By Oliver M. Pulumbarit
“We were free of someone else producing us based on how he
believed our songs should sound,” Color It Red (
The local pop-rock band has been around since 1989. With the
help of service-funding platform Artiste Connect and fans who extended
financial support, CIR was able to record
its fifth studio album “Silver,” commemorating its 25th anniversary.
The band released the debut album “Hand-Painted Sky” in
1994, well-received for its eclectic-sounding ditties, including the moving
ballad “Paglisan.” This was followed by the more experimental “Fool’s Circle”
(1997). A tighter sound and more personal songs characterized “Pop Fiction” (2000),
while “Color it Red” (2006) was mostly a departure from established material,
musically and lyrically.
continues to evolve in “Silver.” Funding by backers reached
P264,000, allowing the band to record 10 new original songs. The album was
launched in May.
Chua is hands-on with marketing, packing each ordered CD for
delivery. (Visit facebook.com/cookychua for details.)
Excerpts from the interview with the singer and Bobip
Paraguya:
How did you secure fan support/pledges?
CC: Mark Laccay, the pioneer of crowdfunding here in the
Philippines, asked if we wanted to do another album in a nontraditional way. He
told us the story of Kickstarter (a funding platform for creative projects) and
his new company inspired by that. We grabbed the opportunity. The [game plan]
was to directly involve, and interact with, our market. We were very happy when
pledges started coming in.
BP: It was overwhelming to see that people believed in an
album that we had yet to record.
How would you describe your mindset while creating this new
set of songs?
BP: CIR already had a
process as far back as the third album—we either work on an already complete
song or we collaborate on riffs and lyrics, throw ideas around, and then we
build on that, jamming until it feels right. Going indie now, we were totally
in control of the songs.
What made Gloc-9 ideal for that rap part in “Move On”?
BP: It’s one of the most personal songs I have ever written.
We picked Gloc because I believed he would get the message and add flavor to
the song.
What inspired the Manila
Sound-ish “Disk-O,” and how did you feel about that type of music, growing up?
CC: I really like the disco era—Bee Gees, Donna Summer… it
was my secret dream to be a disco queen though I couldn’t dance!
BP: “Disk-O” came about during practice or
songwriting/drinking jams… This is just us paying homage to that era since we
all got to experience the age of vinyl, 8-track, etc.
Cooky, how do you divide time between CIR
and Tres Marias?
CC: I’m very lucky to be ingroups with members who are
great, musically, and who are good people—no jealousy or any type of insecurity
in their bones. They allow me to grow. First come, first served… most of the
time, it’s [back-to-back bookings].
How would you describe the current music scene, compared to
when you started?
CC: We used to have to put aside a part of our school
allowance just so we could rehearse in a studio and record a demo. Now we can
download very good programs for free.
What are your fondest memories of the 1990s band scene and
what did you learn from it?
CC: In the ’90s, the alternative scene became mainstream. We
were lucky; everything fell into place. Radio, TV, print media—they all
cooperated to create a bigger following for bands. We even found our way to
noontime shows. Our best takeaways from that period are the friendships that
have endured, until now.
BP: I have a lot of stories that are not fit for printing.
One thing I learned, though, is that you should never believe your own hype.
Don’t let fame go to your head and always stick to the essentials, like friends
and your family.
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