Love Machinery, Seventeen

Joss Whedon's future Slayer Melaka Fray, inheritor of the magical Scythe, which appeared in her early 2000s comic before its TV debut (Buffy the Vampire Slayer season seven). She reappeared in the Buffy Season Eight comic book.

The Punisher Armory by Eliot Brown. Cover by Michael Golden. Wish I got more of this when it came out. I have two issues. Really cool weapons and equipment handbook.

Man of Steel, now showing.
"I have no super-bastard in this one."

X-Men versus X-Men, Inferno edition. Also, Storm's team, influenced by the Goblin Queen, kills the Marauders. But I think they knew that they were clones, or clonable, at this point.

2008 annual this time. Found this at Book Sale earlier this week. Huge hologram photo cover.

Mandarin Spawn! Like other McFarlane figures, it's ultra-detailed, has limited poseability, and you know next to nothing about the character. But you just gotta have it. Bought this in 2005.

Walt Simonson issue. Thor can't transform into Donald Blake anymore, so he asks Nick Fury to create a civilian guise. Fury gives him glasses to complete his new secret identity. Thor bumps into a reporter named Clark moments later.

Uberfan

Young uberfan, circa 1977. I had an Avengers shirt too, about a year later.

College Try

From 1993. Part of my old comic book illustration thesis. This is about half of a quintiple gatefold cover, originally drawn on several illustration boards. The comic book was called "Dark Utopia." 

Immersion Obsession

Just stuff that’s been happening.

June 4. Game of Thrones' penultimate episode. No spoilers. Just... my god.

June 4. Hay, CBCP. Gay people don't need "interventions" for accepting their sexuality. Jeez.

June 4. I hope they cast Ben Whishaw (from Skyfall and Cloud Atlas) as the 12th Doctor.

June 4. But if the next Doctor's body is female, let the character be played by Kaya Scodelario, quirky, crazy Effy from Skins.

June 5. Just found out that Teen Wolf's Tyler Hoechlin was the kid from Road to Perdition.

June 6. Man of Steel next week.

June 8. Every time I see GoT's Daario, I'm reminded of the shows Hercules and Xena.

June 8. My nephew in the US recently got a Best in English medal, the only person from the batch of seventh graders to be given such an award. It's his second language; he spoke mostly in Filipino before moving to the States years ago.

June 9. Bought a bottle of Zest-O Slice juice, "grapple" flavor. Yeah, sounds like a wrestling move, but they mashed "grape" and "apple" together. Anyway, it tastes good.

June 11. Been getting requests to like FB pages. To my contacts, don't feel slighted if I don't like them immediately, or at all. Either I haven't seen them or I'm not interested at this time. Thank you!

June 11. Been years since the last Astro City miniseries. Must get the new issue!

June 12. Watched Man of Steel last night. Enjoyed it a lot, despite a few gripes. Must watch it again!

Past, Tense

Man, was I tense and excited. I was one of the finalists in Filbar's character design contest in 1991, held at Camp Crame. Whilce Portacio, artist of Uncanny X-Men during the time, was the special guest and one of the judges. He became my teacher eight years later, from late '99 to summer 2000. 

Lonely planet, predictable parenting

“After Earth” brings back the father-son tandem of Will and Jaden Smith, now playing problematic and marooned fighters in the M. Night Shyamalan-directed scifi-adventure flick. Such a collaboration between them seems promising; it’s the Smiths’ movie years after “The Pursuit of Happyness” and Shyamalan’s got some respectable films under his belt (let’s not talk about “Airbender,” now).

                                                             

It’s actually a very simple parent-child bonding movie, well-acted by both Smiths, undoubtedly, but there isn’t much to see and enjoy aside from that. In the far future, their characters are trained to destroy savage alien beasts that can literally smell humans that fear them. The older Smith plays Cypher Raige, a much-revered warrior that can calm himself, “ghost” past the aliens and destroy them, while the teen Smith plays his guilt-ridden son Kitai. Both are stranded on an abandoned planet, the now-unrecognizable Earth, after their ship's crash-landing.

“After Earth” is predictable and slowly paced. Will Smith’s original story is written for the screen by Shyamalan and two others. It’s mostly about an initially dysfunctional bond between the two family members, a problem that will undoubtedly be resolved once the characters learn new things and accept change. We see both Cypher and Kitai go through the motions, but it’s the latter who gets more action scenes, and more opportunities to tangle with hostile CGI creatures.

The Smiths’ bond is genuine, however, so there’s no trouble with convincing the audience about their emotional states. The science is a bit interesting—the changed atmosphere and fauna of the forgotten Earth, and the sensory configuration of the aliens are among the parts that should’ve been explored more, for a more complex and sturdy backstory. Also, the father-son characters become dull after some time, leaving us indifferent to their familial issues and anticipated transformations.

Simbahan

Forgot about this. Village church from 1996. This was one of two churches that a batchmate asked me to draw. 

‘Teen Wolf’ star mum about likely bromance in season 3

(Published June 7, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

“I’ve always been a  fan of [the horror] genre,” said actor Tyler Hoechlin (heck-lin), who plays “alpha” werewolf Derek Hale in the monster drama series “Teen Wolf,” during a teleconference with Asian publications.

A former child actor, Hoechlin played Tom Hanks’ son in the 2002 film “Road to Perdition.” He had a recurring role in “7th Heaven,” and a part in the 2011 comedy “Hall Pass.” Now 25, Hoechlin is playing his “Teen Wolf” character for the third year. Tough bruiser Derek is the reluctant mentor to the main character, a.k.a. Scott, played by Tyler Posey.

“I think that everything you put together— a good storyline, good characters, something you can relate to—is always fun,” Hoechlin said, referring to monster flicks and TV shows. “Teen Wolf’s” third season, he added, would feature more new characters that viewers could connect with.

“We have more villains than we’ve had in the past, leading to a lot more action, a lot more deception,” he revealed. “There’s going to be a lot of guessing who is who and who’s on whose side. I think, it will be fun for the audience to watch, to get to know [them]. I believe people will kind of attach themselves to the characters very quickly!”

Some fans of the show have been vocal about their support for Derek and another male character, Stiles, the goofy sidekick played by Dylan O’Brien. There is online speculation about where their oft-tense, uneasy friendship is headed. But Hoechlin is mum about the characters’ sexuality and a possible gay relationship.

“Since the first season, there’s been a positive response to the scenes that involve Derek and Stiles,” he said. “For me, it’s always been a very fun part of the show because those are the two characters on the show that are just so polar opposites of each other. I think it’s an [important] element of the show and we’re not getting rid of it at this point.”

But he hinted that Derek might still figure in a romance angle. “I think there could [be romance for Derek]. I can’t say too much,” he said, laughing.

Hoechlin’s werewolf makeup usually takes about two and a half hours to apply. Sometimes, it can be done in two, “if it’s a really good day.” He admires the effects department’s “phenomenal” job: “It’s a really cool thing to have prosthetics and makeup that you can actually see, touch and feel on set, as opposed to those that are just added afterwards, on the computer. It definitely helps me on the set… you feel very free to do things that, otherwise, you may feel a little bit awkward doing!”

The show, developed by Jeff Davis, was loosely based on the “Teen Wolf” movie that starred Michael J. Fox in 1985. The hit series previously had 12 episodes per season, but the current season has been expanded to 24 episodes.

Hoechlin is thrilled about the expansion and the addition of new actors: “They are all a blast to work with, really great people. We’ve been insanely lucky on the show to have good people to work with every time we bring out new characters. I think it will be an exciting season!”

(“Teen Wolf” airs Fridays, 9:20 p.m. on beTV, starting tonight.)

Scott and Emma Against the World

Or, No More Avengers. Friend wanted Scott and Emma kissing on a Wolverine cover.

Hanging and over

The Wolfpack’s back, but there are few rip-roaring moments in “The Hangover Part III,” final part of a successful series of comedies starring Zach Galifianakis, Bradley Cooper, Ed Helms and Justin Bartha.

Exhibiting erratic behavior, the man-child Alan (Galifianakis) has gone off his meds, unaware of the damage he’s been causing. An intervention is staged by his loyal pals Phil, Stu, and Doug (Cooper, Helms, and Bartha). But en route to a treatment center, the old friends are stopped by the mob boss Marshall (John Goodman), who tasks them with finding the troublemaker Chow (Ken Jeong) and his stash of gold bars. Doug is taken hostage, so the trio scrambles to find the erstwhile drug dealer and ex-con.

This third and final part slightly deviates from the formula while retaining some familiar elements. Phil, Stu and Alan go on a series of misadventures, not to find out what happened to them the previous night, which was already rehashed in the second installment, but they still do crazy stuff before getting Doug back. The surprises this time aren’t as interesting because they ditched the amnesiacs’ “mystery” (although not entirely—do stay for the extra end-credits scene).

It meanders and drags, making it a “regular” heist-comedy and is less about the gang’s substance-influenced outrageous behavior and their results. “The Hangover Part III” could’ve been so much more—Melissa McCarthy is a welcome addition of sorts—but it just isn’t the hazy and consistently gut-busting “Hangover” we remember anymore.

Old New Mutants

Magik. Illyana Rasputin, circa 1984. Just felt like sketching her.

                   

Cypher and Warlock. Doug Ramsey, master of languages, and Warlock the misfit Technarch. Love the old New Mutants.

Love Machinery, Sixteen

Got this GoT season one DVD set last week. Thanks, HBO Asia and Virtusio.

Uncanny Avengers.
"Wasp, not now."
"C'mon, Alex. I don't care about your thing with Lorna. I just want you to like me. And maybe, my mutant fashion line."

Spidey and Deadpool fights and/or team-ups should happen more often.

The only Who's Who issues I own, bought in the '90s. Wish DC would release compilations. It's irrelevant now that DC has a new, revamped universe, but I'd still enjoy reading and looking at them.

DC Vs. Marvel II!
"For DC! Stand fast, warrior-sister Angela!"
"Oh God, this can't be happening. Weren't we Image Comics antiheroes?"

Six of my favorite universes.

Mettle Metamorphosis

Thoughts, compiled.

May 23. I just suddenly missed those fancy Multiply picture frames.

May 23. May bagong Avengers cartoon pala. Di ko pa napapanood yung season two nung huling Avengers series.

May 23. Algebra. Flunked it once and attended a remedial class. Looking at an equation now, it's still like an alien language, a code I can't decipher. I don't remember how I passed, but I think some classmates helped out.

May 25. Dalawang oras na madilim, pero ayaw pa umulan.

May 27. Caught two episodes of Nat Geo's The '80s. Interesting how Madonna started out, and knew even then how to provocatively present herself. Also found the US' "cola wars" intriguing. I wonder how New Coke tasted.

May 27. I hope that the kids of those who were mean to me in school become really good persons and never behave like their idiot fathers.

May 29. After I complained to the SM Foodcourt page about their nightly practice of turning off lights while people are still eating, I got a call from a lady named Grace, an operations officer. She apologized for the inconvenience. She said that those in charge of turning off lights have been reminded to check if there are still customers eating in the area.

May 29. I'm turning 40 in a few months. I don't feel anxious about aging now, unlike when I was about to turn 30. Although I feel like I should be more aware of what I eat, now more than ever.

‘Bates Motel’ an intriguing prequel series to ‘Psycho’

(Published May 31, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

                      

It’s not the “Psycho” you remember. “Bates Motel” is a disturbing prequel series expounding on horror/slasher icon Norman Bates, reimagining characters immortalized by the Alfred Hitchcock movie.

“Bates Motel” features a much younger Norman years before the grisly events depicted in Robert Bloch’s novel and Hitchcock’s 1960 film adaptation. Played by “Charlie and the Chocolate Factory’s” Freddie Highmore, Norman here is a bright but strange teen whose emerging dark side is gradually explored.

Developed by writers Carlton Cuse (“Lost”), Kerry Ehrin (“Friday Night Lights”) and Anthony Cipriano (“The Journey of Allen Strange”), the series introduces figures influential to—or unwittingly instrumental in—Norman’s villainous transformation.

Versatile actress Vera Farmiga plays Norma, mother of the disturbed Norman. In the first episode, Norma and Norman Bates move to a seemingly idyllic town in Oregon after her husband’s sudden death. Norma is the new owner of a decades-old inn; she hopes the new venture will help them start over.

Renaming the inn Bates Motel, she and Norman are set on refurbishing its aging rooms and starting operations. But they soon discover that not all the town’s residents are welcoming, and that it has its share of horrifying and sordid secrets.

Former child actor Highmore is incredibly talented, able to provide menacing sides to the initially sweet and wholesome Norman. He pulls off portraying a shy and smothered young man, charmingly disarming one minute and chillingly devoid of humanity the next.

Farmiga is perfect as the hyperactive, overprotective Norma. She played beleaguered moms to terror tots in the thrillers “Joshua” and “Orphan.” But as Norma Bates, Farmiga coruscates with wildness and wit, the character’s overwhelming personality a crucial factor in shaping teen Norman’s future savagery.

The contemporary setting is still accessible to those with a previous familiarity with “Psycho,” but the present-day reset keeps it attractive to viewers who aren’t necessarily into the seminal book or classic movie. There’s also a visual balance; the presence of smartphones and other modern technology is offset by older architecture, car designs, and Norman’s retro-looking clothes.

Characters like Norman’s tough half-brother Dylan (Max Thieriot) and the intrepid classmate Emma (Olivia Cooke) keep things fresh, adding some unpredictable variables to the equation.

“Bates Motel” is off to a promising start, solid and dark enough to appeal to fans of “Dexter” and “Hannibal.” The young psychopath’s morbid evolution unsettles and intrigues, and the inescapable episodic shattering of his fragile mind offers an oddly fascinating sojourn.

(“Bates Motel” airs Wednesdays, 10:50 p.m. on Universal.)

Creation Sensation

Status updates and random thoughts, as usual.

May 17. Saw new Iron Man Marvel Legends figures. Nice-looking stuff, especially the Classic armor with two masks, and the armor that debuted in 1989.

May 17. I've always liked the bombardment of details and designs in the works of great artists such as George Perez, Gene Ha, Art Adams, Geof Darrow, Phil Jimenez, and many others. Composition and clarity are always important, sure, but the extra effort is easily apparent to--and very much appreciated by--those who are into that kind of contained chaos.

May 17. Aloha Burger. Tastes like Tropical Hut's Hawaiian Glee, but with bacon bits. Which is okay. Thanks, Benedict.

May 20. Weirded out, but ultimately elated to see the definition of some muscles below the collar bone. Discovered them thanks to odd lighting.

May 22. Super-late to the party, but finally watched season one of Sherlock. Managed to keep myself spoiler-free, and was pleasantly surprised that it's a modern/contemporary interpretation.

May 22. So. Star Trek. Simple but spectacular. Great that it still has a connection to the old continuity.

Avengers Vs. X-Men Cover

Commissioned by a friend. Nice to draw on a blank variant cover again. And to do a fight scene, for a change. 

Life of the party

Baz Luhrmann sure knows how to throw a party, and deal with the resulting hangovers. In the lavish adaptation of “The Great Gatsby,” the filmmaker’s panache for grandiose and showy sensory spectacles still dazzles, although it does get uneven from time to time.

                              

The second collaboration between Luhrmann and Leonardo DiCaprio (they worked with each other, 17 years ago, on “Romeo + Juliet”), “The Great Gatsby’s” strengths are its actors and the director’s mastery of music-visual melding. It’s dazzling and dazing, but between its revelries are quieter, more layered character focus and drama. Still, there is no subtlety when it comes to the visuals; almost every shot is ideally and artfully structured, which often affects the storytelling.

The story is seen from a depressed author’s perspective. Nick Carraway (Tobey Maguire) vividly recalls his friendship with his neighbor Jay Gatsby (DiCaprio), a wealthy and enigmatic young man who regularly threw talk-of-the-town parties at his New York mansion in the early 1920s. Nick writes down his thoughts on the much-admired host’s relationship with the married socialite Daisy Buchanan (Carey Mulligan), as well as Jay’s enmity with her philandering husband Tom (Joel Edgerton).

Pacing and storytelling flaws aside, “The Great Gatsby” is Luhrmann’s playground; one just feels the grandness and overwhelming power of the party scenes, often the backdrop for revelatory inner and inter-character conflicts. Sometimes, you’d wish there were more of them, despite their artificiality, but there’s appreciable power in the less comfortable and more serious parts of the film.

Forest gumption

Despite utilizing common and overused ideas, “Epic” is a lushly animated and charming adventure about a teen who finds herself involved in a clash between warring forest beings.

The girl, Mary Katherine/M.K. (voiced by Amanda Seyfried), is disappointed at her father’s seemingly foolhardy quest to prove the existence of tiny creatures near their aging home. There really are fighting factions; one is led by the forest queen Tara (Beyonce Knowles), and their decay-wielding arch-foes are led by Mandrake (Christoph Waltz). Shrunk to their size, M.K. is tasked with delivering a precious item to an important venue. Accompanying her are new allies, among them the Leafmen Ronan (Colin Farrell) and Nod (Josh Hutcherson).

Directed by Chris Wedge (“Ice Age” and “Robots”), “Epic” has balanced doses of action and character development. While the story’s something we’re acquainted with—the fish out of water concept’s been rehashed countless times—we’re nonetheless captivated by the dynamic take, replete with solid designs and likable characters. Still, while most of the main figures are archetypal, some radical deviation would’ve been nice.

There will be obvious and inevitable comparisons to “FernGully” and “Avatar,” but thankfully, “Epic” doesn’t get heavy-handed with environmental preaching. It’s just a good old-fashioned good-versus-evil romp; the aerial battles are fun, the humor is strategically knit into tense moments, and as expected, the outsider helps save the day (and learns tremendously from the experience).

“Epic” will be in Philippine cinemas starting May 24.

To boldly go where some men have gone before

The “Star Trek” reboot by J.J. Abrams is unique and innovative: it’s respectful of established continuity and lore while boldly and consciously creating its own. With the presence of the original Spock (Leonard Nimoy) in the new universe, the past is reverentially referenced, but this altogether different timeline offers new possibilities, and is able to explore previously untouched territory.

                              

“Star Trek Into Darkness” is the sequel to Abrams’ 2009 mega-hit “Star Trek.” Fast-paced and vibrant, “Into Darkness” further expands on the team dynamic of the space-faring Enterprise crew, led by Captain James Kirk (Chris Pine). It immediately kicks off with an energetic chase scene and a tense mission, heralding an escalation of conflicts and even more bombastic encounters.

New characters are introduced; “Sherlock’s” Benedict Cumberbatch ditches his quirky detective for a more stoic and deadly figure, while Alice Eve appears as weapons expert Carol Marcus. Older characters are splendidly focused on; Kirk’s brash but noble nature is reiterated, while First Officer Spock (Zachary Quinto) is once again clearly characterized as dichotomized between his human and Vulcan halves. There’s also a tiff between Spock and Uhura (Zoe Saldana) that runs in the background, but it ultimately comes off as unimportant.

“Into Darkness” is simple but spectacular—there are many familiar, even cliched story concepts that Abrams and company breathe new life into, and it’s a grand, summer-sized sci-fi caper that’s still in touch with its long-established star-faring roots.

Girl power deftly plays ‘Game of Thrones’

(Published May 23, PDI-Entertainment)
By Oliver M. Pulumbarit

Contributor

War between self-appointed kings and power-craving players continues to rage in the latest season of the fantasy-epic series “Game of Thrones,” HBO’s adaptation of George R.R. Martin’s hit series of books.

While it started as a seemingly male-dominated conflict, some female characters were influential, or continue to wield power behind the scenes, ably guiding their prominently positioned allies.

The female equation figures considerably in the series, but more so in this third season. With the exception of Sansa Stark (Sophie Turner), a hostage formerly betrothed to the cruel boy-king Joffrey Baratheon (Jack Gleeson), female characters plot for power, revenge or justice.

The villainous Cersei Lannister (Lena Headey), Joffrey’s smug and power-tripping mother, is still around and so is the manipulative sorceress Melisandre of Asshai (Carice van Houten), who groomed her own would-be king.

But newer characters shine and prove themselves similarly intriguing and cunning. Joffrey’s new bride-to-be Margaery Tyrell (Natalie Dormer) is the young widow of a gay king. Now aiming to be the Seven Kingdoms’ new queen, she deftly maneuvers like a skilled politician, reaching out to the masses while becoming an invaluable presence to the current administration.

Her grandmother Olenna (Diana Rigg) is also well-versed in politics but is someone who doesn’t bother mincing words. Strategic and hard to perturb, she has the best interests of her clan in mind and makes no secret of her displeasure with their new allies, the Lannisters.

While young Arya Stark (Maisie Williams) and the knight-woman Brienne of Tarth (Gwendoline Christie) have been sidetracked from their main missions, they are still very much fierce and centered, further toughened by their new challenges. Both are seething at their separate ordeals.

The most impressive character of the third season, to date, is the exile Daenerys Targaryen (Emilia Clarke), daughter of the deposed king and young widow of a nomadic ruler. Now with three growing dragons at her beck and call, she moves to reclaim the throne. But first she liberates an army of 8,000 soldiers from their abusive slave-masters, a fantastic feat that can be counted among the season’s—and the show’s—most memorable scenes. Daenerys, formerly a subservient wife, triumphantly leads a loyal army now!

Female characters often get openly mocked and threatened with violation on “Game of Thrones.” Apart from misogyny, there’s homophobia in the fantasy realm as well, making it reflective of real-life ills.

Thankfully, most of the females depicted are written as complex, self-aware individuals. The unappreciated strategist Tyrion Lannister (Peter Dinklage) is the show’s main underdog but it’s full of women that are just easily dismissed and ridiculed, driven to fight harder and more relentlessly for equal treatment. They’re often underestimated in that brutal, braggadocio-filled world but girl power just might win the “game.”

(“Game of Thrones” season three airs on Saturdays, 8 p.m. on HBO.) 

Makabo the Mighty

Makabo, Skyworld’s heroic tikbalang warrior, my fave character from the series. Drew this immediately after reading volume two. Felt flattered and honored after Skyworld co-creator Ian Sta. Maria told me last week that he was influenced by my work in the late ‘90s, specifically my Dhampyr stuff.

Political satire ‘Veep’ continues to win people over

(Published May 16, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

Fictional American vice president Selina Meyer returns after a well-received initial season of “Veep,” HBO’s hit political comedy series cocreated by writer-producer Armando Iannucci.

The 10-episode season two aims to further develop Selina Meyer and her various relationships, according to Iannucci, who discussed the show with Asian periodicals during a recent teleconference.

“In season one she was just coming to terms with the office—recognizing its limitations, learning how to be a high-profile politician on a national and an international stage,” he said.

In season two, the self-monikered “Veep” will have more power and influence. “She gets closer to the president,” Iannucci revealed. “We see inside the West Wing. We meet the president’s staff. Selina acquires foreign policy and national security responsibilities. We will see how she uses them and how they affect her.”

Iannucci recounted choosing Julia Louis-Dreyfus for the role almost immediately, and said he was especially proud that she won the Emmy for outstanding lead actress in a comedy series. (The show was nominated for outstanding comedy series.)

“[Casting her was] perfectly justified,” the writer-producer enthused. “I can’t imagine anyone else playing that part.”

Dreyfus’ Emmy victory means the “Veep” team has to work harder: “I’m really, really pleased that she got the Emmy, especially in the first [season] which had only eight episodes, up against comedies that produced 22 episodes a year. It kind of reassured the team that we had made a big impact. [But] we have to work harder to push the stories, the performances and the dialogue even harder.”

Iannucci also has praise for former child actress Anna Chlumsky, whom he previously worked with on the political satire “In the Loop.” In “Veep,” Chlumsky plays Selina’s dedicated chief of staff, Amy Brookheimer.

Said Iannucci: “She’s great … she’s very young; she’s not like Amy at all. Amy is very high-strung; Anna is very talkative, laid-back and jolly. I like that Anna gets the sharpness, the patter. There’s a rhythm to the way she speaks. Her lines come out like little bullets and daggers. I love the way she gets Amy.”

(“Veep” Season 2 starts airing Monday, 10 p.m. on HBO and HBO HD)  

Love Machinery, Fifteen

Avengers versus Zeus! Man, that was epic. By Roger Stern, John Buscema and Tom Palmer, 1987.

"Castle Grayskull is destined to be mine! It already has my face!"

Skyworld. Amazing local creators tackle the secret history of the Philippines. Damn brill!

Havok and Professor X.
"Professor X was a saint! I will honor him as leader of an Avengers team!"
"Um, Alex, perhaps you didn't hear about the time I mindwiped the existence of your brother and an ill-fated X-Men team from Cyclops' memory. And how I kept quiet about the sentient Danger Room A.I. for years!"

Friend wants me to draw on these. Yay!

X-Factor, final issue of the Fall of the Mutants arc. The team ditches the X-Terminators name and Cameron Hodge's mutantphobic p.r. strategy, and finally comes out to the press. And they get new costumes, made by a tailor they recently saved.

"Welcome to the Marvel Universe, Angela, ma'am!"
"Why, God, why?! This must be a cosmic joke!"

Deja Viewing

Status updatery.

May 7. Latest Community episode. Really good. Secret origin!

May 8. Sino ba iboboto ko bukod kay Risa Hontiveros. Ang hirap naman pumili.

May 9. Late to the party, but I finally read the first volume of Mervin Ignacio and Ian Sta. Maria's Skyworld. Fun monster epic!

May 11. Channel V's been showing '80s music videos, probably as part of fellow Star channel Nat Geo's launch of its 'The 80s' series. Anyone can access virtually all those videos now, but back in the day, I had to wait for those hour-long music video shows during weekends. Thank heaven for cable in the '90s, which had two 24-hour music channels.

May 13. Finally read volume two of Skyworld. Enjoyed it a lot. Thoroughly action-packed and nicely told. The merging of mythology and the supernatural with Philippine history was fantastic. More fun monster stories, Mervin and Ian! Respect!

May 13. Last-minute research on election day. Nakakawalang-gana ang mga engot, homophobe at trapong kandidato.

May 13. Ang Ladlad Partylist, # 28!

May 13. Take two, inayos na grammar. Voting in the afternoon, thankfully, was a breeze; looking for the classroom took longer than the actual voting process.

Devourer of Moons

My fan drawing of the Bakunawa, Skyworld’s moon-eating dragon. Must read volume two soon.

Young Carrie Bradshaw is very much her own person

(Published May 6, PDI-Entertainment)

By Oliver M. Pulumbarit

Contributor

               

“The Carrie Diaries” is the inevitable spawn of the hugely successful comedy series “Sex and the City,” a teen-centric prequel that’s based on a similarly titled set of books. The nostalgic new show is set in the 1980s and brings back the titular Carrie Bradshaw, but she isn’t the sex columnist character popularized by Sarah Jessica Parker yet.

Gorgeous AnnaSophia Robb, young actress from “Race to Witch Mountain” and “Charlie and the Chocolate Factory,” plays the teen Carrie, an inquisitive high school student recovering from the death of her mother. She reconnects with an old friend, Sebastian (Austin Butler), a cool rebel figure that her father (Matt Letscher) is wary of.

“Carrie” isn’t structured like the snappy, adult-oriented predecessor. While “Sex and the City” almost provided symmetrical focus on four stories that often led to bombastic and climactic punchlines and denouements, this new show is more like a mash-up of “Gossip Girl” and “Awkward,” but is nowhere as racy as the original version of “Skins.”

 

There are, however, numerous situations where the characters discover, or get interested in sexual intimacy. The adult Carrie has semi-kindred spirits in Samantha, Miranda, and Charlotte, but teen Carrie’s friends are differently curious and more wide-eyed when it comes to the subject.

Jill/Mouse (Ellen Wong) is obsessed with excelling in school and is attracted to similarly motivated guys. Maggie (Katie Findlay) is the girl who sneaks around with illicit lovers. Walt (Brendan Dooling) is the closeted gay guy who initially has trouble accepting his sexuality. It’s not the circle of friends viewers are accustomed to, but they form a solid and charming group that complements virginal Carrie’s growth.

 Just as important is her mentor figure Larissa (“Doctor Who’s” Freema Agyeman), a stylish editor and party girl who lures Carrie to New York. Larissa is aware of her teen protégé’s talent for writing, unlike Carrie’s dad, who hopes her daughter would follow in his footsteps and become a lawyer.

Robb is a talented actress, and while only her hair truly resembles Parker, she nevertheless creates a whole new dimension to the character. Bustling with naïveté and potential, Carrie is often torn between being a dutiful daughter and the committed magazine intern. She also looks after her punk rock-loving younger sister (Stefania Owen), who almost always gets into typical teen trouble.

The show is watchable, but its formulaic structure makes things predictable. It’s easy to figure out how the characters will get out of their high school binds; we see problems with Carrie’s on-again, off-again beau Sebastian coming. Still, this series smartly fleshes out the main character in ways “Sex and the City” didn’t, while providing an expanded continuity where younger, relatable characters are going through both fun and tough times.

Older fans of the original show may not easily get into it, but those that do are rewarded with a romanticized version of the 1980s, flavored by a veritable who’s who from the era’s pop pantheon (John Waite, Corey Hart, The Cars, Depeche Mode, Cyndi Lauper, etc.).

“The Carrie Diaries” wrangles its throwback elements creatively, giving a familiar setting where its young protagonist is soundly shaping her destiny. And it’s Carrie at her most malleable, at a point in her life where she starts insightfully asking about connections and compatibility.

“The Carrie Diaries” airs Mondays, 8 p.m. on ETC.

Saturday Superfun Machine

Summer status updates, et cetera.

May 1. Realizing I'm sort of a hoarder. Disposed of a plastic full of used internet prepaid cards from the past decade. Surfster!

May 2. Interesting how we've become adept at tooting our own horns. These days, we're our own publicity machines.

May 3. Comic books, Filipino and American, got me interested in reading and art when I was a kid. May 4 is Free Comic Book Day. Drop by National Bookstore (Quezon Avenue) and Fully Booked (Fort), and get your kids some comics!

May 5. FCBD Setting the Record was fun! Congrats to the organizers and fellow artists. Great job, Lawrence Sol Cruz! And thanks to the people who bought my stuff, had them signed, and had sketches done!

May 5. Really good to finally meet some FB contacts, as well. Sorry f I didn't recognize you immediately or said a different name!

May 5. Still a bit giddy from FCBD. Wish I got free comics, though. :D Also, Arnel Abeleda, pasensya na, muntik ko nang hindi masulat pangalan mo sa dedication. Thanks for getting my stuff. :)

May 5. Thankful for the local comics-loving community. And it was really awesome to have been around so many creative people last Saturday.

Books and Covers

Free Comic Book Day at National Bookstore was damn awesome. The group was able to do 99 drawings on blank covers in a four-hour span. My thanks to those who bought my stuff, had them signed, and had sketches done. Thanks as well, and congrats to Comicx Hub’s Lawrence Sol Cruz and the rest of the organizers.

Me, just before the sketching event. Photo by Kristopher Garello.

Me, sketching. The guy beside me is Filipino Heroes League creator Paolo Fabregas. Photo by Neutral Grounds.

I drew a Deadpool sketch for a guy named Darwin.

I drew this for a teen girl named Sam. Her parents were very encouraging; her dad paid for my sketch and they took a pic of me with her and the cover. Cool.

Benedict sold my old and new comics. He also hosted some contests.

Talented Ian Sta. Maria, artist of Skyworld.

Nik Yarte, copywriter and fellow Avengers fan.

Sketch I did for Kristopher Garello, who took the pic.

Me, sketching. Photo by Darwin Canete.

Freeman

Crying Freeman. Yo Hinomura, a.k.a. Long Tai-Yang, guilt-ridden agent of the 108 Dragons syndicate.