flash, who died heroically in issues 7 and 8, respectively.

Marvel had a less earth-shaking event, but Jim Shooter and Steve Leialoha’s “Secret Wars II” intriguingly chronicled the omnipotent Beyonder’s eventful journey, from trying to fit in with humans (and superhumans) to getting fed up with them. The character made his presence felt in a number of tie-ins, his fights with the new Phoenix (a.k.a. Rachel Summers) and Marvel’s cosmic entities among the more memorable super-conflicts.

Speaking of the Phoenix force, there’s a third mutant book out now! “X-Factor” stars the original X-Men, including Jean Grey, revealed as someone separate from the deceased original Phoenix. Fans are stoked and waiting for the eventual meeting between the team and erstwhile allies from the “Uncanny X-Men” book, which now has reformed arch-foe Magneto as a regular character.

One of the year’s most unique superhero stories is “X-Men: Heroes for Hope,” Marvel’s version of “We Are the World.” This single-issue benefit book brought together creators like Stan Lee, Chris Claremont, John Byrne, Alan Moore, Jim Starlin, Louise Simonson and John Buscema, among many others. The X-Men find themselves attacked by an ancient psychic creature from Africa, and in the course of hunting for their adversary, the mutant heroes help out relief efforts by feeding people in the famine-stricken region.

The aforementioned Moore, by the way, gave horror fans a thrilling year with his reinvention of the muck-monster Swamp Thing. In the unforgettable “Swamp Thing Annual # 2,” the titular character rescued the wrongly condemned Abigail Arcane from hell with help from some of DC’s enigmatic mystical beings. Let’s hope the writer is given more characters to revamp, and tells more disturbing, mind-blowing tales.

Let’s get prescient for a minute and ponder the state of comic books two decades or so from today:

Perhaps comic books will inspire big, respectable and faithful movie or TV adaptations, and will spawn sought-after merchandise like fully articulated action figures and more visually striking video games. Maybe journalists and writers from other media like television and films can become lauded comic book authors. Maybe school libraries will consider comics a legit form of literature, too.

Perhaps there will be openly gay and lesbian heroes (and villains), as well as more racially diverse superhero teams. Comic books will probably be really expensive by then, but they should be printed on better paper, and colored more precisely and vividly.

Maybe by that time, technology will allow comics to be read on portable computers, or will allow fans to talk about them and their creators. Maybe there will be independent, alternative Filipino comic books that offer fresh new stories, and also a new wave of Filipino artists illustrating American comic books, like in the ’70s and ’80s.

We can only imagine what the future might bring for comic books. Things have gotten serious and periodically bleak lately because of real-life local and global upheavals, but comic books will definitely remain a source of entertainment, and center on the glorious and otherworldly exploits of men, women, robots, funny animals and what-have-you.

So if you’re giving in to your godchildren’s demands by getting them Voltron toys or She-Ra dolls, make sure you give them a good comic book or three as well. Introduce them to worlds worth sharing, and stories worth remembering.

Ah, 1985, a pretty amazing year for comic books, heralding bigger, better and more fantastic things ahead.

Star Movies celebrates ‘passion for Hollywood movies’

(Published Dec. 9, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Movie buffs and members of the media recently converged at Resorts World Manila in Pasay City for events organized by cable channel Star Movies. A 14-hour movie marathon required 100 contestants to watch several flicks nonstop at the Newport Cinema, while a media appreciation dinner was held at the Red Crab restaurant later that day.

“The marathon celebrated the Filipino’s passion for Hollywood movies, and also showcased the state-of-the-art movie theater facilities of Resorts World,” said Fox International Channels’ territory director Jude Turcuato.

The 100 movie marathoners/promo participants were randomly chosen. They were given food and drinks, but were not allowed any bathroom breaks within the 14-hour, five-movie span. Films like “The Godfather,” “G.I. Joe,” and “Indiana Jones and the Last Crusade” were screened.

“Participants were chosen from the almost 50,000 e-mail entries for the promotion,” Turcuato said. The objective is to endure watching multiple movies in the theater without giving in to the call of nature.

A cash prize of P100,000 was split among 16 winners by the end of the marathon.

Turcuato revealed that Star Movies is currently faring well, enjoying an increase in local viewers.

“Star Movies has 20 percent more viewers this year compared to last year, and competes head to head with HBO in leadership among movie channels,” he said. “It is consistently in the top 10 among all cable channels, and is the highest rated English cable channel that accepts advertising.”

Star Movies viewers can look forward to the airing of “Twilight: Eclipse,” “Alice in Wonderland,” and “Toy Story 3” in the coming months, Turcuato added. The channel will be revamping its “on-air look” and will be having more contests, among other things, to attract more viewers.

“In the past two years, Star Movies has inked exclusive partnerships for Asia with the biggest studios like 20th Century Fox and Disney to showcase the most popular titles available. Star Movies is also working in unison with the other channels and the major cable operators to fight piracy by using better encryption methods and putting out more compelling content. On the local end, promotions such as the movie marathon create more reasons for our viewers to enjoy our movies instead of watching pirated content.”

‘The Walking Dead’: Zombie spectacle, scarred survivors

(Published Dec. 6, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

The horror-drama series “The Walking Dead,” developed by filmmaker Frank Darabont, depicts a bleak world swarmed by hungry zombies. Based on the critically acclaimed comic book written by Robert Kirkman, the TV series incredibly recreates the essence of the source material, while introducing some new characters and situations that keep the concept fresh and unpredictable.

It follows the post-apocalyptic activities of a small band of survivors in Atlanta, led by cop Rick Grimes (Brit actor Andrew Lincoln), who is believed dead by his wife Lori (Sarah Wayne Callies) and son Carl (Chandler Riggs).

Like the comic book, the show focuses on the uneasy alliance between traumatized humans, who must constantly evade the undead and scavenge for food and supplies.

The first “Walking Dead” episode aired simultaneously on four cable channels, a few days after airing in the United States. The show debuted impressively, with an estimated 5.3 million viewers tuning in for the season opener last Halloween. Its success in 120 countries has already guaranteed a second season next year.

Darabont “can’t wait” to get to certain story lines and two important characters from the comics, according to reports. “Walking Dead” presents an eerie, almost agoraphobic atmosphere; the zombies clogging up city streets are extra-menacing, thanks to grotesque prosthetics and tight “choreography” (go online and check out how “WD” extras are trained in “zombie school”).

Dramatic moments are just as memorable. Whether it’s Rick tearfully reuniting with his family, or other characters remembering life before the zombie onslaught, the quieter scenes substantiate, and are accessible. “Walking Dead” also examines human behavior; this harshly changed world has scarred the survivors differently. Some in Rick’s small group are alpha males, and that dynamic has proven problematic to their coexistence. And some survivors are already dangerous in their own ways, threatening to destroy the fragile new community in ways that the relentless zombies can’t.

“The Walking Dead” airs Fridays, 11 p.m., on FX. The season finale will air on Dec. 10, while the season one marathon will air on Dec. 18, 11:10 p.m.

Things Are Gonna Get Easier

Pixar’s gay and lesbian employees reach out to bullied and suicidal gay kids. Thank you, Gini Cruz Santos and company.

I interviewed Gini back in 2004, when she was in the country promoting “The Incredibles.” I emailed her after seeing this video yesterday. She elaborated on her involvement:

“Yes, I am a lesbian. If I didn't hang on when I was growing up, I would have missed what the Lord had planned for my life. I am very proud to say that I am a Christian and I am gay.”

“Please spread the word about this kind of tragedy that has been happening. Thanks for posting on your blog.”

Maudlin ‘Monsters’

Not a typical sci fi-alien invasion flick, “Monsters” focuses on two Americans (Whitney Able, Scoot McNairy) trying to get home by traversing an area in Mexico inhabited by giant tentacled extraterrestrials. The stranded aliens-on-earth scenario initially reminds one of last year’s science fiction-actioner “District 9,” but the similarities end there. “Monsters” is very simple; it may frustrate those expecting more traditional man versus monster situations. The human drama involves but feels forced sometimes; the alien creatures make their presence felt a few times, but it really is about two different people who come to important realizations while trying to survive together.

Wet ‘Dawn’

Not as visually striking as “The Lion, the Witch and the Wardrobe,” nor as dark and action-packed as “Prince Caspian,” “The Chronicles of Narnia: Voyage of the Dawn Treader” is still a magical journey, albeit a less captivating one. Younger Pevensie siblings Lucy and Edmund (Georgie Henley and Skandar Keynes) return to fabled Narnia with their insufferable cousin Eustace (Will Poulter), and join King Caspian (Ben Barnes) on a sea adventure aboard the mighty Dawn Treader.

The changed dynamics give this film a sad vibe; the older Pevensies aren’t part of the adventure anymore and are living somewhere in America (the actors appear briefly in a dream sequence). While the previous rapport is much-missed, Lucy and Edmund have grown up and are given their time to shine. Oddly, after reaching a certain age, humans are barred from entering the magical realm, like the older siblings.

“Dawn Treader” has fewer fantastical creatures than previous parts, but there’s a cool-looking dragon, as well as a sea serpent that’s both fascinating and menacing. The tale could’ve been more solid and focused; some new characters with seeming importance appear quickly and are never seen again, while others linger but don’t really add anything to the story. The big epic (land) battles are also missed. Still, “Dawn Treader” sails bravely from one conflict to the next, even when it’s not always clear what the heroes are fighting for this time.

Making the List

My thanks to Budjette Tan for including Lexy, Nance & Argus in his article Required reading: 25 Pinoy Comic Books, which enumerates notable titles released in the last ten years:

Lexy, Nance, and Argus: Sex, Gods, Rock & Roll by Oliver Pulumbarit

Reading this comic book will remind of “Friends” or “How I Met Your Mother,” except there’s just three of them, and one of them is gay and the other one is bi and the third one is … discovering a lot of things about himself and his friends.

Read his full article here.

Exclusive ‘Academy’

Christos Gage and Mike McKone introduce the Avengers’ first batch of students, possible future heroes and Avengers, but are actually traumatized young super-beings with the potential to be villains. The “Avengers Academy” series is intriguing, blending new concepts with more “traditional” Avengers lore. Tortured or manipulated by Norman Osborn, Reptil and newer characters Mettle, Finesse, Hazmat, Veil, and Striker form an interesting and unpredictable group, and are currently trained by similarly “damaged” mentors like Hank Pym, Tigra, Justice, Quicksilver and Speedball. The first arc is insightful and told well, exploring the mindset of a student per issue. Ape X (Roy Reyna) from “Marvel Apes” would make a great addition to this team, as he was also a victim of Osborn’s regime.

Recovery

Was sick for a few days last week, but I’m feeling much better now. Also, the computer was broken, so I haven’t blogged in a while. I wasn’t able to, also because I was busy finishing a project that last week of November. Anyway, computer’s all better, and I’m gonna be posting stuff again. Wow, it’s December already.

Power Pack Now

This is probably how Power Pack would look today if we follow Julie/Lightspeed’s current age (17). Teen Julie appeared in the Loners mini, where it was revealed that she’s attracted to girls. She was ten years old in the early adventures (and the out-of-continuity minis), so add seven to the siblings’ original ages when they became superheroes, and this is how Alex/Gee, Jack/Mass Master, and Katie/Energizer must look now. The costumes are based on Julie’s existing one; I just followed the pattern and individualized it. Marvel, if you’re coming out with a new teen book, it should be the updated Power Pack!

Penultimate ‘Potter’ pensive

On the run and fleeing for their lives, the heroes of Hogwarts experience more upheavals in the grim “Harry Potter and the Deathly Hallows Part 1,” the second to the last film in the series. Young spellcasters Harry, Hermione, Ron and their trusted allies form a resistance against the consolidated forces of arch-nemesis Voldemort, whose campaign involves the downfall of the Ministry of Magic.

Almost as dark as “Half-Blood Prince,” “Deathly Hallows” immediately illustrates how grave the situation has gotten: in one scene, the rogues smugly scheme while holding a Hogwarts teacher captive; in another, Harry’s friends magically become decoys, temporarily taking the young wizard’s form to confuse the enemy.

Much has changed, and the mythology keeps getting richer, even if the central saga itself is a pretty conventional tale with familiar trappings like predestined roles, seemingly unending quests, and heroic transformations. The movies have matured accordingly, reflecting Harry’s growth, as well as his friends’. Actors Daniel Radcliffe, Emma Watson, and Rupert Grint have likewise grown with the years-long roles, and they’re no less convincing in this chapter when a love triangle of sorts manifests.

The David Yates-directed “Deathly Hallows” also experiments by conjuring up an animated sequence that’s simple yet fitting, pleasantly enhancing an integral legend that hints at the existence of some magical objects.

It’s not always clear how much time has passed during and between the trio’s missions, however. Pacing issues aside, it’s visually stunning and appropriately moody, properly exemplifying the proverbial calm before the storm. Big scenes from the trailers aren’t in the movie, but will be in the second part of “Deathly Hallows,” hopefully a grand and epic finale to the enchanting saga.

‘HIMYM’: Proud daddy, mystery mommy

(Published Nov. 21, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

The oft-sentimental sitcom “How I Met Your Mother” has yet to reveal the identity of the titular mom of romantic Ted Mosby’s (Josh Radnor) future kids. But the recent season teased with a few revelations about the yet unseen character.

The elusive mystery woman is a college student where Ted teaches, and is the roommate of Cindy (guest Rachel Bilson), a girl he’s really attracted to. But the succeeding episodes don’t give any more clues, and partly focus instead on Ted’s ongoing quest to find “the one,” unaware that he almost met his future wife a few times already.

As with previous seasons, “How I Met Your Mother” is enlivened by scene-stealing Neil Patrick Harris, whose lothario role Barney Stinson unceasingly regales his friends with tales of his conquests and bizarre but effective seduction methods.

Over-the-top Barney gets toned down from time to time, which gives him some degree of realism; his on again-off again pairing with news anchor Robin (Cobie Smulders) is revisited, resulting in some of the show’s better-written arcs.

Married couple Marshall and Lily (Jason Segel and Alyson Hannigan) are still amusing, but their recent marital exploits aren’t as funny or insightful as in older episodes. Still, some developments look promising, as the spouses enter the next stage of their marriage by the end of season five.

The series’ narrative structure has been properly utilized through the years; however, some recent flashbacks just feel unnecessary and disruptive of established continuity and smooth storytelling. The malleability of the characters’ histories aside, the five friends are still evolving and maturing, despite the periodic reversion to juvenile behavior.

The continuous and perceptive tackling of romantic complexities and the “rules” of the dating scene also keep the show relatable. It still works, even when potentially comedic situations are sometimes deliberately traded for more dramatic and more “realistic” moments.

Season Six episodes of “How I Met Your Mother” air Mondays, 9 p.m., on ETC.

Komikon: A celebration of creativity and literacy

(Published Nov.20, PDI-Super)

By Oliver M. Pulumbarit

Photos by Andrew Tadalan

The Komikon remains a welcoming haven for comic book fanatics, whether they’re creators or fans, bargain-hunters or autograph-seekers, avid or casual readers. Previously held at the Megamall’s Megatrade Hall, Komikon this year was held at the smaller but similarly accessible Starmall Edsa Trade Hall.

As with previous conventions, comic-reading geeks found the Sixth Annual Komikon an opportunity to get the latest titles, gain some insights on the creative process, and meet more fellow lovers of the storytelling medium.

Early in the afternoon, eight indie creators talked about their inclusion in the “Sulyap” anthology. “Trese” fans lined up and had their copies signed by co-creator Kajo Baldisimo. Aspiring artists got to meet their idols, Marvel illustrators Carlo Pagulayan (“Incredible Hulk”), Harvey Tolibao (“Psylocke”) and Stephen Segovia (“Dark Wolverine”).
Ariel Atienza, one of the organizers and creator of the strip “West Side,” expounded on choosing the Starmall venue.

“It’s more accessible to commuters,” Atienza said. “The foodcourt is just outside the entrance, which is very convenient for attendees, too. The Komikon core group has a tendency to think out of the box and see the potential of a venue. It’s keeping it as close to the grassroots level, the same way UP Bahay Ng Alumni does with Komikon.”

Atienza added that the event had a slightly bigger turnout than previous Komikons.

“Just a smidgen, but the difference comes in the pleasant surprise that the exhibitors, especially the indie komiks creators’ side, sold record numbers of their works. We’ve kept track of their sales and the number of ecstatic feedbacks. There’s a higher buying spree, which comes naturally. People recognize quality when they see it, and are willing to buy it at a reasonable price.”

The more diverse lineup of indie comic books, Atienza said, offered readers more imaginative stories and storytelling styles.

“This year’s comics creators and exhibitors are getting bolder. They’re not afraid to experiment with topics or stories; they keep getting better and better. Indie comics creators are leading the charge in crafting something very Filipino but still not something you can put a label on. Their works definitely cut across the board: there are titles out there for almost every genre you want. It’s something that took us by surprise and something we’re very, very proud of showcasing!”

Professor Emil Flores, who teaches comic book writing and analysis, and writes the action comic book “Cadre: Amerikanong Hilaw,” considers the Komikon a consistently important event for Filipinos who wish to tell stories using the medium.

“Komikon is a wonderful opportunity, even for students, to actually have their comics released,” Flores said. “Because of Komikon and the indie comics scene, they now have a venue for their creative energies.”

Flores added that Komikon and similar events emphasize the existence of locally made titles, which deserve to be appreciated by newer readers. He also stressed that it’s a good time for getting people interested in comic books.

“Comics content is everywhere even if Pinoy comics are not as visible. So I actually get to use the popularity of comics-influenced media to get people interested. There is always a movie, TV show or game to connect to comics. In a way, it’s how I sometimes teach mythology and literature to students who don’t read. I always make connections to movies and point out the literary traditions that filmmakers reference.”

Aside from Flores, creators who attended the recent Komikon were David Hontiveros (“Bathala: Apokalipsis”), Reno Maniquis (“Maskarado”) and Inquirer cartoonist Manix Abrera (“Kikomachine”), among others.

For information on Komikon events, visit www.komikon.org.

The Robin Army

Robin times 20! Boy and girl wonders from all over the DC Multiverse.

Upper row: Barbara Gordon (Thrillkiller), Robin Redblade (Batman Chronicles), Stephanie Brown, “Tengu” (Robin Elseworlds Annual), Richard Grayson (Pre-Crisis Earth 2), Robin (Detective No. 27), Redbird (The Blue, The Grey, The Bat), Carrie Kelly (Dark Knight Returns), Richart Graustark (Thrillkiller), Jason Todd, Tom Wayne (Robin 3000)

Lower row: Richard Grayson (Dark Knight of the Round Table), Tim Drake, Boy (Return of Bruce Wayne), Dick Grayson, Damian Wayne, Tris Plover (Legends of the Dead Earth), Robin (Just Imagine Stan Lee), Robin the Toy Wonder (Robin 1,000,000), Robin Drake (JLA: Riddle of the Beast)

This Kiss, This Kiss

“You can’t punch the gay out of me any more than I can punch the ignoramus out of you!”

Okay, spoilers. Openly gay Kurt Hummel confronts homophobic bully Dave Karofsky in this intense and stunning scene from Glee. Love Chris Colfer and Max Adler’s acting. Colfer keeps getting dramatic storylines, and it's a treat to see his character grow. Also love the “Teenage Dream” cover by Darren Criss, who plays another gay character, Blaine.

Library Envy

My thanks to Al a.k.a Toshi Alibudbud for inviting me to be one of Xavier School’s Reading Week speakers last Tuesday. Professor Emil Flores, Benedict Bartolome, John-D Borra and I were there for over an hour and talked about different aspects of comic books. We had a grand time. The Xavier high school library was awesome, by the way; students can borrow X-Men Essentials, Watchmen, and other trade paperbacks. Toshi told me that they had to really fight for the inclusion of comic books in their library. Wish the libraries from the schools I went to had a wonderful selection, too. That is one cool place.

‘True Blood’ rejuvenated

(Published Nov. 8, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

In HBO’s fantasy-drama series “True Blood,” vampires affect humans in different significant ways. A Louisiana town, Bon Temps, is a hotbed of open and covert supernatural activity, its enigmatic denizens regularly encountering friendly and not-so-harmless nocturnal creatures.

The number of those beings increases further in the third season, as various elements attempt to find out the truth behind plucky waitress Sookie Stackhouse’s (Anna Paquin) telepathic powers. Questions are answered and other crucial and intriguing changes are introduced.

Sookie’s stable relationship with vampire beau Bill Compton (Stephen Moyer) is rocked by the machinations of haughty vampire sheriff Eric Northman (Alexander Skarsgard). Her shape-shifter boss Sam (Sam Trammell) finds his long-lost relatives, and is later haunted by memories of his life before Bon Temps.

Meanwhile, “baby vampire” Jessica (Deborah Ann Woll) recovers from her recent romantic woes. Gay cook Lafayette (Nelsan Ellis) discovers his mystical heritage with his lover Jesus (Kevin Alejandro), who is trained in sorcery. Lafayette’s cousin Tara (Rutina Wesley) is enslaved by psychotic bloodsucker Franklin (James Frain).

It’s not very accessible to new viewers due to its expanding mythology and cast, but patient fans who endured some of the older episodes’ silly and campy subplots are rewarded. It is fast-paced, rejuvenated, and owes much to the addition of villain Russell Edgington (Dennis O’Hare). Unpredictable Russell personifies the menacing bogeyman in a show full of monsters.

“True Blood” season 3 airs nightly, 9 p.m., on HBO Signature until November 14.

Nigh-‘Unstoppable’

Denzel Washington collaborates with Tony Scott again on another movie that involves a train, after last year’s hostage flick “The Taking of Pelham 123.” The action-drama “Unstoppable” is likewise decently made, but it’s also something that isn’t entirely exciting or involving. Inspired by actual events, the film recreates situations from a fateful day in 2001, when a freight train carrying tons of hazardous materials sped away from its careless operator. Actors Washington and Chris Pine play the engineer and conductor, respectively, who risk life and limb to prevent a catastrophe. The initially uncomfortable co-workers aid the clear-thinking dispatcher played by Rosario Dawson. Well-defined and humanizing portrayals keep this film interesting, despite its requisite and procedural drama that focuses on the main characters’ unstable bonds with their relatives. It still somewhat uplifts, corny and unexciting moments notwithstanding.

Giggle-worthy ‘Modern Family’

(Published Nov. 5, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

The antics of three connected families elicit consistent laughs in the relatable weekly sitcom “Modern Family.”

Sixty-something Jay (Ed O’Neill) is married to hot Latina Gloria (Sofia Vergara), mother of a mature-thinking 11-year-old (Rico Rodriguez). Jay’s gay son from a previous marriage, Mitchell (Jesse Tyler Ferguson) has a partner, Cameron (Eric Stonestreet), and recently adopted a baby girl. Jay’s daughter Claire (Julie Bowen), meanwhile, is married to real estate agent Phil (Ty Burrell) and has three kids.

The half-hour program’s “mockumentary” format allows for “interview” segments between scenes, helping expound on the characters’ personalities and thoughts, just like in “The Office.”

The various relationships are established and explored in season one, easily distinguishing each family member in just a few episodes.

From imperfect childhood issues to cultural differences, “Modern Family” manages to identify and make fun of real topics, while giving a broader view of the chosen subject through the interactions of the three families. Some of the more watchable moments are those that focus on how differently the parent characters raise their disparate and unpredictable children.

This family is generally accepting, flawed but generous. They’re non-judgmental when it comes to each other’s decisions, but they’re still revealed as having unspoken apprehensions. Claire initially thinks that Gloria is a gold-digger, for example, but is more welcoming when she realizes that the younger woman genuinely loves Jay.

Tapping universal situations and familial concerns, but still harnessing them creatively into giggle-worthy and even heartwarming stories, “Modern Family” manages to regularly focus on what makes these unique families tick.

"Modern Family” airs Thursdays, 8 p.m., on Solar TV

‘Date’ grates

Robert Downey, Jr. and Zach Galifianakis star in the formulaic road trip-odd couple comedy “Due Date,” about two mismatched strangers forced to accompany each other for many grueling hours en route to Los Angeles.

The laughs come in due time; Downey plays Peter, a sensitive and seemingly calm guy with anger issues, while Galifianakis plays an inconsiderate and eccentric aspiring actor, Ethan, with dreams of making it big in Hollywood. Peter needs to be in LA for the birth of his child, and must bear with Ethan’s consistently weird and boneheaded behavior throughout the long trip.

Directed by “The Hangover’s” Todd Phillips, “Due Date” is often crude and gross. Galifianakis’ stoner-oddball character is a variation on his previous role in “Hangover,” but the bigger focus doesn’t mean that it’s more clearly defined. Sure, he misses his recently deceased father a lot, which allows for sad (and uncomfortable) moments. But the contrived quirkiness makes it hard to feel sympathy for the guy.

Downey’s tense and desperate character has a really funny scene involving “babysitting” a pair of kids, but he just doesn’t figure in a scene as gut-busting later. The actor is still able to make the somewhat two-dimensional role real; it does feel that he’s going through hell, but more importantly, he makes the struggle to give his companion several chances credible. All in all, there are serious thigh-slappers, but the movie’s pretty thin and it’s a trip to love/hate-ville that we’ve taken before.

Halloweener 2010

Different monsters, a party, and the annual LNA Halloween masquerade.

Heroic Marvel Bogeymen: LEGION OF MONSTERS (Man-Thing, Morbius, Manphibian, Werewolf By Night) and HOWLING COMMANDOS (Clone of Frankenstein, Sasquatch, Living Mummy, Gorilla Man, Vampire By Night, Warwolf).

Heroic DC Bogeymen: CREATURE COMMANDOS (Lucky Taylor, Vincent Velcro, GI Robot, Matthew Shrieve, Dr. Medusa, Warren Griffith) and SCARE TACTICS (Grossout, Slither, Screamqueen, Arnie Burnsteel, Fang).

Halloween Skullebration! Bones, chugs, harmony! Skull-exclusive party attended by Mr. Bones, Taskmaster, Atomic Skull, Green Skull, Negative Man, Ghost Rider, Red Skull, Skeletor, Blue Knight, Death, Black Mask, and Blazing Skull.

Moore’s Maniacs: Alan Moore’s beautiful monsters, a trio of traitors and tricksters. Ultima from Top Ten was secretly a junkie who later rampaged at Neopolis’ superpolice station. Ozymandias from Watchmen betrayed his former allies as part of a grand plan to unite almost-warring nations. And TAO (Tactically Augmented Organism) manipulated his fellow WildCATs into fighting in a super gang war he orchestrated, among other sneaky things.

LNA Halloween 2010: Retro Robotic! Lexy, Nance, Argus, Jim and the kids dress up as familiar animated figures from the late ‘70s and ‘80s. Happy Halloween!

‘Ben 10’ evolves into a celeb hero

(Published Oct. 28, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Shape-shifting teen Ben Tennyson continues to protect the Earth from extraterrestrial and homegrown goons in the animated “Ben 10: Ultimate Alien” series. Ben now fights tougher, more relentless menaces that threaten him and his family using a new gadget that evolves his alien forms into their “ultimate” versions.

But one challenge he didn’t expect is becoming popular. In the episode “Fame,” a young fan gathers and posts evidence of Ben’s secret battles with different enemies online, so the teen hero has to deal with becoming an instant celebrity. Criticized by some for the destruction resulting from his fights, but beloved by his grateful and astonished fans, Ben is becoming more aware of his responsibilities.

The absence of a secret identity, however, brings the paparazzi and super-villains to his doorstep. In the episode “Hit ‘Em Where They Live,” Ben’s parents are stalked by three vicious foes. But their plans are thwarted resoundingly by Ben, his superpowered teen partners—his cousin Gwen and her boyfriend Kevin, and his grandfather Max.

Co-created by a group of mostly established comic book writers, the successful “Ben 10” initially centered on a 10-year-old Ben Tennyson; in “Ultimate Alien” the main character is now 16, tries to balance school and heroic duties, but still tries to have fun using his superpowers. In one of the lighter episodes, he discovers the folly of dividing himself into three beings (to simultaneously watch a movie, watch a friend’s tennis match and go on a mission).

“Ultimate Alien” introduces new characters, strikingly designed “ultimate” alien identities and the villainy of the enigmatic Aggregor. The show possesses a more serious tone, but its elaborate action sequences dazzle and the comic book drama makes it accessible.

“Ben 10: Ultimate Alien” airs Sundays, 10 a.m., on Cartoon Network. “Ben 10: Alien Force” airs Sundays, 6 p.m.

Glowy

I attended “Tron Night,” which was a 20-minute preview screening of select scenes from the “Tron” sequel, last Thursday night at the SM North Imax. It was okay. The more complex virtual world in this film looks more appealing, of course; there are nicely designed machines and other technology lined with characteristically cool light patterns.

I’m not a fan of the original film, though; I remember watching it when I was about nine or ten, and getting really bored about half an hour into it. It looked good, but I tuned out eventually. I do hope that the sequel is an improvement over the original movie, storywise, and that there are more unpredictable action sequences.

Anyway, actor Garrett Hedlund, who plays the character transported to another dimension (and a combatant in a flashy gladiatorial duel), looks like a younger clone of Jensen Ackles, but with not-so-perfect teeth. By the way, there was a raflle and I won a Tron yoyo and a neon blue baller band. “Tron: Legacy” opens Metro Manila-wide in December.

‘DCU Halloween” treat

The 48-page one-shot “DC Universe Halloween 2010” isn’t as fun as previous Halloween specials, but some of its stories are amusing enough, and not necessarily for kids only. The eight-pagers that stand out: “Trick For The Scarecrow” (two kids in Bat-costume capture and punish the Scarecrow), “Medusa Non Grata” (Miss Martian and Blue Beetle meet a trick or treating Klarion), and “Time Or Your Life” (a costume party is gatecrashed by Flash and Frankenstein). Nice cover by Gene Ha, but there’s no Solomon Grundy story, and those particular Teen Titans don’t appear in the issue.

Bear Grylls on surviving the unthinkable

(Published October 24, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Survival expert, TV host and author Bear Grylls knows how it feels to be in a life-threatening situation. He survived a fall after his parachute malfunctioned years ago. The intrepid explorer also repeatedly found himself in unpredictable environments while filming the popular Discovery Channel program “Man vs. Wild.”

Grylls, 36, revealed in a recent teleconference that his new show is “Worst Case Scenario,” scheduled to air in December. The six-part series tackles different dangerous and potentially lethal situations (plunging elevators, shark attacks, etc.). The host offers expert advice on how to survive them.

How intensive is training for every episode?
When I’m home, I train every day for these things, an hour in the morning when I get up. But it’s just been a big part of my life, I suppose, training since my Army days. I’m not naturally fit. I need to work hard on all these things. So, yes, I do a lot of running, circuit training, and then yoga, and combine that a lot.

How about the emergency training?
A lot of it is the same skills that I use on “Man vs. Wild.” It’s about being inventive, determined and having a sense of humor in difficult places. But a lot of it is common sense and trying to think laterally and keep calm in that big moment.

For “Worst Case Scenario” we do a briefing the day before filming. They give me a kind of broad overview of what we are doing but without the details. Then I get thrown into the next day and have lots of cameras on it and they film it, and just let it all run. Then the end of it is either kind of all there or it isn’t, in which case we’d do it again.

Have you experienced a real worst case scenario?
I’ve had a lot of real case ones. I’m trying to think of the ones we did on the show. I’ve been mugged before; we did that one on the show. I’ve had brake failure before, not quite as severe as we did on the show, but I’ve had that. I’ve gotten stuck on mountains where you can’t go up, can’t go down. I’ve had falls, I’ve had parachute failures. I’ve been chased by dogs before in the military, which was kind of pretty scary.

After doing it all, what’s left to explore?
Loads. The more of these I do—the more places we go on “Man vs. Wild,” the more scenarios to do for “Worst Case”—the more I realize we live in an extraordinary world and there are so many huge wildernesses and difficult, crazy, hell-holes of swamps around the planet. It’s hard to kind of scratch the surface, really. So, I think the limiting factor is always a human factor, which is me, rather than the wildernesses or the worst case scenario. I’m the one that gets more and more battered and covered in scars.

“Worst Case Scenario” begins airing on Dec. 8, 11 p.m., on Discovery Channel. “Man vs. Wild” airs Saturdays, 9 p.m.

15 Comic Books Meme

Tagged by Yvie. I chose 15 comic books (graphic novels, minis, monthlies, etc.) “that will always stick with” me. There’s definitely more than 15, but these are the ones I can think of now. Tag yourself if you wanna do this.

(The rules: Don't take too long to think about it. Fifteen books you've read that will always stick with you. List the first fifteen you can recall in no more than fifteen minutes. Tag fifteen friends, including me, because I'm interested in seeing what books my friends choose.)

1. Watchmen (Alan Moore and Dave Gibbons)

2. Stuck Rubber Baby (Howard Cruse)

3. Top Ten (Alan Moore and Gene Ha)

4. Avengers (Roger Stern, Kurt Busiek, Steve Englehart, Dan Slott runs)

5. Alpha Flight (John Byrne)

6. JLA (Grant Morrison and Joe Kelly’s runs)

7. Uncanny X-Men (Chris Claremont, first run)

8. Sandman (Neil Gaiman)

9. Stupid Comics (Jim Mahfood)

10. Official Handbook of the Marvel Universe (Various; original, deluxe, current)

11. Crisis on Infinite Earths (Marv Wolfman and George Perez)

12. Legion of 3 Worlds (Geoff Johns and George Perez)

13. Avengers-JLA (Kurt Busiek and George Perez)

14. Astonishing X-Men (Joss Whedon and John Cassaday)

15. Astro City (Kurt Busiek and Brent Anderson)

Gutbuster

Watched “The Other Guys” last week. It’s a hilarious odd couple-cop flick starring Mark Wahlberg and Will Ferrell. Samuel Jackson and Dwayne Johnson also appear as reckless, property-damaging partner cops. Michael Keaton plays their boss, Captain Gene Mauch, a reasonable guy who sometimes inserts TLC song references into his statements. His character also has a second job at Bed, Bath and Beyond, “so my kid can go to NYU, explore his bisexuality, and become a DJ.”

Funny stuff.

High-tech avenging with teen ‘Iron Man’

(Published Oct. 14, PDI-Entertainment)
By Oliver M. Pulumbarit
Contributor

Genius inventor and weapons designer Tony Stark gets animated in the sleek “Iron Man: Armored Adventures,” but it’s not the partying playboy from the comic books and live-action movies. This Tony Stark is mostly a no-nonsense teen, surrounded by other younger versions of familiar figures from Marvel mythology.

As with previous incarnations, young Tony Stark is dependent on life-preserving technology, but in this iteration, that’s after surviving a plane crash that took his father’s life. Donning a battlesuit he designed, Tony fights crime as Iron Man and gets introduced to a number of costumed villains. He also tries to acclimate to his new life as a high school student.

Similarly adjusted to fit this new take are supporting characters James “Rhodey” Rhodes and Pepper Potts. Rhodey is his best friend here, now a tech-savvy kid assisting Tony in combat or rescue missions by relaying crucial information from their secret mini-base. Pepper Potts is now an insufferable motormouth, but she’s not entirely annoying; she’s actually brave and independent. And, unknown to the gang, the new rich classmate Gene Khan is the Mandarin, one of Iron Man’s most formidable foes.

This new “Iron Man” balances straightforward hero-versus-villain scenarios with relatable and even humorous school situations. Tony, despite his brilliance and resources, is awkward at social interactions. It’s not the suave, womanizing Tony Stark at all, at least not yet. Still, he’s already adept at fighting super-villains, and is comfortable with the role of protector.

Animation-wise, the clean, vivid style allows intricate and kinetic battle scenes. As for the different armors worn by Iron Man’s enemies, most are impressive and updated versions. However, despite its aptly hulking presence, the Crimson Dynamo should have predominantly sported the color red instead of white. And speaking of designs, the kid characters wear the same casual clothes to school every day (an animation shortcut), which gets distracting. They look okay, but perhaps some tweaking of the color schemes and details can add variety.

Imperfections aside, the first season is often engaging. “Iron Man” is tightly plotted and very contemporary, and a good re-imagining of the armored Avenger and his high-tech exploits.

“Iron Man: Armored Adventures” Season 1 episodes can be viewed on cartoonnetwork.com.ph.

Real ‘Life’ ensues

Holly and Messer (Katherine Heigl and Josh Duhamel) loathe each other, but they “inherit” their mutual friends’ baby (and house), so they have to learn to coexist peacefully and become replacement parents. Maybe they’ll even enjoy each other’s company eventually. Of course they will; even if you didn’t see the trailer, it’s a given that they’ll fall for each other in true rom-com fashion. The end.

Well, not quite. “Life As We Know It” is a heavier-than-usual romantic comedy in that the two potential lovers suddenly have to undergo radical lifestyle changes, mature almost overnight, and understand previously unheard-of responsibilities. Actually, much of the comedy comes from the assemblage of wacky neighbors. And the romance part? It’s actually iffy; the first time Holly and Messer got really intimate was after she accidentally got his bike destroyed, so there’s guilt and indebtedness involved.

But yes, despite the unusual circumstances, it doesn’t always feel that it’s a forced pairing. It’s not quite a regular date movie, though. Sure, it’s cute, seeing hot single people hit it off after much struggling, but the new parents’ complicated situation keeps reiterating that raising a child is a tough and serious job. Parents might be able to relate to it and the sacrifices depicted. It sort of forewarns younger couples, so it’s probably helpful in that regard, but it’s not a regular feelgood romance-fantasy. One may feel a little drained after watching it; it almost feels as if you helped the protagonists raise the child from scratch as well, a rewarding but exhausting experience.

“Life As We Know It” opens October 20 in Metro Manila.

‘Heroic’ analysis

Steve Rogers’ thoughts on the current Heroic Age and the Marvel U’s diverse costumed heroes are shared in an impressive character guide filing the former Captain America’s opinions on over 180 crimefighters, their strengths and weaknesses, as well as ratings of each person's heroism, Handbook-style.

“Heroic Age: Super Heroes” is a nifty 64-page one-shot with three character entries per page. Previous event guide books written using the perspectives of Tony Stark, Quasimodo, and Victoria Hand offered differing insights and worked well as sourcebook companions to their respective “regimes.” But “Super Heroes” is the most entertaining book of its kind to date. It’s the first of two issues; the next is devoted to villains and will be out next month.

A few revealing assessments: Rogers believes that Rogue would be perfect as Thunderbolts leader if Luke Cage decides to leave the team. He doesn’t trust Gambit and considers him an “unapologetic criminal.” He’s impressed by Nova and Cyclops’ transformations into “generals.” And he’s “horrified” by the existence of Cyclops’ hit-squad X-Force.

‘Social’ studies faces behind Facebook

“The Social Network” recreates and sometimes embellishes events surrounding the development of online juggernaut Facebook, focusing mostly on the top networking site's creation, early evolution, and controversies. Visionary filmmaker David Fincher triumphantly teams up with analytical Aaron Sorkin (“Studio 60 on the Sunset Strip”) and an astonishing cast, resulting in a creative merger that stuns and delights.

Inspired by Ben Mezrich’s book “The Accidental Millionaires,” the film recalls pivotal points in Facebook’s history. Brash but brilliant, tech nerd and Facebook co-founder Mark Zuckerberg (Jesse Eisenberg) decides to create an exclusive networking website and is eventually accused of intellectual property theft by some Harvard students (twins played by Armie Hammer). His closest friend and disgruntled colleague Eduardo Saverin (Andrew Garfield) also sues him after being forced out of the company he co-founded.

Yes, there are many things to “like.” Fincher masterfully tells the story, as expected, his visuals often coalescing with a permeating tenseness. Sorkin’s splendid script captures the nuances of conversations; the screenwriter’s penchant for revealing exchanges and arguments is ever-present. And the scratchy, almost foreboding score by occasional collaborators Atticus Ross and Trent Reznor appropriately discomfits.

Eisenberg astounds with his portrayal; his patronizing, unapologetic Zuckerberg is parts underdog, anti-hero, and calculating mastermind. And Garfield, the actor chosen to play Spider-Man in the next movie, is a revelation. His character believably and dramatically evolves amidst the crumbling friendship and subsequent treachery.

“The Social Network” opens Oct. 27 in Metro Manila.

Blood and Bullies

Comedienne Kathy Griffin talks seriously about gay suicides and bullies:

“So let’s talk about these bullies. I just don’t think they came up with this anti-gay bias on their own. They weren’t born with it. The politicians, the so-called religious leaders, and the pundits who have made careers out of saying being gay is wrong or immoral, or that gays have somehow ‘less than,’ they all have blood on their hands. Yes, all you anti-gay public figures, and you know who you are, you have the blood of these dead teens on your hands.”

I agree. More of her message here.

Here There Be Dragons

A few dragon portraits for Halloween month.

Fin Fang Foom!

Tiamat, the hydra-like dragon from the ‘80s Dungeons and Dragons cartoon.

Morningbright, from Alan Moore and Zander Cannon’s Smax miniseries.

Trapped

I’m saddened by the humiliation and suicide of 18-year-old American student-violinist Tyler Clementi, whose intimate activities with a male companion were webcast by a roommate. His death is among the rising number caused by cyber-bullying; he’s also another gay kid who took his life after being subjected to homophobic taunts. Rest in peace, Tyler.

I’ve been looking at videos, those of Ellen DeGeneres and other gay people’s (as well as straight ones’), reactions to the tragedy and advice to suicidal or bullied young people. There are several “It Gets Better” videos on YouTube. Some recall bullying incidents and the crushing small-mindedness of people around them. But they also share how things changed after school, and how their former tormentors have become irrelevant.

It’s disappointing that the other powerful, blatantly homophobic bullies hide behind piety; religions and supposedly religious people continue to preach against homosexuality. The Vatican and its Church leaders vocally and brazenly condemn it, just one of a number of things the avowed celibates meddle in, while ignoring or covering up real atrocities and abuses committed in their own back yard.

If you’re a young gay person, be strong. Life does get better.

‘Vampire Diaries’: Books, beasts and bloodlust

(Published Oct. 4, PDI-Entertainment)
By Oliver M. Pulumbarit
Contributor

Derivative but intriguing, the monster drama series “The Vampire Diaries” properly utilizes an attractive and talented cast. Developed by Kevin Williamson and based on a successful series of books, the new show also manages to weave its own vampire mythology despite some unoriginal concepts.

In season one, a good vampire, Stefan Salvatore (Paul Wesley), finds himself drawn to Elena Gilbert (Nina Dobrev), a high school cheerleader resembling his old lover. Elena, an orphaned teen who therapeutically confides in a diary, is likewise attracted to Stefan. Enter Stefan’s sinister vampire brother Damon (Ian Somerhalder), who notices the girl’s resemblance to Stefan’s old lover—and his. The brothers suspect that Elena is a descendant of Katherine, the vampire who manipulated and “turned” the siblings over a century ago.

The bitter rivalry between two monsters over one human girl reminds one of “Buffy the Vampire Slayer,” and even “Twilight,” while the “immortal love” angle initially feels like an iteration of the scenario from “Bram Stoker’s Dracula.”

Those obvious similarities aside, “Vampire Diaries” has characters that keep things appealingly circuitous, even edgy. Elena’s brother Jeremy (Steven R. McQueen) is an ex-druggie who discovers their ancestor’s vampire-hunting journal. Elena’s best friend Bonnie (Katerina Graham) is a powerful sorceress who learns of her family’s part in the banishment of Katherine’s vampire army in 1864.

From vengeful monster-exterminators to long-lost biological parents, “Vampire Diaries” manages to turn some preposterous or dubious plot twists into compelling story lines.

Stefan’s brooding and Damon’s incessant swaggering get occasionally tiring, and some characters ultimately lack dimension or are just obvious plot devices. Still, the distinct figures in the blood-streaked tapestry outnumber the flat ones, and there won’t be any shortage in conflict and drama any time soon.

“The Vampire Diaries” airs Tuesdays, 8 p.m., on ETC.

Endearing, engaging ‘NCIS’

(Published Oct. 3, PDI-Entertainment)
By Oliver M. Pulumbarit
Contributor

The successful crime drama series “NCIS (Naval Criminal Investigative Service)” continues to strike a balance between dread and optimism, as well as humor and action. A mysterious, Navy- or Marine-related death almost every episode is solved by an intrepid group of investigators, experts in their respective fields sharing a familial bond.

The seventh season of “NCIS” simultaneously debuted on August on six cable channels. In the season opener, the NCIS agents embark on a daring rescue mission after tracking down their missing teammate, special agent Ziva David (Cote de Pablo).

Based in Washington, DC and led by Jethro “Boss” Gibbs (Mark Harmon), the small but efficient NCIS Major Case Response Team is composed of Ziva David, Agent DiNozzo (Michael Weatherly), and Agent McGee (Sean Murray). Crucial to solving their cases are forensics specialist Abby Sciuto (Pauley Perrette) and chief medical examiner Ducky Mallard (David McCallum).

The friendly rapport between the characters counterbalances the discovery of grisly crimes and the revelation of sordid secrets in their subsequent unraveling.

Stories aren’t merely problem-solving scenarios; characters get to shine regularly as sides to their personalities are developed. A few cases have focused on, or are tangentially related to tragic events from Jethro Gibbs’ past. The snappy repartee and occasional bickering between DiNozzo and McGee keep things from becoming dreary.

The show recently spawned a spirited spin-off series, “NCIS: Los Angeles,” which has its own dynamic and atmosphere.

“NCIS” season 7 episodes will be shown on Oct. 7 and 8 (8:15 p.m.) and Oct. 9 (8:20 a.m.-11:20 a.m.) on Fox. “NCIS: Los Angeles” airs Tuesdays, 9:30 p.m. on Studio 23.

Marvel-DC: Vampire War!

Halloween art month! I hope to draw more monsters and masqueraders in the next few weeks. We start with some of the Big Two’s nocturnal bloodsuckers. Fang fight!

MARVEL VAMPIRES: Morbius, Lilith, Wolverine (What If), Bloodstorm, Vampire By Night, Baroness Blood, Deacon Frost, Xarus, Topher, Jubilee, Baron Blood, Dracula

Versus!

DC VAMPIRES: Batman (Elseworlds), Vincent Velcro, Looker, Gustav DeCobra, Andrew Bennett, Roderick, Screamqueen, Crucifer, Dagon, Dracula, Mad Monk, Marius Dimeter

Out of time, out of ‘Town’

Ben Affleck stars in and directs “The Town,” a crime drama-heist flick about a masked gang’s thieving activities and the resultant romance between one of them and their unwitting former hostage.

Affleck competently plays complex thug Doug MacRay, who genuinely falls for bank manager Claire Keesey (Rebecca Hall), the last person he needs to have a relationship with. His old friend and gangmate James Coughlin (Jeremy Renner) disapproves of it for obvious reasons, while a tenacious FBI agent (John Hamm) sees Claire as a key component to the capture of the daring daytime robbers terrorizing Charlestown, Boston.

While not entirely gripping, “The Town” is sturdily crafted, which comes as no surprise since Affleck previously proved himself a capable and talented director with “Gone Baby Gone.” He knows how to handle pacing; quiet character-shaping scenes are just as affecting as cacophonous ones. As simultaneous actor and director, he successfully contributes to the sulky mood, and tells the story without being overly flashy. He includes vanity shots that show off his sculpted body, but they’re brief.

As for the precarious romance angle, it’s nothing we haven’t seen before. It’s only a matter of time before the deception is discovered and the situation deteriorates. This variation is still skilfully and stably told, even when story elements and narrative routes become quite familiar.

"The Town" opens Oct. 6 in Metro Manila.

Stinging Venom

Old friend Benedict a.k.a. Benom gave me this smashing action figure. It’s Mac Gargan, former Scorpion and current Venom, back when the symbiote-clad character sported a scorpion-like stinger and red eyes. Very McFarlane-esque monster toy, but fully poseable and playable. Thanks, Dicky.