Saturday, May 14, 2011

Hudas Not Pay

Just some caps from the new Gaga video “Judas.” Interesting song, a verse kinda sounds like something from “Paparazzi,” but it’s still damn catchy. Like late-‘80s Madonna, Gaga knows how to freak out the more conservative Catholics.

The video has biker characters named Jesus and Judas, and Gaga’s a Mary Magdalene-esque figure whose loyalty is torn between the two. Not as uber-flashy as in her previous videos, the costumes and choreography are still view-worthy. Oh, and Norman Reedus from “Walking Dead” plays Judas. YouTube viewers unceasingly discuss or are scandalized by the lyrics. Interestingly, “Born This Way” continues to scandalize homophobic commenters, as well.

Speaking of Gaga costumes, a bunch of artists’ dream designs were posted on the nymag site last week. Here’s Jim Lee’s drawing. Kinda looks Witchblade-esque. He mentioned that he wanted a “contemporary superhero” feel to it. Um, sorry, but meh.

Oh, this post’s title was inspired by a high school memory. A classmate wrote “God Knows Hudas Not Pay” on the chalkboard when there was no teacher around, referring to those punny jeepney decorations. A nun, who was roaming the halls, discovered it much later. She freaked out and angrily asked the class, “Sino’ng nagsulat nito?!”

Everyone knew who wrote it; there was just one guy writing on the board, but nobody judased on him. The nun left, almost Old Testament-y furious.

Crowning achievement

Colin Firth entertains with his award-winning turn as a stammering heir to the throne in “The King’s Speech,” recalling King George VI’s long and arduous battle with a speech impediment, and his sometimes-shaky bond with his driven therapist (Geoffrey Rush).

While not as compelling and creatively crafted as its Oscar rival for best picture “The Social Network,” the Tom Hooper-directed “The King’s Speech” is solid and straightforward. This particular biopic’s focus on the fight to overcome personal barriers ingratiates, lack of narrative surprises notwithstanding. Exceptional performances by the small, brilliant cast inspire easy and rewarding viewing.

Helena Bonham-Carter manages to deliver a subdued and elegant performance as Elizabeth, the very supportive wife of the future king. The unending Tim Burton and “Harry Potter” film roles aren’t exactly her most subtle characters, but she makes us remember that she’s an incredibly versatile and gifted actress.

Firth and Rush’s characters share a fantastic rapport. Rush plays Lionel Logue, who has unrealized dreams, but he nevertheless has unyielding optimism and loyalty, a perfect foil to Firth’s struggling stutterer.

“The King’s Speech” is an Ayala Cinemas exclusive.

Sweet Nothings and Endings

Nothing much happening, just keeping up with work that’s piled up in the last couple of days. My room needs a new plastic shelf, and my Christmas tree’s still up. I’m still fighting those freaking, ever-intrusive ants. I finished watching season 2 of the original “Skins,” which was super-angsty. I actually wept, albeit quietly, for some characters. I wanna exercise more but the heat is discouraging. People’ve been complaining about the energy-sapping weather even at night, and so have I.

I watched “Priest” last night with John. Pretty simple and average. Wish it had a more creative title, though. The title’s taken; “Priest” by Antonia Bird was a controversial film back in the ‘90s. Anyway, the new film is about a vampire-hunting warrior priest who disobeys self-righteous and power-mad “holy” leaders of the Church. Interesting that Cam Gigandet and Stephen Moyer play humans here instead of vampires. The “Matrix” and “Underworld” influences on the action choreography are hard to miss.

I’ve been thinking about selling some of my action figures. They’re loose figures, but maybe I can sell them as a set. I dunno which ones yet. Looking at my toy shelf, I see some that I can part with, and some that I still have some attachment to. I look at my collection now and think of how the last decade moved quite fast for me. Anyway, it was a good hobby, it can take a toll on your wallet, but it positively diverts you.

Think I’ll watch the American version of “Skins” tonight on MTV. Oh, I’ve been enjoying the weird but funny Cartoon Network show “Adventure Time,” about the silly exploits of the boy-hero Finn and his best bud, the shape-changing dog Jake.

‘Office’ routines, romances and rivalries

(Published May 15, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Still among the better-written US sitcoms on television, “The Office” continues to explore the hilarity of workplace dynamics, but also manages to sneak in serious and heartwarming moments.

Now in its seventh season, the weekly “mockumentary” further elicits laughs through well-developed characters, romances and rivalries. The 9-to-5 grind is made extra-challenging by Michael Scott (Steve Carell), regional manager of Dunder Mifflin Paper Company, whose delusions and lack of smarts and tact often unsettle his employees.

But Michael is unquestionably driven and manages to get out of scrapes, sometimes with the help of friends. His subordinates recognize his need for attention, and often humor him just to get things moving.

There were a couple of notable changes in the previous season—the wedding of Jim (John Krasinski) and Pam (Jenna Fischer), and the birth of their child. Dunder Mifflin was bought by Sabre, a printer company headed by Jo Bennett (recurring guest star Kathy Bates). Michael had a short-lived relationship with Pam’s mother; and Andy (Ed Helms) and the new receptionist Erin (Ellie Kemper) also got together. It got complicated, however, after Erin discovers Andy’s previous engagement.

Season 7 has interesting subplots involving Dwight (Rainn Wilson), Angela (Angela Kinsey), and Ryan (BJ Novak), established characters that didn’t get much attention previously. Michael’s cool and quirky ex Holly (Amy Ryan) also returns; she’s probably the only woman who totally gets him.

Remarkably portrayed by Carell, Michael is a unique and iconic goofball. The current season is also Carrel’s last, so expect a different, but hopefully a similarly hilarious and dynamic next season, when Michael Scott’s replacement takes over.

(“The Office” airs Saturdays, 9 p.m. on JackTV.)

Saturday, May 07, 2011

Gaying Up Archie

Kevin Keller, sole gay guy of the Archie Universe, was introduced in an issue of Veronica last year and reappeared as a guest character again just recently. He’ll be appearing in his own miniseries in June, which will also introduce his family. Yup, his dad’s a general. Kevin’s pretty cool; he’s got an appetite for junk food that rivals Jughead’s and he’s become Veronica’s new cultured and thoughtful bestie. The gang's been accepting of him, as well.

‘House’ queen of awkward

(Published May 8, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Actress and poet Amber Tamblyn is best known for playing the lead character in the Emmy-nominated TV series “Joan of Arcadia,” which ran for two seasons. But Tamblyn, now 27, has since taken on other TV and film roles. She was briefly in “127 Hours” as a backpacker befriended by James Franco’s character and, more recently, med student Martha Masters in the medical drama “House.”

In a recent phone interview, Tamblyn revealed that her “House” portrayal was enjoyable not only because she does “awkward characters well,” but because she was able to base her role on a real person.

She related: “When ‘House’ creator David Shore and executive producer Katie Jacobs came to me with this character, I said, ‘Oh that sounds like my friend Meredith.’ Of course, the character is an exaggeration of Meredith in a lot of ways, but I always like to say it’s homage to her brilliance – and her beauty!”

Before her “Joan” years, Tamblyn was a child actress who debuted on the soap “General Hospital.” A decade and a half later, she observes that the entertainment industry has changed significantly.

“The industry is developing in a positive way, but it’s harder times than ever as far as the film market is concerned. You see a lot of fantastic actors who normally wouldn’t turn to television; it’s not desperation, it’s the quality of the work. Television has definitely escalated that quality. At the same time, television is also very scared to try anything new. The fascinating thing about ‘House’ is that it’s been able to maintain its unpredictability. It’s mildly terrifying, sort of the anarchist of episodic medical shows.”

Tamblyn found it “heartbreaking” that her previous series, “The Unusuals,” which co-starred Jeremy Renner, was cancelled after only 13 episodes. She considers guesting for several episodes on the established and long-running “House” a rare opportunity: “It was great to come into a place where everyone knew the character they were playing. They were still interested in what they were doing as actors. It’s a very exciting environment.”

As for artistic inspirations, she enumerates a few that have genuinely affected her. “I’m more influenced by comedic actresses, though I consider myself mostly a dramatic actress,” Tamblyn said. “Parker Posey – I did a film with her a couple of years ago. She’s one of the greatest movie actresses. Amy Poehler is really interesting. Diane Lane is really great.”

Tamblyn has been writing poetry since she was 11. “That’s something (‘House’ lead star) Hugh Laurie and I bonded over a lot, because he’s a musician and songwriter,” she said. “He gave me a copy of his new album and I gave him some new poems. It was a very giving and creative friendship.”

The actress-poet is thankful to her co-stars for the welcoming atmosphere. “When I left, Hugh threw me a surprise goodbye party. He invited everybody. I was really blown away!”

(“House” season 7 premieres May 16, 10 p.m., on AXN.)

Thursday, May 05, 2011

Antisocial Network

Fine-looking Iron Man alternate cover, inspired by the famous The Social Network poster. So fricking cool.

Mighty Avenger

The Kenneth Branagh-directed “Thor” is a competent live-action version of one of Marvel’s most popular superheroes, adapting and tweaking a more simplified origin--comic fans will notice some similarities to the “Ultimates” iteration--which makes it very accessible to those unfamiliar with the mythology.

Gone are the Donald Blake secret identity and Jane Foster from the olden days; here, the former is mentioned as a separate, absent character and ex to the latter, who’s an astrophysicist instead of a nurse. Chris Hemsworth fits the role quite impressively, while Natalie Portman’s giddy but gutsy Jane balances out the imposing braggadocio of the Norse thunder god. Anthony Hopkins’ Asgardian All-Father Odin is closer to the stern and serious deity from the comics; he exiles his son to learn humility among mortals and casts an Excalibur-ish spell on Thor’s mystic mallet Mjolnir.

Suspension of disbelief may waver from time to time, however. The two separate worlds of Asgard and Earth don’t always feel like “real” and coexistent worlds. We barely see enough of Asgardian culture to really appreciate who the Norse gods are and how they figure in the bigger picture. One early scene doesn’t depict interaction between the warrior-gods and mere mortals, and we don’t really see the cosmic ones’ involvement or influence on Earth culture later, aside from being chronicled in mythical stories. What have the Asgardians been doing between that flashback and now? And what do they do between royal festivities and other revelries?

Anyway, “Thor” is part of the larger “Avengers” tapestry, meaning the character will be appearing next in the Joss Whedon-helmed film alongside other iconic Marvel heroes Iron Man, Hulk, and Captain America, among others. One Avenger makes an exciting surprise appearance in “Thor,” and another connection to upcoming Marvel movies is revealed after the end credits. While not as entertaining as the first “Iron Man,” the thunderous “Thor” does a decent enough job of re-introducing the character to a wider audience, and further expands an intriguing shared universe.

Screaming anew

The “Scream” trilogy spawned a few imitators in the ‘90s, but none had the wit, solid characterization, or pop culture-analyzing commentaries of the successful slasher-whodunit series of movies. Over a decade later, surviving characters played by Neve Campbell, Courteney Cox, and David Arquette return in “Scream 4,” a timely--if uneven--revival of the popular horror franchise.

So it’s Sidney Prescott, now an author of a well-received autobiography, returning to Woodsboro and reconnecting with former reporter Gale Weathers and her husband Sheriff Riley. The trio survived three previous massacres together and they're now targeted by a new Ghostface, who could be any one of the many characters surrounding them.

“Scream 4,” directed by Wes Craven and written by Kevin Williamson again, is understandably a must-see for fans or completists, and the new puzzle is almost as intriguingly presented as the previous murder mysteries. But some of the characters this time are just too flat; sure, they ought to be shrouded in mystery, but some are just too dull to be taken seriously. Suspense is also a little thin, as the body count accumulation can get very monotonous. There are iffy moments when revelations are made, as well, and it doesn’t help that some scenes have been toned down/censored in the version showing in local cinemas.

Like the older “Scream” films, this fourth movie has younger actors comprising most of the cast, including Emma Roberts, Hayden Panettiere, Adam Brody, Rory Culkin, Kristen Bell, and Anna Paquin, to name a few; some are more integral to the plot than others, but the cameos are nevertheless funny. The film still satirizes, and despite its glaring flaws, it offers a clever and edgy commentary on the evolution of fame and fear in the time of immediate connectivity.

Young and Restless

Ah, Skins UK, one of my favorite shows ever! This here’s Maxxie (a talented gay dancer) and his schoolmate Tony (a manipulative, bi-curious guy who reminds me of QAF’s Brian Kinney with a more elfin Sean Faris face). I’ve only seen the first season, but man, it’s really absorbing stuff. I haven’t seen the Skins US version; MTV’s showing that in a few weeks. Hmm. I doubt it’ll be as shocking and racy, but I might watch it eventually.

Monday, April 25, 2011

Workout Thoughts

The month-long gym membership expires today. It’s been a fun few weeks; the routine I’ve gotten used to is a consistently energetic one. It’s been very helpful, especially since I changed my diet a few months ago. It’s not obvious to everyone, but I lost around 15 lbs. from October to April. I hope to become a member of a gym again soon, but I’ve yet to decide on which. I’m going to miss some of the nicer employees.

Anyway, just some random thoughts at the gym:

- Man, that guy is hogging the Abdominal Crunch machine. And he’s just texting and talking on the phone! It’s been half an hour. Pull a chair, man. Good thing there’s another machine, but it gets used a lot. About 40 minutes have passed. I’m almost tempted to tell him, “Dude, he doesn’t love you. He’s just using your body!”

- Ooh, the lady obviously likes her buff trainer. I mean, maybe you can shriek and giggle a little louder when you’re on the exercise mat and getting positioned by the guy?

- I’ll stop the exercise. I don’t wanna listen to a sappy love song. I really should create a playlist. The shuffle works when I’m drawing or working, but I can’t pace myself properly when I’m distracted by slower songs that remind me of love, unrequited or otherwise.

- I should’ve brought gloves. I’m getting calluses on my palms. Suck.

- Dude, if we body-switched (or mind-switched) for a day, I’d probably whore your sculpted body to the highest bidder. Yuck, scratch that. I’d probably just sleep around a lot with it. Wait, if I whored your body, I get to keep the money, so I guess that works.

- This locker area is crowded. Last week, I was getting stuff from my locker and my back was grazed by a hairy nipple. The guy was reaching for something, and contact was inevitable.

- Okay. That trainer’s probably bored. He’s just looking at his own reflection. And he just lifted his shirt very quickly, probably to check if his abs are still there.

- Aww, that chubby Korean girl seems to be enjoying the exercise machines now. She looked pretty sad weeks ago, and her dad, who’s been motivating her like her very own trainer, looks more relaxed and isn’t following her as much anymore.

- Oh, the handsome couple, they’re an item. They’re always inches away from each other. They’re inseparable. One goes where the other goes. That’s cute.

- Shit. I gotta work. But working out feels so good. Think I’ll stay for a few more minutes.

Villain in new ‘Hawaii Five-0’ is part-Pinoy

(Published April 25, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Prior to his star turn in “Iron Chef America,” actor-martial artist Mark Dacascos appeared as the title character in the live-action film adaptation of “Crying Freeman,” as well as the Iroquois warrior Mani in the acclaimed “Brotherhood of the Wolf.”

He considers himself lucky that, aside from diverse film roles, his TV characters are distinctly different. He previously guest-starred in “Stargate Atlantis,” “The Middleman,” and “CSI,” among others.

Now he’s cast as the villain in the modern remake of “Hawaii Five-0.”

In a recent teleconference, Dacsacos, 47, revealed that he’s especially proud of playing Wo Fat, originally played by Khigh Dheigh in the original “Hawaii Five-0” series.

“I was in New York doing a read-through for ‘Iron Chef the Musical,’” he said. “I was completely focused on singing and dancing for a Broadway show that we might do. It came out of the blue. They called my agent. I was ecstatic, to be able to go back to my birthplace and do a show that I was a big fan of!”

Dacascos, who has an eclectic mix of Filipino, Chinese, Japanese, Spanish and Irish heritages, remembers the original “Hawaii Five-O” fondly. “I used to watch it with my grandfather. Being a big fan of the original, I was a little skeptical, but I watched the (new) pilot and was blown away. They did their own take on it; the actors were fantastic.”

Interpreting the arch-foe Wo Fat, he added, was a welcome challenge. “I have to play what I feel comes out of me uniquely. I try to bring my own Wo Fat to the screen. I put the clothes on, I step onto the set, and I feel very comfortable playing him. For good or for bad, that is the truth.”

Dacascos was a martial arts instructor discovered over two decades ago while on his lunch break. He’s thankful for the multiple disciplines that have proven useful in his entertainment career. “Suffice it to say, my parents are kung fu teachers, so I’ve been training since I was four years old,” he said. “In addition to my father’s style of kung fu, I’ve done capoeira, wushu, Northern Shaolin, and I am still practicing Muay Thai.”

Dacascos is very appreciative of the variety of his characters. “I play the antagonist, sometimes the protagonist. I played a half-leopard, half-man character in ‘Island of Dr. Moreau.’ These are crazy characters, and I love that. We all have different sides. So I like tapping into the different colors and shades of who I am.”

He’s gotten used to the different demands of TV and film, and compared their dynamics. “Television shoots are much faster,” Dacascos said. “For example, when I did ‘Brotherhood of the Wolf’ years ago, we shot in 16 different locations in France for almost six months. The opening fight sequence took about 11 days to shoot. A whole TV episode takes nine to 10 days. You have to be a quick study and you have to really be on your game and know what you’re doing; I’m not saying that in a movie you don’t have to be, but we have a lot more prep time and more time to shoot.”

(“Hawaii Five-0” airs Sundays, 8:05 p.m. and 9:00 p.m., on AXN.)

Brotherly war

“Diary of a Wimpy Kid 2: Rodrick Rules” is a pretty regular sequel to the successful first adaptation, a normal enough family comedy that expounds on the escalating sibling rivalry between its titular characters. Greg’s (Zachary Gordon) dreams of becoming popular get repeatedly dashed by his mean older brother Rodrick (Devon Bostick), an aspiring rock musician.

More smoothly executed than the first movie, “Rodrick Rules” benefits from a more comfortable cast, effortlessly reprising and fitting in their roles. Steve Zahn and Rachel Harris’ participation is more memorable, and the brothers’ enmity is magnified amusingly. It does, however, get quite uncreative and unrealistic with some familial situations, but the lighter tone does make it easily digestible by younger viewers. It’s prescriptive enough, and the transmission of generic family-themed messages doesn’t feel forced.

Barely passable

“Hall Pass” is a sometimes-riotous relationship comedy that ponders the possibilities of officially sanctioned infidelity. Given permission to fool around with other women by their spouses, two best buds (Owen Wilson and Jason Sudeikis) explore singlehood again for a few days, and predictably get into all sorts of embarrassing trouble.

The Farrelly Brothers return with their signature gross humor; “Hall Pass” is especially funny during moments that involve poop jokes and similarly juvenile inanities. The relationships themselves have very few likeable qualities, but the immature guys’ wives (Jenna Fischer and Christina Applegate) figure in their own dramatic turning points as well.

But comedy-wise, it doesn’t really exploit potentially hilarious scenarios. It would have been great to see how Joy Behar’s character really makes her semi-open marriage work. Kathy Griffin briefly makes an appearance as herself but doesn’t really say anything jaw-dropping or scandalous. Missed opportunities, sadly. It gets repetitive, and the interesting concept just loses its mystique after the first few scenes of boneheaded behavior.

Friday, April 15, 2011

Born to Survive

Mutant and queer. New drawings.

Gay DC

Some of DC’s GLBT heroes and antiheroes: Comet, Starman, Tasmanian Devil, Josiah Power, Grace, Thunder, Question, Obsidian, Batwoman, Maggie Sawyer, Scandal Savage, Hero Cruz.

Uncanny X-Men ‘86

Children of the atom, feared and revered. Love this particular group of X-Men, which also included Magneto, Rachel Summers and Wolverine. Love their Morlock-inspired threads, circa February 1986.

Gay Marvel

Marvel’s gay superheroes united: Hulkling, Wiccan, Lucy In The Sky, Moondragon, Vivisector, Quasar, Northstar, Anole, Shatterstar, Ultimate Colossus, Rictor, Karma.

Getting Physical

Four hours at the gym. Tried out exercise machines trainer suggested. Observed different interesting characters. Tired but tingly.

Sunday, April 10, 2011

Zombie Zest

I want this! It’s a four-issue guide to the Walking Dead comic book universe. The first issue will be out this week.

Star-crossed breakable lovers

Like the toy characters in “Toy Story,” the garden ornaments populating “Gnomeo and Juliet” have secret lives of their own, but they’re not hoping to fulfill some purpose in their owners’ lives. Two neighboring clans are too busy squabbling with each other to concern themselves with other matters, until two of their members unexpectedly fall in love.

Inspired by Shakespeare’s “Romeo and Juliet,” the animated film “Gnomeo and Juliet” is a comedic and romantic romp, brightening up the classic tragedy with more kid-friendly variations on the characters and situations. Gnomeo, Juliet, and the feuding lawn décor families replicate scenarios from the source material, but this movie drastically changes its more depressing and pessimistic details.

Quirkily designed ceramic gnomes, plastic flamingos, and other garden fixtures have distinct textures and are animated vividly. While kids will easily understand the story, there are a few risqué jokes (one involving the frog and mushroom characters) that grownups might find funny. And while the threat to the main romance is rarely felt, this simplified and feelgood story satisfies the more escapist cartoon movie fan. It’s cute and predictable, but its consistent and inherent oddness also makes it worth seeing.

"Gnomeo and Juliet” opens April 13 in Metro Manila.

Contraptionality

Cool thing about working out on a Sunday? There aren’t a lot of people using the exercise machines. There aren’t many people at the gym, period. I discovered and used the Leg Extension, the Leg Curl and the Lat Machine. Love ‘em.

Gerry and Elmer

Congratulations to my old comic book creator friend Gerry Alanguilan, whose “Elmer” collection was recently nominated in the Eisner Awards’ Best Graphic Album category. Wow, that’s just awesome (or “wizard,” as he’d say).

Okay, this is sort of an “I knew him when” post: Gerry and I belonged to a comic book group called Creative Underground, which included members like Nick Manabat, John Toledo, Marvin Quien, Arnold Arre, Ian Orendain, Budjette Tan, and Chris Bernardo (among many others). We met up weekly back in the early ‘90s, and shared art duties on a book called “Lakan” (which never got published for various reasons). Gerry used to lend me his Frank Miller and Alan Moore-written comics; we’d spend hours just talking about our favorite stories and creators. We went to comic shops a couple of times. The group eventually became co-founders of independent comics movement Alamat, and Gerry started writing and illustrating his projects, titles like Wasted, Crest Hut Butt Shop, and Timawa. He began inking comic books for Image, Marvel, and some American indie companies soon after, and hasn’t stopped working on comic books since.

He eventually became an online komiks historian, helping me out periodically with articles that require his impressive knowledge on the subject. He graciously answers my questions even when he’s busy, so I’m really thankful for that. He’s one of the hardest-working persons I know. And yeah, he’s certainly one of the most opinionated ones, too!

So congrats, brother. Proud of you!

Saturday, April 09, 2011

Volt In

This was taken in 1979 at my grandparents’ house in Bulacan. I don’t remember the occasion, but I do remember getting bored after a while so I just played with the Voltes V toy that we brought with us. My siblings and I co-owned it; the Frigate/Little John’s vehicle was mine. Some parts eventually went missing or broke, like the laser sword and other weapons, but the main vehicles remained mostly intact and were played with by the younger kids years later.

Before The Masks

From Detective Comics 859: Kate Kane and Renee Montoya, before they became Batwoman and the Question, respectively. How sweet. Sadly, though, they had their first argument right after the kiss. They’re still among my fave comic book couples, despite their unstable relationship.

Pain, Gain

Seventh day at the gym. Discovered the difference between the Adductor and Abductor machines (one’s for the inner thighs, the other’s for the outer thighs and butt). My thighs and ass hurt so good.

Monday, April 04, 2011

He believes he can’t fly

“Rio” is colorful and polished, a slightly above-average cartoon movie despite its pretty generic characters and plot. While it sometimes feels like “Madagascar” crossed with “Happy Feet” because of its misfit protagonist, the film succeeds in presenting its own vibe. The simple but eventful adventure of the flightless macaw Blu soars just fine, although you’d sometimes wish that they did more lavish visual stuff with the parade scenes. Still, the comedy complements the cuteness, and the consistently and properly paced scenes lead to the expected but quite enjoyable moment of transformation.

"Rio” opens April 7 in Metro Manila.

Invincible Replacement

Robert Kirkman’s Invincible comic book will be undergoing a major change next year. People thought this was an April Fool’s joke because the teaser came out last Friday, but the writer talked about it in an article posted on CBR earlier. No, the main character won’t be changing races soon (it’s happened before in other comics with Psylocke, Mach I and the Punisher, I think). So will original Invincible Mark Grayson retire (temporarily), die (temporarily), or share the identity (temporarily)? Hmm. Invincible continues to be one of the best-written superhero books out today. I do hope people are checking it out.

Gym, Dandy

Sixth day of working out. Arms and upper body hurt in the first few days, but they got used to the routines. The cool thing about going to the gym is I feel stronger and more energetic after every session, and I’m still able to work for a few hours after. And sleep feels much better and fuller.

Unleashed and ‘Unmasked’

(Published April 4, PDI-Entertainment)

By Oliver M. Pulumbarit, contributor

The History Channel special “Comic Book Superheroes Unmasked” maps out the evolution of US costumed crime fighters, tackling the secrets behind their creation and their cultural impact.

The docu discusses how superheroes reflect the times. Key points in comic book history are discussed, such as the wartime birth of the archetypal characters Superman, Batman, Wonder Woman and Captain America. What started out as an escapist medium for younger readers evolved to attract the attention of even grownups. Significant changes to the genre are mentioned, including the controversial crackdown on comic books and the creation of the Comics Code Authority in the 1950s.

Filmmakers and former Marvel writers Kevin Smith and Frank Miller share their thoughts on some of the more popular heroes and vigilantes. Original “Spider-Man” and “X-Men” writer Stan Lee talks about how his characters started out and became relevant. Other knowledgeable interviewees are former “Batman” writer Denny O’Neil, erstwhile Marvel editor in chief Joe Quesada, “Sandman” author Neil Gaiman, novelist Michael Chabon and “Nick Fury” artist Jim Steranko.

“Comic Book Superheroes Unmasked” airs April 7 at 9 a.m. on History Channel.

Twenty Years Ago

Me, back when I was thin and had thick hair. Was totally digging new wave music back then.

Memories.

Alien Divas

Katy Perry looks like an amalgamation of Star Wars characters in her new “ET” video. Sweet. It’s cool that some of these new pop videos have been pushing the envelope in terms of costume design and overall visuals. They get trippier and trippier. I guess we have the success of Mother Monster to thank for that.

Pencillarium

Old pencil drawings on 11” X 17” vellum cartolina, drawn from 1999-2000.

Ginger Snapps

King Skarabbia

Marleina XXV

The Victorious Bull

This appeared in David Hontiveros’ Pantheon # 5.

‘The Middle’: Funny as Heck

(Published March 27, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

The sitcom “The Middle” paints a pretty accurate portrait of motherhood, astutely depicting the joys and pains of a generous parent addressing her children’s never-ending needs. Facing head-on the challenges of properly raising disparate kids and making a living, Frankie Heck (Patricia Heaton) also learns valuable truths about family life stemming from unavoidable but funny missteps.

She’s a car saleswoman who rarely sells anything, sometimes sneaking out office supplies for her kids’ projects, or using cars she test-drives with prospective buyers to pick up her youngest child from school. Frankie has a supportive husband, Mike (Neil Flynn), but their kids find it easier to bother her with their emergencies.

Living in a quiet Indiana town described as the “middle” area flown over by airplanes between two popular destinations, the Hecks are a regular family with typical problems. But no two Heck kids are alike: Axl (Charlie McDermott), 16, is a sarcastic, sluggish jock; Sue (Eden Sher), 13, is awkward and devoid of recognizable talents; Brick (Atticus Shaffer), 9, is a bookworm with weird habits.

Viewers with siblings can certainly identify with the situations. In Frankie’s ongoing quest to understand and teach her kids about survival in the real world, she ultimately discovers redeeming sides to them that she doesn’t often see. Whether it’s Axl’s sensitivity, Sue’s unrelenting spirit, or Brick’s confidence in public speaking, Frankie and Mike feel that their oft-diplomatic parenting approach must be doing something right.

Heaton is especially effective as this TV mom, easily more delightful than her previous “Everybody Loves Raymond” role and enjoying a precious rapport with the three scene-stealing young actors and Flynn.

Chris Kattan is considerably toned-down as her wimpy co-worker, but still contributes sufficiently. Guest star Brooke Shields is memorably outrageous as the trashy mother of four bullies in one episode.

“The Middle” airs Tuesdays, 8 p.m., on JackTV.

Thursday, March 24, 2011

Strapped Cuteness

This “Hangover”-inspired shirt is so darn cute. Saw an ad of it in a comic I bought.

Other designs from movies, TV shows, and pop music can be found in the 80stees site.

Schlock ‘Sucker’

Let’s get this out of the way: Zack Snyder is incredibly talented. “Dawn of the Dead,” “300,” “Watchmen,” “Legend of the Guardians”—the director is no stranger to sweeping epics and action-packed sagas. He’s very visual; he’s able to make painterly live-action or animated translations of beloved stories.

“Sucker Punch” is Snyder’s big, busty babe-fest, a bullet-riddled action flick with mostly unfazed heroines trouncing hordes of bad guys. But all the action happens in one young woman’s head. Babydoll (Emily Browning) is an imprisoned orphan who wishes to escape a heavily guarded asylum that doubles as a prestigious brothel. She meets potential comrades, prisoners forced to entertain for years, as well as their detestable jailer Blue (Oscar Isaac). In her fantastic visions, she gathers clues integral to her and her prisoner/patient friends’ escape. These video game-y monster-slaying scenarios happen while she does her supposedly sultry and mindblowing dance to Bjork’s “Army of Me.”

It starts intriguingly, and quite powerfully. Browning’s version of the Eurythmics’ “Sweet Dreams” hauntingly accompanies the protagonist’s dark and distressing introduction. A shift in realities is hinted at, and Babydoll finds herself part of a production where the girls are trained to perform for a variety of clients.

Babydoll’s initial trip to her personal Matrix is quirky; however, the grandiose quality of the fantasy fights dissipates after a while. The sequences unleash a barrage of bombastic imagery: Giant samurais with gatling guns! An ax-wielding Vanessa Hudgens! A really pissed dragon! An unending supply of ammunition! Slow-mo’d action poses!

But disappointingly, the film is nowhere as solid as Snyder’s previous works. It’s got some attractive scenes, fanboyishness gone nuts, for sure. There’s nothing wrong with that, but the story itself is problematic. The fortune cookie wisdom grates; sometimes it belabors the obvious, and other times it’s just silly. Its girl power attitude fizzles eventually, and the element of defiance just considerably weakens. Whatever philosophical self-help messages it’s trying to send, they ultimately end up as trite and flimsy clichés. It’s not even mindless fun—it’s just empty, joyless schlock.

‘30’ still rocks

(Published March 21, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Still clever and witty, the weekly sitcom “30 Rock” unapologetically satirizes the eccentricities of American show biz. Former “Saturday Night Live (SNL)” writer and performer Tina Fey’s brainchild regularly peeks into the otherworldly, but still has very accessible behind-the-scenes debacles.

Fey is still brilliant as self-deprecating but motherly Liz Lemon, head writer of a sketch comedy series and often the butt of immature jokes. The rapport between Liz and her network executive friend Jack (Alec Baldwin) is still being explored properly, their close platonic friendship is a likeable paradox that creates inspired comedic situations.

“30 Rock’s” potential gets further realized with every season. Its characters get themselves repeatedly involved in fiascos during the creative process. A specific theme translates riotously throughout every episode, but some things remain constant: Liz has to balance her personal time with her work duties, but she often experiences the blurring of both. She sees to the needs of her spoiled stars, Tracy (Tracy Morgan) and Jenna (Jane Krakowski), both prone to making bad career moves.

The previous season was characteristically star-studded. There were appearances by “Mad Men’s” Jon Hamm (Liz’s dumb ex-boyfriend), Matt Damon (Liz’s pilot boyfriend) and James Franco (who played himself, but obsessed with a “body pillow”). The involvement of those guests enhanced the hilarity; Julianne Moore appeared as one of Jack’s girlfriends in a subplot that wasn’t as funny as the show’s other relationship arcs, but it was still quite watchable.

Its current season has the memorable live episode guest-starring “Seinfeld” actress Julia Louis-Dreyfus, who also plays Liz Lemon—in flashbacks! Fey’s “SNL” friends Bill Hader, Chris Parnell, and Rachel Dratch (who appeared as multiple characters in Season 1) also appear in the unique and tightly presented episode.

“30 Rock” airs Saturdays, 8:30 p.m. on JackTV.

Saturday, March 19, 2011

Makes You Wonder

So this is the new TV version of Wonder Woman. Hmm. The costume looks like a compromise between the classic uniform and the most recent design. Adrianne Palicki will star in the NBC show written and executive produced by David E. Kelley. The character is being reimagined as “a successful corporate executive.” So there will probably be lawyerly moments. Anyway, a writer from the afterelton site said she looks like “a Kardashian on Halloween.” Heheh.

‘Mars’ needs watching

“Mars Needs Moms” doesn’t look like the traditional Disney CGI extravaganza, and will remind you a little of “Polar Express” and “Christmas Carol” because of its motion-capture artistry. It doesn’t have the freaky, glazed look of those two films, however; most of its characters look cartoonier and seem to fit alongside more “unreal” beings and settings. But if the animation isn’t your cup of tea, you’ll probably be drawn to the simple but heartfelt story, anyway.

Good earthling mothers are being abducted by Martians, who need their parenting skills to raise hatchlings. Martian society has an extreme gender division; the females comprise the military force while the males are sent away, surviving as primitive scavengers outside the technologically advanced hub. The female Martians kidnap earthling mothers who can discipline their brood. But a human boy, Milo (motion-acted by Seth Green and voiced by Seth Dusky) stows away on a Martian ship to free his captured mom (Joan Cusack).

Except for some overacted movements in one quick scene (the bratty girl throwing her ice cream cones), the motion-capture tech and the actors impressively do their job. It’s a painstaking process, as shown during the end credits. You’ll also notice that the sleek alien headquarters and technology are “Star Wars”-worthy, but if you know what production designer Doug Chiang did before this, then it shouldn’t be surprising.

Its messages of motherly love and sacrifice are transmitted rather creatively. The characters are generic but mostly easy to like, except for Gribble (Dan Fogler), who was really annoying when he was introduced. But you’ll get him and root for him after you hear his sob story.

“Mars Needs Moms” needs more people in the cinemas. The moving parent-child relationship is easy to relate to, and gender role and familial issues are quite amusingly tackled.

Tuesday, March 15, 2011

Dani Moonstar, No Mirage

Former mutant and current member of the New Mutants squad, Danielle Moonstar has always shown exceptional leadership abilities and strength of will, even back in the character’s early appearances. She reminds me of the mid-80s version of Storm, but minus the inner conflict and repetitive agonizing. Like Storm, though, Dani lost her powers. That didn’t stop Storm from leading the X-Men, and similarly, that doesn’t keep Dani from being an integral member of her team.

She’s quick-thinking and is still an excellent combatant without her illusion-casting gift. She did gain new powers through the Asgardian goddess Hela during the Utopia arc, beating up proud Ares on live TV with them, but they faded not long after.

This page above is from New Mutants 20, released a few months ago. She was imprisoned in Limbo and was held captive by the mutant Inferno babies, all grown up and nasty. Tortured and her arm broken, she later escapes, and uses an enemy’s weapons against her captor.

“Look at me,” she calmly says to her torturer, who’s rushing to the busted cell.

“Good girl.”

“SHUNK!”

She kicks ass. No doubt about it.

Boorish, bang-up ‘Guy’

(Published March 16, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Still irreverent after all these years, “Family Guy” airs on two cable channels, making it hard to miss boneheaded fat guy Peter Griffin and his dysfunctional family. No, they’re not the Simpsons. Sure, Peter is a dumb and embarrassing father like Homer. He and his attractive wife have three kids—but the similarities end there.

On its ninth season, “Family Guy” still resorts to lewd, crude humor whenever it can. In this less realistic world, pet dogs can talk and act like humans, and a baby behaves and schemes like a grownup.

Peter Griffin is an unlikeable and insensitive fellow, but he does figure in some of the most hilarious and nonsensical exploits. While Peter’s got the lowbrow factor covered, his baby Stewie (who speaks like an adult English villain) gets into the more unpredictable situations, dressing in drag in some episodes and taking on different roles (a child actor, an agent, a teenager, etc.) in others.

The family dog, Brian, has a crush on Peter’s wife Lois, and is an aspiring author. Brian and Stewie’s adventures bring them to the most unexpected places, including caricatured versions of the Star Wars galaxy, the North Pole, and even alternate realities rendered in different art styles. Show creator Seth MacFarlane impressively voices Brian, Peter, and Stewie, characters that sound nothing alike.

“Family Guy” usually has a couple of visual punch lines every episode via the “cutaway gags,” just random scenes from satirized TV shows or memories brought up by characters. It often pokes fun at pop culture and celebrities: The Jetsons, the Smurfs, Britney Spears, Uma Thurman, Christina Aguilera, and Will Ferrell, among many others.

Sometimes the humor is hit-and-miss. But the show has proven that it can be brilliant, outrageous, and is not for the easily offended.

“Family Guy” airs Mondays, 7:30 p.m. on Jack TV; and Fridays, 6:40 p.m. and 11:40 p.m., on Fox.

‘24’: The clock stops

(Published March 16, PDI-Entertainement)

By Oliver M. Pulumbarit

Contributor

A few seasons were marked by rehashed ideas and diminished by waning subplots, but the groundbreaking action series “24” has kept quick-thinking Jack Bauer on his toes.

The quintessential terrorist-hunting agent, always racing against time, has gone through countless traumas, recovered and continues to pay the price for saving America from horrific threats.

The series’ eighth and final season recreates the suspense of the better-written seasons. Jack (Kiefer Sutherland), now a grandfather, hesitates rejoining CTU (Counter-Terrorist Unit) in New York when a trusted ally from the revived agency suspects something amiss. Jack investigates and discovers a plot that threatens President Allison Taylor’s (Cherry Jones) peace treaty signing.

As with the previous season, President Taylor is faced with difficult choices, but she succumbs to temptation, covering up unsavory details to preserve the peace talks. Jack switches from legit agent to rogue operative, targeting armed goons, a new CTU mole, and a returning villain.

Season 8 has a number of tough female characters. Aside from the beleaguered president, acerbic tech-nerd Chloe O’Brian (Mary Lynn Rajskub) and troubled ex-FBI agent Renee Walker (Annie Wersching) also return. New CTU agent Dana Walsh (Katee Sackhoff from “Battlestar Galactica”) has a complicated past, while Dalia Hassan (Necar Zadegan) is the widow of a martyred leader, forced into the fray like some real-life female politicians.

“24” airs weekdays, 12 noon, on JackTV.

Friday, March 11, 2011

Bright Brigades

Solar-powered strength, mystic mallets, alien power rings. My new drawings.

The Supers

Men, women and dog of steel: Mon-El, Superwoman, Steel, Super-Soldier, Kingdom Come Superman, Superman, Superboy, Krypto, Strange Visitor, Power Girl, Superman 1,000,000, Supergirl.

Thor Corps

Thunder gods and demigods! Ultimate Thor, Thorion, Magni, Thunderstrike (Kevin Masterson), Dargo, Storm, Thor, Beta Ray Bill, Thunderstrike (Eric Masterson), Throg, Thor Girl, Asgardian.

Lantern Parade

Color Corps! Team Huey! Sinestro, Deadman, Green Lantern, Atrocitus, Saint Walker, Indigo, Black Hand, Star Sapphire and Larfleeze.

Paler shade of ‘Red’

The reimagining of an old and popular fairy tale, “Red Riding Hood” is an odd romance-monster whodunit that will probably appeal to the younger “Twilight” movie-loving set. Valerie (Amanda Seyfried) isn’t a little girl, but a pretty young woman torn between two smoldering young men (Shiloh Fernandez and Max Irons).

The love triangle is further complicated by the idea that one of the suitors may well be the werewolf terrorizing the village. A monster-hunter (Gary Oldman) arrives and begins ferreting out suspicious characters, which doesn’t stop the creature from rampaging again.

The mystery of the werewolf’s identity does keep the audience guessing. From the town weirdo to Valerie’s grandmother (Julie Christie), almost everyone is a suspect. There are red herrings aplenty, and the clues are placed quite strategically, so the revelation actually makes sense.

But like the artificial love connections in the story, the puzzle itself doesn’t keep you emotionally invested. There aren’t truly likeable persons in the menaced town, Red Riding Hood included. The stylish storytelling, characterized by showy visuals and blaring music, hardly leaves room for mood and suspense.

Relics Redux

King Gilgamesh

Something from April of 2000. Pencil drawing on 11”X17” vellum.

Batch 72

The superpowered band Batch 72, characters created by Budjette Tan and Arnold Arre, spotted at the Justice Corps movie preview. Drew this almost eight years ago--October 5, 2003, the numbers on Brownout’s shirt.

Sunday, March 06, 2011

Creation, Elucidation

In December of 2009, an anonymous commenter posted on my blog, reacting to my drawings:

“The drawings are not bad. But I think u should stick to being a critic and writer. Not everyone has it takes to do everything.”

My response was, “Thank you for preferring one skill set over the other. :) But I’ve been drawing long before I ever wrote anything coherent, so I don’t think I’ll be stopping any time soon.”

Referring to his or her final sentence, I added: “That’s probably true, but that shouldn’t stop us from doing things that make us happy, or things that help us express ourselves more.”

The person later said he (or she) “was just teasing.” It’s been a long time, and I just saw those comments again. I’d just like to talk about the topic for a second.

I do consider myself lucky that I can both write and draw. I developed my illustrating ability years before I began writing professionally. I’d say these were the results of being exposed to comic books, Pinoy and foreign, and to different forms of media available to me as I was growing up. Like any person with similar talents, I knew that I had the aptitude for them back in school, and teachers and peers saw my potential. I was mostly self-taught before I went to college, and considered comic books as my main source of artistic inspiration, although I remember doing pencil portraits of Debbie Gibson, Terence Trent D’Arby, and ALF. The X-Men were my heroes, and I drew them quite often. Here’s something I did when I was 14, scanned off a friend’s notebook.

By college, I mostly learned art techniques from friends and classmates, more than from teachers. I was exposed to more styles and forms, but was still looking at comic books for inspiration. We were prepped for ad agency jobs, but after graduating, I took time off from job-hunting and decided to draw more, getting involved in indie comic projects. One that did get published was a collaboration with writer David Hontiveros, which later became a National Book Awards finalist.

Finding good-paying illustrating jobs was difficult back then; I remember drawing Bible comics for an educational mag and cringing at the results. But Marvel comic book artist Whilce Portacio trained me eventually. It was a big deal because he taught me for free, in his Quezon City studio. He had an art school at Megamall but he had other people teaching. We focused on penciling techniques and anatomy in a span of a few months, but he had to leave for the US so the training abruptly ended. I’d continue drawing, and even joined some art contests. Below is one such entry, “Audacity.” (© Comic Quest-OLS)

Again, getting drawing assignments I was comfy with was tough during that period. But my first official writing gig came about a year later. It was a comic strip that I also drew for a music magazine. That led to writing comic book reviews for another publication. With only a few articles published, I felt the desire to keep doing it. I embraced the career shift. I submitted articles to an entertainment section of a daily. The editor wanted me to write regularly. That was a life-saver. It led to some copywriting opportunities. I became a regular contributing writer during this period, reviewing movies and interviewing celebrities for that section. I would later write for the lifestyle section too.

One thing that has remained constant through all of this is learning. Life before the paper was like I was in limbo; during the times I felt directionless, I’d watch movies at a nearby mall, and be there for the first screenings on opening day. I’d keep buying and reading comic books at Book Sale branches, and read art, celebrity and mythology books and all sorts of magazines at bookstores for hours as if they were libraries. Subscribing to a monthly comic book catalog for years helped me. I didn’t read the 300-plus page tome from cover to cover, but I did absorb the rules of grammar and different styles of ad copy. I watched cable shows from dusk till dawn (which got me scolded one time; but Dad would later be proud of me for doing just that and talking about TV shows through my articles). I became thankful to the few good English teachers back in high school whose basic lessons I was able to remember many, many years later.

I’d say that those two things—writing and drawing—continue to help me communicate my thoughts, my ideas, apart from helping me pay for things I need. I feel embarrassed whenever I see anything I wrote back in the ‘90s, and there are artworks that just make me groan. Still, there are old stuff I’m proud of, like the very first movie review I wrote, a report I did for a sibling in college. There are a few drawings that make me smile, too.

Anyway, learning doesn’t really stop; I still learn new things that I’m consciously applying to my craft. I’m glad that I’m able to express myself through these ways. No one’s stopping me from doing them. But I do know my limitations, which is why I only sing in karaoke booths, or when nobody’s around.

Creative scavenger hunts

(Published March 7, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

The quirky and campy fantasy-sci-fi show “Warehouse 13” ponders: What objects are too dangerous in the hands of regular folk, and what should be done with these potential weapons? A secret American government agency retrieves them, then neutralizes or contains them in a hidden storage facility called Warehouse 13, the latest in a line of buildings equipped to handle such exotic artifacts.

Two Secret Service agents are partnered for the retrieval missions: Myka Bering (Joanne Kelly) and Pete Lattimer (Eddie McClintock) used to protect the president, and despite the workplace friction between them, they’re soon recruited by the mysterious Mrs. Frederic (C.C.H. Pounder). Myka is organized and thorough, while Pete is more instinctive and spontaneous. He has a “sixth sense,” too, very useful and quite accurate in pinpointing trouble.

An “X-Files”-ish vibe does help add some familiarity and accessibility to the show, but this lighter, much simpler series has learned much not only from that groundbreaking program, but from shows belonging to other genres. The sexual tension between the partners, the procedural structure of the episodes, the comedic touches, the potentially limitless mythology—“Warehouse 13” competently fuses seemingly unconnected storytelling elements without becoming watered-down or turning into a confused mixture of different things.

The love-hate dynamic between Myka and Pete is likeable for its rom-com cuteness, but their interactions with other team members are just as important. Scene-stealing supporting characters are played by similarly talented actors; Artie Nielsen (Saul Rubinek) is their busy egghead boss, while Claudia Donovan (Allison Scagliotti) is the resident smart aleck and tech-mistress.

While the science surrounding the rampaging objects can be vague, some explanations actually make sense; sometimes, one won’t mind the hokey details too much. Inventively tying most of the featured gadgets and items to historical figures also enhances stories. Some of the more dangerous relics that the agents had to deal with include Lewis Carroll’s dimension-bridging mirror, and Edgar Allan Poe’s reality-disrupting pen and notebook.

“Warehouse 13” airs Mondays, 8 p.m., on Fox.