Finally, ‘Watchmen’

Zack Snyder does an impressive job of translating Alan Moore and Dave Gibbons’ highly acclaimed “Watchmen” to the big screen, changes to some important details notwithstanding.

Costumed American vigilantes in the mid-‘80s figure in world-changing situations in the gritty and audacious epic, which makes a successful transition to film. It’ll mostly please fans of the series, despite a re-imagined major story element. Some spoilers ahead.

The film version’s “master plan” works just as well as the original idea, since the missing artists--crucial to the book’s pseudo-alien invader plan--weren’t mentioned. While not everyone may like the alteration, it still works, as it ironically connects a scapegoated Dr. Manhattan to the climactic, globe-spanning attacks.

There are other unavoidable changes, but it’s an adaptation that’s still faithful to the essence of its source material. Many scenes are practically storyboarded already by the existing panels. The backstories are compressed well into a ruminative Bob Dylan song early on. The other songs--such as Nena’s “99 Luft Balloons” and an instrumental version of Tears for Fears’ “Everybody Wants to Rule the World”--are catchy and obvious, but nonetheless send the viewer back to the right era. The climate of fear inspired by impending war is present, albeit on a bigger, almost unimaginable scale because of the existence of one godlike being.

At two hours and a little over 40 minutes, “Watchmen” does an astounding job of making the characters as real and layered as their comic book counterparts, especially the Comedian (Jeffrey Dean Morgan), Rorschach (Jackie Earle Haley) and Dr. Manhattan (Billy Crudup). The drama is replicated sublimely. It’s great to finally see the cast of anti-heroes in dynamic, well-paced motion. There’s also more gore, which shouldn’t come as a surprise since Snyder previously directed the bloody “300.”

Still, it’s a little annoying that some scenes had to be cut out for the local theaters. It’s still confusing--what’s acceptable and what’s not for an R-13 rating? It’s understandable that the distributor wants this shown at the mall cinemas, but it’s a film for adults. A steamy lovemaking scene is mangled, so the accompanying lyrics to “Hallelujah” get similarly distorted as a result.

Cuts aside, “Watchmen” is still a great film. It might disappoint or alienate non-fans or non-comics readers expecting the usual formula. But it’s a special, thought-provoking adaptation. Read the book, then watch the movie, or vice versa. Time and money well-spent.

Birds of Prey Vs. Lady Liberators

Girl Power! Drew these days ago. I really like Oracle’s changing team of crimefighters, the Birds of Prey*. Too bad the book got canceled recently. The Lady Liberators**, meanwhile, was a ‘70s group revived and revamped in recent issues of the Hulk and She-Hulk (which, sadly, also got canceled). They’re some of my favorite super-heroines.

*BoP: Oracle, Black Canary, Huntress, Lady Blackhawk, Misfit, Barda, Manhunter, Hawkgirl, Vixen

**LL: She-Hulk, Thundra, Invisible Woman, Valkyrie, Storm, Hellcat, Tigra, Black Widow, Spider-Woman

Miguel Escueta wants to do epic rock

(Published Mar. 5, PDI-Entertainment)
By Oliver M. Pulumbarit
Contributor

Singer-songwriter Miguel Escueta was among promising performers who debuted five years ago, when “unplugged” music was already a fixture in the local bar scene. His solid renditions of songs by John Mayer, The Beatles and Goo-Goo Dolls were included in a compilation album of Magic 89.9’s “Acoustic Break” competition in 2003, where he won first runner-up. He played more covers in gigs for a year and a half, and eventually recorded his debut album “I am M.E.” (MCA Music).

Months before landing a record deal, he was finishing Business Management at the Ateneo De Manila University. While eyeing an assistant brand manager position offered by a prestigious company, he wondered about taking another career path.

Miguel said he found himself asking, “What about music? Bahala na. If I get this job, I’ll do it; if not, I’ll do music. I did not get the job, and I told myself, ‘Ito na, it’s music, all-out.”

Now 24, Miguel is busy planning a second album after the success of “I am M.E.,” which includes the well-received songs “Falling Away, “Isipin,” and “Take Me There.” Its repackaged version, “Amplified,” is a 2-CD set with extras like music videos and his versions of New Order’s “Blue Monday” and The Cure’s “Just Like Heaven.”

He plays at bars, but it’s on campuses where fans go “crazy all the time.” He constantly collaborates with his unnamed band, comprised of Jeng Tria (bass), Roy Secillano (drums), and Junie Devecais (lead guitar, album producer).

Miguel and singer Julianne also recorded a version of “This is Me,” a song from Disney’s “Camp Rock” movie.

What lyrics are easiest to write?

I write what I feel is poignant. I write what I feel at the moment. I’ve written songs after a breakup. I think my lyrics are very honest. As much as I take it from inside, I also make it a point that people could relate to it.

How do you keep your voice in shape?

I had laryngitis last year, but I’m 110% recovered. I have a professional vocal coach I see at least once a month. We have sessions to warm up my voice and stretch my pitch. I sing my songs and then she tells me, “This part, try to breathe more.” I didn’t know that she was the vocal coach for Pinoy Dream Academy.

Did guitar-playing come naturally?

I had fun learning the chords. I wanted to learn. Nasanay na nang nasanay. I don’t even consider myself a great guitar player. I just know how to play guitar. I know how to pull it off live.

How would you describe your music? Who are your biggest influences?

I think it’s an unconscious mix of the artists that I like. Sometimes I don’t notice that parang may Coldplay and Lifehouse elements. But the genre, it’s really alternative rock/melodic rock. Biggest influences: Coldplay and the Foo Fighters. Sometimes, I wanna be Chris Martin; when I’m angry it’s Dave Grohl.

Describe your rapport with the band.

Well, they have their own bands, but I think the most serious one is us. I’m signed as a solo artist, but parang band na rin kami gumalaw. Whenever I’m on tour and whenever I make music, I’m with them. I start with chords, lyrics. But the growth of the song, I bring it to them. It really grows, once you’re in the studio.

How was the Camp Rock song received?

I think they showed the video in many Asian countries. Sobra nga akong reluctant, “Sigurado ba kayo? Image ba natin ‘to?” Okay naman, kasi maraming kids who found out that I exist.

Did you have dreams of performing when you were a kid?

I didn’t think I was going to be a recording artist. I was a basketball player. In my senior year of high school, I was captain of the team and president of the student council. Music was just for fun talaga. My love for music just kept growing and growing. I really feel blessed to say, I really love performing. I love being on stage.

How different is your music now?

The newer stuff, people have been saying, it sounds like Foo Fighters. I’ve also been listening a lot to Our Lady Peace, their older albums. I was talking to the producer about the next album. We want “epic rock,” something heavy enough that we can play in the underground bars, and still be melodic to be in a movie soundtrack.

How do you feel about choosing this career?

It really doesn’t feel like a job, because I enjoy it. And at the same time, in terms of ‘yung kita, nakakaipon naman ako. The scary thing about being in this industry is, it isn’t as stable as a corporate job. But so far, it’s still good!

(album cover image from migsescueta.multiply.com)

Code Name Queries

My nephew saw two drawings that I was finishing (check out the new post, “Birds of Prey Vs. Lady Liberators”), and asked me a couple of questions.
- - - - -

Nephew: Why are they all boobs?

Me: ‘Cause they’re all girls.

Nephew: Are they the Girl League?

Me: They’re the Birds of Prey and the Lady Liberators.

Nephew: (points at She-Hulk) She’s Veggie Girl.

Me: That’s She-Hulk.

Nephew: (points at Hawkgirl) That’s the Bald Eagle.

Me: She’s Hawkgirl.

Nephew: (points at Storm) Is that lady really old?

Me: No, she just has silver hair.

Nephew: (points at Oracle, notices arnis sticks) Is she called Drum Girl?

Me: She’s called Oracle. She used to be Batgirl. But she can’t walk anymore. She’s on a wheelchair.

Nephew: Why? Did she slip on a bug?

- - - - -
Yeah, he’s quite creative, that kid. It must be something he picked up while watching cartoons. I didn’t elaborate on how Batgirl lost the use of her legs anymore, because the circumstances are difficult to explain to a kid.

I was drawing on Bristol backing boards. He asked which side I was using, and I said it wasn’t the shiny side, because the ink can smear on that surface. He told me that he knew that. He asked how I could fit all those characters into the space, so I replied that I drew them in pencil before inking and coloring.

The kid’s smart and already a good artist. I hope he keeps getting better.

In a Different Light

Twenty years ago, the Bangles’ “Everything” album was released. My older brother had the vinyl record of their previous album “Different Light.” I remember liking the band not because of “Walk like an Egyptian,” but “Manic Monday” and “If She Knew What She Wants.” I got “Everything” on tape, many months after songs like “Eternal Flame” and “In Your Room” became chart hits. I always found “In Your Room” playful and sexy, while “Eternal Flame” was part of my schmaltzy high school romance soundtrack.

But my favorite song from that album, and my fave Bangles song for that matter, is “I’ll Set You Free.” A tweaked, extended version of that was included in the Greatest Hits CD, which I got a while back. I always feel the message of the song when I hear it.

I’ll Set You Free

I remember eyes that shined as they looked so hard back into mine. Now it’s just a memory so I’ll set you free.

I hear you through the wire. Your words all sound like noise. What happened to the fire in your voice? Don’t try to hide the distance. It’s just too big to ignore. We work it out like business. It won’t work anymore.

I remember eyes that shined as they looked so hard back into mine. Now it’s just a memory so I’ll set you free. I remember words that fell like coins into a wishing well. It was never meant to be so I’ll set you free.

Still sometimes late at night, moonlight comes into my window. I can make believe that’s how it used to be. We made it look so easy. We never tried to resist. Somehow you stopped believing. Somehow we’ve come to this.

So now I must go on. What more can I do? What good is being strong, when all I ever really want is you?

All I want is you.

‘Cause you won’t, but I won’t. You won’t, but I won’t tell.

Art of Backpacking Across Asia

(Published Feb. 28, PDI-Super)
Robert Alejandro documents his travels in his inimitable way
By Oliver M. Pulumbarit

TV host and graphic artist Robert Alejandro conducted sketching workshops last October as part of the Pinoy Backpack Festival at the Trinoma. His illustrated book, documenting his journeys as a backpacker across Asia, was also launched during the event.

“The Sketching Backpacker,” a tome collecting vivid journal entries while trekking with friends, is also a handy companion to backpackers who wish to discover the region’s scenic destinations, historic landmarks, and unique bargains.

Alejandro learned how to make his tight P50,000 budget fit in a span of ten weeks. Nine countries and priceless memories later, he’s glad that the experience was one he shared with fellow enthusiastic travelers, Pinoy and foreign.

“The best thing about it is making friends,” he says. “So you get to learn about the different cultures through the people. It’s so different, when you make friends through the backpack trip, kasi ang tagal ninyo magkasama. Ang Filipino parating nagtuturo ng kung anu-ano sa mga foreigners. And I remember trekking across Chiang Mai. Kapag naghihirap kayo, sabay-sabay kayo.”

“The Sketching Backpacker,” which features Alejandro’s more intricate art style, is filled with black and white candid portraits of people he met in trains, buses, boats, hostels and beaches. There are detailed freehand drawings of old architecture and street scenes in Vietnam, China, Malaysia, Laos, Thailand, and Singapore, among other places.

Whenever his fellow backpackers looked around, he’d stay behind to do sketches of his surroundings. He only brought with him a few art materials, which he used up quickly.

“Ang galing naman ng gel pens,” he raves. “Before, I used tech pens to draw. Now, gel pens are perfect! I can buy them anywhere. And I would always buy paper. Wherever I go, I’d always say ‘I need to buy paper!’ I would buy along the way.”

The book also lists key local words and their English translations, as well some of the more affordable backpackers’ inns, meals and transportation fares.

Alejandro found himself soaking up different cultures and thoroughly enjoying a non-stop adventure, but he always kept in touch with loved ones back home.

“I would always call my parents and ask if they’re okay. But other than that, I remember telling myself, ‘Wow, I completely forgot how it was like in Manila,’ and that was the best thing, honestly. It was sad that we were going home, but almost three months? Busog na busog ka na rin noon!”

And the sketching traveler can’t wait to do it again. The life-changing trips taught him and his fellow backpackers some valuable lessons.

“There’s so much to look at. We were just looking at ourselves and we thought, ‘This is it!’ The world is so much bigger. I feel passionate about sharing this. Two of my travel mates, it was their first time to do this and it completely changed their outlook. I think it would be good for fellow Pinoys. It would make them more open-minded if they could do this.”

“The Sketching Backpacker” is available at Travel Club stores.

Plink Plink

By Benedict Bartolome. Art by me. TM and © B. Bartolome and O. Pulumbarit. Check out the next five pages at my art blog.

‘Justice League’ limited

30 issues later, the relaunched ‘Justice League of America’ title still hasn’t recaptured the grandeur or urgency of the previous JLA monthly, or at least the Morrison, Waid and Kelly issues. The current Justice League’s lineup is okay, but the adventures don’t really make the reader care for the characters. The focus on Black Canary, Firestorm, Vixen, Hawkgirl and Red Arrow is good, but the drama often feels forced. The Jim Lee-esque art offers little variation in body types and facial structures, and sometimes impedes the narrative with unnecessary, ‘90s-ish pinup shots. This title really needs to improve.

Flight Ringing

One of my favorite comic books as a kid was John Byrne’s Alpha Flight. I like the fact that he drew his own stories. I was a tad sad when he left the book when I was in 6^th grade. He transferred to Incredible Hulk and, while his art looked great, I wasn’t too fond of the comic because it wasn’t a team book. Anyway, to update my previous post on Northstar, I checked out Mr. Byrne’s site, byrnerobotics.com. I enjoyed reading the FAQ section. He wanted to make the characters resonant, and interestingly, he meant for Northstar to be gay all along:

One of the things that popped immediately into my head was to make one of them Gay. I had recently read an article in SCIENTIFIC AMERICAN on what was then (the early 80s) fairly radical new thinking on just what processes caused a person to be homosexual, and the evidence was pointing increasingly to it being genetic and not environmental factors. So, I thought, it seemed like it was time for a Gay superhero, and since I was being "forced" to make ALPHA FLIGHT a real series, I might as well make one of them Gay.

From there, it was a process of elimination. I didn't want the homosexual character to be one of the girls, since that was something people tended to associate (rightly or wrongly) with Claremont books. Mac Hudson and Heather were happily married and I did not want to mess with that. Michael was widowed with a daughter, and that way lay what I considered too much of a cliche, if he turned out to be Gay. Besides, as a Native Canadian he was already the resident "minority". The new guy, Puck, had his own set of problems. Sasquatch would be just too damn scary!! So I settled on Jean-Paul, and the moment I did I realized it was already there. Somewhere in the back of my mind I must have been considering making him Gay before I "decided" to do so.

Of course, the temper of the times, the Powers That Were and, naturally, the Comics Code would not let me come right out and state that Jean-Paul was homosexual, but I managed to "get the word out" even with those barriers. (8/24/2004)

Father Time

Okay, no spoilers. I just finished Doctor Who season 4. What a great show. All season long, it raised many questions and answered all of them excellently. The last few episodes felt like the show was ending because many big things happened. It makes me wonder now: how are they going to top it next season? I don’t think they can, but who knows.

Season five will be out in 2010. Yeah, wish I had a TARDIS and all that.

‘Dateless’ Kuh delivers love

(Published Feb. 24, PDI-Entertainment)

By Oliver M. Pulumbarit
Contributor

Kuh Ledesma celebrated Valentine season this year with the show “The Voice...The Violin,” a concert that showcased unique renditions of undying love songs.

At Captain’s Bar in Mandarin Oriental Hotel, Kuh effortlessly performed romantic ballads even when she repeatedly declared between songs her being single and dateless. But her friends, singer Ariel Rivera and violinist Jay Cayuca, kept her company.

Ledesma smoothly opened with the Celine Dion tune “I’m Alive,” and followed with a light, breezy rendition of “Night and Day.” She proceeded with a jazzy medley of three songs, “The Look of Love,” “That’s All,” and “The Nearness of You.” Throughout the show, she sang classics (“Overjoyed,” “I Just Can’t Stop Loving You,” “My Funny Valentine,” etc.), talked about love while sneaking in Bible interpretation (she believes that partners are predestined), and shared interesting anecdotes about her guests.

Actor-singer Rivera did a decent interpretation of Ric Segreto’s “Don’t Know What to Do,” and sang agreeably with Kuh in “I Finally Found Someone” and “Basta’t Tayo’y Magkasama.”

Pony-tailed Cayuca, meanwhile, danced and jumped during his more upbeat numbers, his rock and roll swagger a pleasant surprise. He mingled with the audience members, encouraging them to sing along. He toned it down for his versions of “Sunrise, Sunset” and the Ryan Cayabyab-penned “Once Upon a Life.” He and Kuh did an enchanting take on “Unchained Melody.”

Kuh still strikes a majestic presence, her voice as remarkable as ever. She recreated “My Heart Will Go On” and “Love Moves in Mysterious Ways” without resorting to vocal gymnastics. As expected, she performed her classics, “I Think I’m In Love” and “Till I Met You.”

The venue provided an ideal, intimate setting for the concept, the performers, and the tireless band. Kuh Ledesma may have been dateless, but she did make “The Voice…The Violin” a date to remember for her listeners.

‘Shopaholic’ shenanigans

Rebecca Bloomwood (Isla Fisher) becomes a practical, relatable financial advice columnist with a career-destroying secret in the formulaic but funny “Confessions of a Shopaholic.” It follows a typical rom-com formula, in that shop-till-you-drop Rebecca’s adventure involves lies and happy accidents that impossibly lead to all kinds of success, even the discovery of the man of her dreams. Sure enough, she’ll be exposed inevitably, but the script is quite witty and enjoyable--and Fisher is perky and pleasing as the fibbing protagonist--that you don’t mind its predictability too much.

Knowing Northstar

Marvel character Northstar was revealed as gay 17 years ago, in Alpha Flight # 106. Of course, in comic book time, it could have happened just a few years ago. The issue was decently scripted by writer Scott Lobdell; the storytelling was just hampered by the artist, who aped the styles of Rob Liefeld and Jim Lee (well, it was 1992). It spoke sensitively of AIDS and homosexuality issues, and it confirmed what some fans knew all along: Jean-Paul Beaubier, a.k.a. Northstar, is gay.

I particularly like what he said in the page where he admitted it:

“Do not presume to lecture me on the hardships homosexuals must bear. No one knows them better than I. For while I am not inclined to discuss my sexuality with people for whom it is none of their business--I am gay!”

I also like what editor Bobbie Chase wrote in reaction to a letter writer who wasn’t keen on having Northstar outed in the comic book:

“You look up to lesbian and gay heroes everyday--you just don’t realize that they’re gay. But does it really matter? If someone risks their life to save another, is the act any less heroic because of whom that someone loves? As a fan of the mutant titles, you should realize that it’s better to judge a person by what they do than who they are--whether that’s Homo sapiens superior or homosexual.”

Years later, Northstar became a member of the X-Men and a teacher at Charles Xavier’s school. Eventually, a number of Marvel characters were revealed as gay or bisexual as well, including Karma, Anole, Mystique, Destiny, Wiccan, Hulkling and others. There were single issue-stories and arcs that focused on Northstar, who was later killed and resurrected.

Nothing’s been happening with the “regular universe” version of the character lately, which is sad, because there are good, possibly controversial stories about him that can be told.

Titans Togetherness

Some spoilers. That’s the new roster. Cool that Static’s in there. I don’t know who that hooded guy is though. It’s interesting that Kid Eternity and Aquagirl are there. I wish Traci 13 and any of the Ravers were included instead of Bombshell. But it’s a nice-looking lineup.

Doctor, Jones

“Beware the weeping angel.” That’s the warning written on the wall, discovered by Sally Sparrow in the teaser scene of the Doctor Who episode “Blink.”

Yeah, I love Doctor Who! I’m done with season three. It started pretty slowly; some episodes took their sweet time. But the pace picked up by the middle of the season. “Blink” is my favorite episode; it’s creepy and sad, and one of the best-written eps of the revived science fiction show. Time travel is cleverly used in the standalone story. I was almost in tears, and was clapping by the episode’s end. Writer Steven Moffat won a BAFTA award for it, by the way.

Meanwhile: Martha Jones, the Doctor’s new companion, took time to develop a distinct personality, but she grew on me. And finally, Jack Harkness’ story between the two seasons of Torchwood is finally revealed. There are nice connections between some characters, hinted at or disclosed, that reward the viewer in due time.

Can’t help but geek out. “Beware the weeping angel!”

Invigorating ‘Milk’

Harvey Milk’s courageous efforts to galvanize the gay communities of San Francisco and beyond in the late ‘70s are recreated in the empowering biopic directed by Gus Van Sant. Sean Penn delivers a heartening portrayal of Milk, an openly gay businessman and elected Supervisor who became the voice of fellow gay men struggling for equality. The last years of his life--its glorious milestones and painful tragedies--recount the joys and difficulties of standing up and speaking out. The tale reflects the issues’ timelessness (sadly, some struggles for rights have yet to be won today). But Harvey Milk inspired hope, and the film does the same. “Milk” is insightful, and reiterates that, no, there’s nothing wrong with being gay, or protesting when people say it is.

Future Assemblers

Oh yeah. More Avengers books!

That’s Lockjaw and the Pet Avengers, written by Chris Eliopoulos and illustrated by Ed Guerra. Yup, anyone can be called Avengers now (I joked about the Cuddly Avengers and the sidekick cartoony characters a few posts back). Interestingly, there’s a new A-team again. The Pet Avengers, according to the Newsarama interview with the writer, will include Lockjaw, Lockheed, Redwing, Niels, a new Frog Thor, Zabu and Ms. Lion. I hope this’ll be as fun as it looks.

Also coming out in a couple of months is the miniseries Dark Reign: Young Avengers, where a new team takes the name, a la Norman Osborn’s crew in Dark Avengers. The original Young Avengers want the name back, of course, so expect the obligatory superbrawl. The new team’s roster includes Masters of Evil-esque characters like the Enchantress, Egghead, Melter, Coat of Arms, Executioner and Big Zero. It’s written by Paul Cornell (who, I just found out earlier, wrote a cool and touching Dr. Who 2-parter in season 3), and drawn by Mark Brooks.

I’m looking forward to these. Man, the Avengers expansion is starting to feel like the X-Men’s back in the ‘90s. But so far, it’s good to see the Avengers’ world growing.

One Last Call for ‘The Alcoholic’

Recently nominated in the GLAAD Awards, DC/Vertigo’s “The Alcoholic” chronicles the revealing, oft-heartbreaking journey of a novelist-cab driver, Jonathan, who struggles with his addictions and chases after the elusive loves of his life. It’s realistic, occasionally upsetting, and even vividly talks about loose bowel movement. But its honesty and unpredictability make the sad tale, written by Jonathan Ames and drawn by Dean Haspiel, a memorable, moving read.

Gravitating to the grouch and his ‘Gran Torino’

Clint Eastwood stars in and directs “Gran Torino,” about a grouchy, narrow-minded former soldier who distances himself from his Asian immigrant neighbors, but inevitably bonds with them and protects them from the neighborhood gangs.

Walt is a widower who spends his days cleaning his 1972 Gran Torino, mowing his lawn, and criticizing people. He doesn’t bother mincing words and is a guy who laughs at his own racist jokes. But when he sees injustices being committed, he becomes colorblind and protective of his new friends, young siblings Thao and Sue (Bee Vang and Ahney Her).

While it’s a touching drama that speaks of cultural diversity and generational ties, there are funny parts that showcase Walt’s politically incorrect ways, and his awkward transformation to someone who’s somewhat tolerant and understanding. These, and the film’s occasional deviations to odd buddy territory, can elicit hearty, sometimes nervous laughter. There are serious parts that become bleak and distressing, which balance things out. Ultimately, it’s perplexing but meaningful, a timely and strong film that ponders the universality of tragedy and generosity.

“Gran Torino” will be in theaters starting Feb. 18^th.

Daze of Future Past

It’s 1991 all over again for Chris Claremont. According to Newsarama, he’ll be writing a new title, X-Men Forever, which continues after X-Men # 3, his “last” issue. He did eventually return to the main X-books nine years later.

I still like the stories from his original run. They weren’t perfect, but many of them were memorable. I’m not a fan of his recent works, though. Maybe allowing him to pick up where he left 18 years ago is a good thing. Aside from the fact that it’s an alternate world, meaning it doesn’t have an impact on other titles’ continuity, it might be good for him to write characters he’s very familiar with.

I remember when the X-Men became really big that year. Jim Lee was doing some of his best work. So was Whilce Portacio, on X-Factor. I liked Peter David and Larry Stroman’s revamped X-Factor too, just a few months later. I’d draw characters back then that looked like rough iterations of the popular mutants. I think the major revamping of the line was aptly called “Glory Days” in the catalog solicits.

This time-travel/alternate reality thing does make me wonder now. What point in my life would I return to, and change for the better? I’d like to think that I’m the result of everything I experienced, and am experiencing. I wouldn’t have learned important things if I didn’t meet certain people or do reckless things. Still, if I could get back to some “restore point,” which part would it be? Would things really improve, and recurring mistakes be avoided?

I wonder.

Bianca King, ‘overachiever’

(Published Feb.9, 2008, PDI-Entertainment)
By Oliver M. Pulumbarit
Contributor

Actress-student Bianca King, 22, considers herself an old soul, “a new age, modern hippie.” She juggles responsibilities uncommon to many people her age.

Bianca, who previously appeared in GMA 7 shows “Click,” “Atlantika,” “Mulawin” and “Dyesebel,” is serious about showbiz. Aside from performing, she always dreamt of telling her own stories through film.

A Digital Filmmaking scholar at De La Salle College of St. Benilde, Bianca is in her sophomore year. One of her instructors--after checking her film journal, a scrapbook containing detailed notes, clippings and storyboard sketches--teased her about being an overachiever.

A fan of filmmakers Steven Spielberg, Darren Aronofsky, Alfred Hitchcock and Richard Linklater, Bianca hopes to eventually write and direct films that will deviate from “movies with the same regurgitated content that we’ve been seeing for the past 15 years.”

What was required to get the scholarship?

They really just required a portfolio. I compiled all the magazine clippings and newspaper articles that had me talking about my school, and how much I wanted to write, how I felt that it was my calling. And I had really good recommendation letters from people who really thought that I deserve it.

How competitive was it?

It’s pretty competitive, because there are only a few slots. The only difficult part was when I was going in for my interview. The grants office was asking me, “Why do you want a scholarship? You can afford it.” So that’s where I really had to fight for it. I wasn’t asking for financial support. I wanted the grant to motivate me and to help me get ahead faster in my career. And also, it could help me get a scholarship abroad.

When did you start supporting yourself financially?

Since I started doing bigger commercials… I was about 16 and I stopped asking for allowance. I don’t consider myself a superstar. I don’t have a gazillion endorsements. I earn okay when I have a show, but that’s only for three to four months. The downtime, the lull in between shows, I basically live off my savings.

Now you’re the breadwinner?

It’s just really innate, I guess. My parents didn’t push me. Maybe it’s a Piscean thing. When the going gets tough, I take charge. [Sometimes, I wonder] “Why is life so hard?” or “Why do I have to do these things?” But the notion of giving back makes it okay.

How tough does it get?

I’ve experienced times when it’s enrolment and I think, “Should I spend the last 50 grand I had in my bank for that or should I pay the bills?” I really had to explain in the sincerest manner [to the grants committee] that, if they give the scholarship to me, they won’t be sorry. It’s not only that it would look pretty in my transcript; I need it.

How is life as a scholar?

Lovely! Last term, I took the heaviest load I’ve taken, which is 14 units. I would usually only take 6 to 9 units. I have to maintain a GPA of 2.5. Last term, I got a 3.7, my highest GPA, only .3 less than a perfect score. This was in the middle of two movies and “Dyesebel.”

What do you want to achieve, ultimately?

Lots of things that I want to achieve in terms of acting, in terms of the roles I get. At the same time, it’s not my end-all and be-all.

What advice would you give young fans?

Finish school. It’ll take you places. It’s always helpful to hone a certain skill. If you have an interest in something, work on that. Pursue your passion.

Valiant ‘Valkyrie’

The attempt to overthrow Hitler and his cohorts by rebellious German forces is recounted in Bryan Singer’s tense “Valkyrie,” starring Tom Cruise as the decisive Col. Claus von Stauffenberg. Shamed by atrocities committed by the Nazis, several high-ranking soldiers stage a coup, with von Stauffenberg positioned to eliminate the Fuhrer. The expansion of the secret group dedicated to the daring mission illustrates the urgency of dissent; Cruise, Terence Stamp, Eddie Izzard and Kenneth Branagh, among others, are finely utilized. The scenes depicting the colonel’s few interactions with the despot, chillingly played by David Bamber, are unsettling. Moreover, the ideals and indignation behind the uprising manifest tangibly and unmistakably early on. Visually, it’s mostly crisp and clean--a bit too clean sometimes, actually, that it feels unreal--but what the film sometimes lacks in grime and artistic chaos, it more than makes up for in clear, consistent storytelling.

“Valkyrie” will be in cinemas starting February 11^th.

Reptile Ruckus

I had a weird dream last night. There was a gigantic alligator--several times bigger than the usual--that had an old man trapped in its mouth. It wasn’t chewing the person or anything, but the unmoving, huge teeth served as bars, trapping the man inside. He was lying face down on the floor of the giant gator’s mouth, and struggling to escape.

A small alligator appeared, entered the giant reptile’s mouth somehow, and went for the man’s ankle or foot. That part was unclear from the angle where I was viewing the whole thing. The man didn’t react to the attack. Someone standing beside the huge creature, I don’t know who, shooed the smaller gator away. The dream ended shortly after that.

I was reading about the gigantic prehistoric snake remnants found in Colombia hours before, the Titanoboa. That’s a fascinating discovery, actually. That must’ve inspired the strange dream.

Maybe. I really don’t know.

Delightfully Disarming ‘Dexter’

Season 3 of “Dexter” isn’t as dark or disturbing as its first, and can be likened to season 2, formula-wise. But there are still pleasant surprises.

Dexter is still menacing, and meek when he needs to be, thanks to sublime actor Michael C. Hall. The character, a dedicated blood spatter specialist and serial killer (of serial killers), still intrigues. But devotees of the show now know his routines by heart; he’s quite predictable this season.

To keep things interesting, a gaggle of new characters--some crucial, others red herrings--are introduced, giving him new situations and relationships to understand or react to. It’s good to see the old supporting cast change and grow, as well; Rita (Julie Benz), Lt. LaGuerta (Lauren Velez), Angel Batista (David Zaya) and Debora Morgan (Jennifer Carpenter) are given new things to do and experience.

Sometimes off-putting, however, are the dream sequence “conversations” between Dexter and his dead adoptive dad Harry (James Remar). Harry only appeared in flashbacks before, so the change takes some getting used to. Also, the occasional Deb-Dex sibling repartee can be oddly distracting to viewers who know that Carpenter and Hall are a real-life couple. But both actors are really convincing, so you don’t think about such things for long.

Jimmy Smits joins the cast as a grieving DA, Miguel Prado, who soon virtually becomes Dexter’s BFF. That storyline is focused, if very slowly paced. Their friendship adds a new dynamic to the equation. There’s a new mystery killer, too, and a long list of suspects, so many things keep Dexter really busy.

But, as expected, he faces the macabre challenges, and some changes to the status quo, calculatingly and confidently.

He’s still distinctly driven, that deeply disturbed Dexter.

Final Crisis, Finally Over

Spoilers. Final Crisis is a series that’s both mind-blowing and disappointing, a trippy, swirling superhero epic that amazes in some parts and really boggles in others. Big, grand moments awe, but fizzle quick. There are questions left unanswered: How did Barry Allen resurrect, exactly? How did the New Gods return? Where and when did the resurrected Batman reappear? What exactly did Renee Montoya do?

There are new characters that look great but add little to the story. And the cosmic-scale puzzles aren’t easy to understand or unravel. Still, some of them are reminiscent of Grant Morrison’s other imaginative science scenarios in All-Star Superman.

The art of the final issue is solid; as expected, Doug Mahnke capably illustrates earth-shaking, detailed battles and quiet scenes, extra-challenging story structure notwithstanding.

Clark Kent’s Glasses, He-Man’s Tan

Yes, Superman met and briefly fought He-Man in DC Comics Presents # 47, back in 1982. The issue came out about a year before the Masters of the Universe cartoon, and some time before the first popular action figure line debuted, so there are notable differences in character details.

However, in the separate continuities of the cartoon series, the mini-comics that came with the action figures, and this old DC comic book, one thing is the same: Prince Adam of Eternia is secretly the mighty warrior He-Man.

Like Superman, the Eternian has a flimsy “disguise” that protects his other identity. His skin may have magically bronzed a little, but his features are still Prince Adam’s. It’s like Clark Kent’s glasses. It’s actually silly and funny when their close friends can’t tell, for some reason.

Mushy, moving ‘Marley’

A watchable comedy-drama about a show-stealing canine and life with its very lenient masters, “Marley and Me” is mostly a family-friendly flick that even non-dog owners can like. The yellow Labrador makes things interesting (and sometimes, quite crazy) for journalist spouses Jenny and John Grogan (Jennifer Aniston and Owen Wilson), who welcome the cute, cuddly beast into their lives despite its knack for causing all kinds of doggie trouble. The uncontrollable pet situation routinely repeats itself, but the long, beneficial relationship between the humans and their loyal dog is a bond that the viewer will care about. Babe magnet, furniture wrecker, poop factory--Marley may be all those things, but like every beloved pet, he’s also an inspiring, enriching force. He practically becomes part of your family, too.

“Marley and Me” is currently in theaters.

Glad Wrapped

According to a Newsarama article, GLAAD, or the Gay and Lesbian Alliance Against Defamation, recently announced its annual media awards nominees. Among those nominated in the comic book category are Buffy the Vampire Slayer, The Alcoholic, Secret Six, Young Avengers Presents, and Final Crisis: Revelations.

Interesting list. I’ve yet to read The Alcoholic. The other four titles depicted good or realistic portrayals of gay characters or relationships. Well, I want Buffy and Secret Six to win. I hope it’s a tie. In Buffy, the main star’s gone bi, and she has three openly lesbian allies. Secret Six is also gay-friendly; it has Scandal Savage and the occasional gay background character.

Catman and Deadshot aren’t gay, but some people think that there’s something “bromantic” going on. Hmm. I wouldn’t be surprised if they end up wrapped in each other’s arms, though. They’ve been quite chummy lately. I think Deadshot’s more expressive of his thoughts than Catman. There’s mutual respect already, regardless. Attraction between them could be next, if it isn’t there already. Do it, Gail Simone.

Inspiring ‘Doubt’ and uncertainty

The verbal tussles will keep you guessing. Meryl Streep plays overly conservative Sister Aloysius, a principal tightly monitoring her students and fellow nuns. Amy Adams plays adorable, somewhat naïve Sister James, who suspects that a pupil might’ve been subjected to abuse by a trusted faculty member. Philip Seymour Hoffman plays the radically modern Father Flynn, whose closeness to the boy arouses suspicion.

Sister Aloysius investigates and interrogates in her inimitable way, sparking a battle of wits and words between her and the priest. “Doubt” casts uncertainty on pieces of the truth, the characters’ staunch beliefs and their notions of righteousness. Those are seriously questioned throughout the story, originally an award-winning play by John Patrick Shanley. Its small, gifted cast brings the layered drama to cinematic life, creating the proper emotional connections through probing interactions.

From the priest’s unusual sermons to the nun’s descriptive declarations, the words are precise, and evoke the right emotions. Perhaps the inclusion of a scene or two would’ve added some visual depth and further elaboration to the story near the end, because the final scene partly becomes a case of telling and not showing. Still, the performers give believability and humanity to the flawed vessels of religious authority, inspiring genuine doubt on their unflinching convictions.

“Doubt” will be in cinemas starting February 4.

Spectral Spectacle

Back when gay topics and characters weren’t as discussed or visible in mainstream comic books, there was the thought-provoking Spectre # 45.

“Acts of God,” a tale devoted to the often-controversial subject, had many of the hard arguments covered. The Spectre, God’s agent of justice, was shown as someone who isn’t exactly informed on the subject. His human host, Jim Corrigan, was revealed to be homophobic, someone who misinterpreted God as a being who “doesn’t like queers.”

The Spectre asked Archangel Michael, “Are there homosexuals in heaven?” Michael responded: “The question is irrelevant. Sexuality is a matter for the body and thus is confined to the mortal sphere. It has no place here.” The angel added, “It is not what Humanity considers good or evil. Humanity should not presume to judge for God. They invariably get it wrong.”

The issue also had Spectre fighting a magically powered, hate-mongering priest, a bigot who believed that crimes against gay people were justified. Jim Corrigan and the Spectre, by the story’s end, realize that they need to be more open-minded about gay people and their rights.

Spectre # 45, it’s always a good, riveting read.

That Toy’s Story

I’ve been listening to three songs repeatedly: Amanda Marshall’s “I’ll Be Okay,” The Pretenders’ “I’ll Stand By You,” and the sad song from Toy Story 2, Sarah McLachlan’s “When She Loved Me.” Just wanted to share the words:

When She Loved Me
Sarah McLachlan

When somebody loved me
Everything is beautiful
Every hour we spent together
Lives within my heart
And when she was sad
I was there to dry her tears
And when she was happy so was I
When she loved me

Through the summer and the fall
We had each other that was all
Just she and I together like it was meant to be
And when she was lonely
I was there to comfort her
And I knew that she loved me

So the years went by I stayed the same
But she began to drift away
I was left alone
But still I waited for the day
When she’d say I will always love you

Lonely and forgotten
I never thought she’d look my way
When she smiled at me and held me just like she used to do
Like she loved me
When she loved me

When somebody loved me
Everything is beautiful
Every hour we spent together
Lives within my heart
When she loved me

Wild Weapon X-ers

That’s a cool pic of Wolverine with Deadpool, Gambit, Sabretooth and Silver Fox. The trailer looks good; it’s already shown other characters from the X-universe like Emma Frost and a young Ororo Munroe. I hope the movie’s good.

I wonder if they’ll disfigure Deadpool’s face in it. I hope he’s just as quippy as his comic book version. Ryan Reynolds is a good choice; I still associate him with the guy he played in Two Guys, a Girl and a Pizza Place sometimes, but his more muscle-y Hannibal King in the last Blade movie did show that he can do an action role credibly.

‘Australia’: Inside out, upside down Down Under

‘Australia’ is an unduly long but moving epic about the unlikely romance between a landowner (Nicole Kidman) and her tough driver-ranch hand (Hugh Jackman), as well as their changing relationship with a mixed-race child (Brandon Walters). The Baz Luhrmann film initially focuses on personal conflicts; a grieving widow must acclimate to living in a land strange to her, and must console a boy recovering from losing someone dear to him. She also helps him elude law enforcers forcibly taking Aborigine children from their parents. The drama escalates when the strife of World War II comes to Australia’s doorstep.

The visuals are sometimes painterly and showy, but there are unnecessarily lengthy scenes that, while pretty to look at, don’t really add much to the story. The film also doesn’t want to end, even when it has many opportunities to do so. Still, the besieged family drama and beleaguered romance angle make the displaced trio characters that you’ll gradually care about. There really aren’t great surprises, but the payoff, when it finally comes, does make one choke up a little. It’s not Luhrmann’s typical eye-popping, ear-pleasing feast, for sure. There is still beauty in its simplicity and accessibility, however. Kidman and Jackman add magic and elegance to their archetypal soulmates from opposite worlds.

‘Australia’ will be in Metro Manila cinemas on January 28.

‘Underworld: Rise of the Lycans’: Vampire hearts Werewolf

The series expands with a prequel that doesn’t look cheap, and one that’s actually quite cool, giving some dimension to the monster war of the two previous fantasy-action flicks. The beginning of that ages-old conflict is told rather decently, even if the tale itself is simple and not exactly anything new. While the movie isn’t about Kate Beckinsale’s ass-kicking character, it expounds on its other nocturnal creatures, and introduces (and re-introduces) important ones. The forbidden love of vampire council member Sonja (Rhona Mitra) and wolfman slave Lucian (Michael Sheen) won’t be a secret for long, and it threatens to undermine and humiliate the leadership of Viktor (Bill Nighy), her stern father. It also threatens the old, vampire-established order, but the eruption of beastly chaos is inevitable.

Battles are fought, and an eternal enmity is spawned. The battle scenes have appealing choreography; “The Matrix” is mimicked in the sense that there are some nicely angled action poses where swords and crossbows are stylishly, menacingly brandished. Some scenes look inspired by the “Lord of the Rings” and the “Narnia” movies; the battlefield-scale effects, depicting savage fights between werewolf and armored vampire armies, are quite impressive. “Rise of the Lycans” is barely an hour and 20 minutes long, but it quits while it’s ahead and ends competently enough.

The movie is currently showing at Metro Manila theaters.

The Cuddly Avengers Vs. Flex-Force

These days, anyone can be an Avenger. There are A-teams running around now with different reasons for existing. I’ve got my own dream lineups, teams that I think should one day exist. The Cuddly Avengers is one of those newer, less serious ideas that came to me just over a week ago. They’re cute, smart animal characters that live and fight in the Marvel Universe. Spider-Ham resides in another Marvel reality, but I just wanted to draw him in this group shot with Howard the Duck, Rocket Raccoon and Tippy Toe.

The other team is Flex-Force, inspired by groups with similarly powered members like X-Force or Thor Corps. The flexible, shapeshifting members are Warlock, Impossible Man, Slapstick and Morph. That’d be one crazy and fun team. I imagine that the interactions and dialogue would be just as crazy, since they’re mostly like sugar-high kids with well-meaning but recklessly executed ideas. The DC equivalent of the team would probably include Plastic Man, Offspring, Bat-Mite and maybe Johnny Thunder’s Thunderbolt.

I see the Cuddly Avengers and Flex-Force fighting and later, teaming up against a third cartoony-looking team consisting of Lockheed, HERBIE, Pym’s pet/ship Rover, and that bloodthirsty weirdo Doop.

I had fun, and time, obviously. Drew these on backing boards.

‘The Secret Life of Bees’: Beekeepers’ blues

The heavier than usual coming-of-age tale is poignant and discomfiting, primarily because it’s set in the midst of a crucial turning point in America’s history. A 14-year-old, Lucy (Dakota Fanning), witnesses racial tension and bigotry when her housekeeper Rosaleen (Jennifer Hudson) is openly mocked and attacked on their way to a civil rights meeting.

Lucy, burdened by the loss of a mother and feeling unloved by an indifferent father, runs away with the bruised and humiliated nanny. They soon find themselves seeking out a South Carolina town where they could start anew and hide from their tormentors.

“The Secret Life of Bees” quickly creates a depressing atmosphere, presenting the guilt-ridden Lucy’s pathos early on and proceeding with painful depictions of racism in the ‘60s. But soon enough, the ugliness is replaced by lightheartedness and optimism, when the existence of an unusually accepting place is revealed.

Queen Latifah credibly plays a rich, motherly figure who welcomes into her haven the weary pair of runaways. Lucy and Rosaleen are hired as beekeeper and cook, respectively, thankful that all their worries may be behind them at last.

It’s a weepy, eternally relevant story, and it makes you care even when you see some things coming. Fanning and Hudson perform well; the latter actually doesn’t do vocal gymnastics for this role, and is often a comforting, subtle presence. Paul Bettany is commanding as Lucy’s emotion-devoid and frightening father. Pop singer Alicia Keys does okay as one of the more vocal independent women of the honey-making household, although the role feels forced and becomes predictably silly from time to time.

The bee-human life metaphor isn’t really expounded on interestingly, and some revelations regarding Lucy’s past are just too convenient and coincidental. But familiar rotes and flaws aside, “The Secret Life of Bees” is an effective, affecting drama that reflects the universality of growing up, its inherent anguish and joys, and the tough search for acceptance and appreciation.

It opens January 21st. It’s a Greenbelt-Glorietta exclusive.

Slapped Silly

I drew this on a backing board. That’s Slapstick, a ‘90s Marvel character revived over a year ago in Avengers: The Initiative. The New Warrior turned Initiative recruit was among heroes plucked from obscurity and given important roles in that book. He’s unstable, in more ways than one, but he’s also nicely unpredictable and visually unique. Slapstick mauled Gauntlet after the drill sergeant repeatedly mocked the New Warriors.

“Who’s laughin’ now?!”

Heal the Hole That Ripped in Living

My old blog turned four early this month. Time flies. In 2005, I started blogging because I was selling something. In no time at all, I found that sharing my thoughts in my very own space was therapeutic, especially since some parts of my life had become occasionally stressful and/or needed some form of release. It became very helpful in that regard; the blog became a place where I can rant and rave freely about things that may not necessarily concern others. I knew my limits, though, and kept some things private. I can’t--and shouldn’t--divulge everything, obviously.

It seems that almost everyone’s connected now somehow, at least in this dimension. The linked communities seem so within reach these days, the shifting corners of cyberspace replete with thoughts and reports on almost every subject imaginable. Some blogs have become catalysts for change, or valuable tools to those seeking justice, or even revenge. Every person has a story, and these days, it’s hard to miss how those tales unfold via personal accounts or through people with their take on the day’s details.

How has blogging helped or changed me, apart from the reasons I stated? Hmm. It continues to give me opportunities to speak on issues that are important to me. It also documents how much I’m changing, learning or growing. I look at my 2005 and 2006 posts and realize that my life used to be simpler. I really had fewer concerns.

I don’t know for sure if my entries make a difference or inspire others to share their own thoughts. But I know that writing them, sharing articles and posting drawings and photos are helpful to me in varying degrees. This blog will continue to recount, celebrate, praise, rip apart, question, and wonder about things that interest me, for as long as I’m able.

Gay Superheroes Dancing

Superhuman. And dancer. (That’s sort of my riff on the Killers song.)

Things I drew yesterday to keep myself sane.

Hulkling and Wiccan

Lucy In The Sky and Xavin

Northstar and Living Lightning

‘Heroes: Villains’: Good times, bad times

Spoilers. Season 3’s “Villains” arc is over. Well, that was quick. It started with a few promising episodes, but the clutter caught up and messed things up. The writers tried to fixed some of those problems near the end, but only a few were addressed satisfyingly. Watching the show and keeping track of the convoluted storylines have become a chore.

“Villains” moved pretty quickly, its tone slightly darker than previous seasons’.

First, the good things:

1. The addition of Daphne. The thieving super-speedster is likeable, and a nice foil to Hiro and Matt.
2. Elle. Kristen Bell did great. Scenes depicting her powers going haywire, and her emotional confrontation with Sylar in a prison cell, were among the character’s best moments.
3. The introduction of people with other powers such as cryokinesis, telepathic puppetry, lie detection, and sound manipulation, among others.
4. Angela’s premonition.
5. The Petrelli ex-spouses’ obvious manipulation of Sylar.
6. Nikki’s absence. Her sanity issues were getting uninteresting.
7. Less Maya. Man, she was annoying.

The bad:

1. The duplication of powers. Psychic painting? Pyrokinesis? Ho-hum. Peter and Sylar’s copycat abilities have gotten confusing, too. And why aren’t they using all of their powers during major confrontations with their enemies?
2. Loose ends. Peter’s Irish girlfriend was abandoned in an alternate future last season and hasn’t been mentioned since.
3. The execution of Daphne’s powers. Does she have a Flash-like undertow that yanks people harmlessly into her speed trail while she’s running? She just holds hands with them and vanishes, like she’s teleporting.
4. Elle’s fate. What a squandered character. After forgiving Sylas and gaining control of her power again, she became a confusing mess (she’s manipulative, vulnerable, ambitious, etc.). Her character went nowhere, so maybe it’s good that she was killed off after exhibiting Nikki-like personality shifts.
5. The fortune cookie voiceover narration that belabors the obvious.
6. WTF. Noah had Sylar and Elle in his crosshairs when the pair went smoochy and groiny. Then he just waits for them to finish up before attacking them?!
7. Nathan’s out of character moments. So he’s a species traitor now? He forgets that he has powers and wants his fellow powered beings rounded up. Jeez.
8. Mohinder’s The Fly situation.
9. Arthur Petrelli. It feels like he was just shoehorned into the arc. The retcons showing his badass-ness aren’t convincing.
10. Hiro’s convoluted history.
11. Adam Monroe’s quick, forgettable death.
12. Angela’s power. What a letdown. Her apocalyptic visions are just dreams. What’s so special about that? Also, other visions of ominous futures have gotten pretty tiring.

Super Trooper

Benedict gave me a bunch of comics and an action figure last Christmas. George Lucas in Stormtrooper Disguise is so cool. The Star Wars creator is immortalized in plastic, looking much thinner and younger because this was based on how he looked back in the ‘70s. I’m not sure if there’s already a Baron Papanoida figure, based on the character Lucas briefly played in Revenge of the Sith. But it’s inevitable that it’ll be made eventually. That must be strange and cool at the same time, to be part of action figure sets of your own movies.

This reminds me, I saw Peter Jackson Hobbit action figure in a toy shop months back. That looked good, too. Hmm, I wonder if there are other filmmakers or storytellers with their faces on toys. I know Kevin Smith has his own figures, but that’s already based on his character Silent Bob. Maybe Joss Whedon should have one someday. Buffy and Angel action figures are already being made, so that’s possible. Maybe he can be a generic vampire with changeable heads. And maybe Tim Burton should have his own figure, too. He can effortlessly blend in with the people in the dimly lit worlds he helps shape.

Anyway, thanks for the nice new toy, Benedict. I love it.