Saturday, October 15, 2011

Mild mirth

Classic Disney cartoon characters return in the short and silly “Winnie the Pooh,” an effective reminder that most animated films from bygone eras used to be simpler--narratively and visually--but are still quite imaginative. While contemporary animated features are usually faster-paced, intricately rendered, and much, much louder, the new “Winnie the Pooh’s” uncluttered style and laid-back vibe offer viewers something else entirely.

Barely an hour long, the film reintroduces the honey-loving bear and his (stuffed) animal friends, each possessing a distinct personality: Winnie is nice and determined, if quite dim; Tigger is confident and hyperactive; Eeyore is lethargic and defeatist, and so on. Their shared adventure first involves replacing Eeyore’s lost tail, which later leads to other less-expected but funny quests.

“Winnie the Pooh” is cute but often strange; adults with some familiarity may view the characters and their predicaments differently now. Its lack of a fourth wall becomes integral to the story; words and letters creatively become part of some scenes. The characters seem to have dimness in common, but in this innocent and kid-friendly world, their shared naivete inspires most snicker-worthy situations.

The film could’ve been longer; even preceded by the animated short “The Ballad of Nessie,” the film still feels too short. Despite that, it serves as a clear enough introduction to Pooh’s uniquely simple but comfortable world. By the way, stay during the end credits and wait for an extra scene.

“Winnie the Pooh” will be screening exclusively at Ayala Cinemas starting Oct. 19.

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