Five delectable movie treats

(From the July 16-31 issue of The Fortnightly)

By Oliver M. Pulumbarit

  

Whether in reality-inspired or fantastical settings, food, cooking, and eating can be rich subjects that inevitably inspire discussions on other connected topics. The art of preparing mouth-watering meals and desserts, and a variety of dining experiences are appetizingly depicted in the following films:

‘Ratatouille’ (2007)

Remy is a rat with a talent for creating culinary masterpieces. With the help of the clueless human Linguini, the rodent pleases with adventurous dishes. This deftly written animated film captivates through its lovable characters, including a jaded food critic named Anton Ego, who is delighted by Remy’s irresistible ratatouille. The impressed critic also has a memorable commentary on criticism and artistry.

‘Charlie and the Chocolate Factory’ (2005)

Just desserts await the unruly and insufferable kids visiting weird Willy Wonka’s candy factory, but kind-hearted little Charlie is ultimately rewarded with a sweeter life. Tim Burton’s colorful and characteristically bizarre interpretation charms with its candy-trimmed, otherworldly visuals, while sating with its timeless messages.

‘Eat Drink Man Woman’ (1994)

The Ang Lee-directed Taiwanese film explores the drama between family members who routinely gather for Sunday dinner. An aging chef, the father of three grown daughters, attempts to bond with his problematic children over the weekly smorgasbords. Relatable and incredibly nuanced, Eat Drink Man Woman tackles “basic desires,” as well as various human connections.  

‘Julie & Julia’ (2009)                    

Based on “two true stories,” Julie & Julia imaginatively connects the stories of two women who share a love of cooking and food; one tale centers on innovative and ever-giddy TV chef Julia Child, while the other is about ambitious food blogger Julie Powell. Julie has the daunting, self-appointed task of cooking 500 of Julia’s recipes within a year. Their parallel stories converge quite satisfyingly, while the drama and humor flavor Julie and Julia’s separate triumphs accordingly.

‘Chocolat’ (2000)

A single mother, Vianne, opens a chocolaterie in a quiet town, immediately attracting potential friends and foes. Chided for her non-conformist ways by conservative townspeople, Vianne nevertheless gains true friends and loyal customers.  Directed by Lasse Hallstrom, this sinfully tasty film playfully examines the dynamics of filial and romantic bonds, aside from tackling the liberating effects of good confections.